On Displaying Musical Scores » History » Version 17
Chris Cannam, 2016-01-07 04:57 PM
1 | 1 | Chris Cannam | h1. On Displaying Musical Scores |
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2 | 1 | Chris Cannam | |
3 | 3 | Chris Cannam | h3. Use cases |
4 | 1 | Chris Cannam | |
5 | 3 | Chris Cannam | # Illustrating recordings by attaching a full publication-style score |
6 | 4 | Chris Cannam | ** ...where the score is not intended to be read closely, but rather used as a sort of key-frame reference for navigating the audio |
7 | 4 | Chris Cannam | ** ...or where user expects to be able to zoom the score far enough to actually read it properly |
8 | 3 | Chris Cannam | # Linear rather than page-based score that a user is expected to read, e.g. to play along with, or to check specific notes in a transcription or spectrogram |
9 | 3 | Chris Cannam | # On-the-fly score display of transcriptions and related annotation layers (score from MIDI) |
10 | 3 | Chris Cannam | # Score editing for correction (making usually small edits to substantial scores) |
11 | 3 | Chris Cannam | # Score editing for annotation (generating small scores from scratch) |
12 | 1 | Chris Cannam | |
13 | 3 | Chris Cannam | h3. Sources of score data |
14 | 1 | Chris Cannam | |
15 | 3 | Chris Cannam | * Score-encoding formats, e.g. MusicXML, MEI |
16 | 3 | Chris Cannam | * PDFs of published scores |
17 | 3 | Chris Cannam | * "Tidy" MIDI files and other cleaned-up annotation data (e.g. chord charts) |
18 | 3 | Chris Cannam | * Untidy output from transcription methods and the like, in MIDI or MIDI-like formats |
19 | 1 | Chris Cannam | |
20 | 3 | Chris Cannam | h3. Possible implementations |
21 | 3 | Chris Cannam | |
22 | 7 | Chris Cannam | # Integrate code from an existing application (most likely one that is also in C++ using Qt) |
23 | 1 | Chris Cannam | ** Suitable for all use cases, with limitation of requiring score to be available in a digital format |
24 | 7 | Chris Cannam | ** Only possibility if editing is required (but note that adding editing is likely to be very involved even with this approach, maybe prohibitively so) |
25 | 3 | Chris Cannam | ** MuseScore -- most obvious option |
26 | 1 | Chris Cannam | ** Rosegarden -- has a notation editor component but is primarily a sequencer (but does have the advantage that I wrote much of it and so know a lot of the code!) |
27 | 3 | Chris Cannam | |
28 | 7 | Chris Cannam | # Invoke external application to render to PDF or sequence of images, then display PDF/image pages |
29 | 5 | Chris Cannam | ** Suitable for use case 1; unsuitable for use cases 2, 4, 5; uncertain for use case 3 |
30 | 3 | Chris Cannam | ** Replaces problem of "integrating score display" with problem of "integrating PDF/image page display" |
31 | 6 | Chris Cannam | ** Could use MuseScore as the external application (it has a batch mode) or Lilypond, or something else like VexFlow, or more than one option depending on platform & input format |
32 | 6 | Chris Cannam | ** Has advantage of also introducing ability to display other PDF material than scores |
33 | 5 | Chris Cannam | ** Adds access to non-digital (scanned) score content |
34 | 3 | Chris Cannam | |
35 | 8 | Chris Cannam | Both have their technical challenges, but there is also a conceptual question about how to align score pages or bars in the time axis (more on this below). |
36 | 2 | Chris Cannam | |
37 | 8 | Chris Cannam | h3. Which code to use for option 1? |
38 | 1 | Chris Cannam | |
39 | 8 | Chris Cannam | I think the only reasonable options are MuseScore and Rosegarden. MuseScore produces much better output and has fairly well-organised code. Rosegarden has a more limited renderer and currently lacks MusicXML import. The only reason to consider anything other than MuseScore is that I'm quite familiar with the Rosegarden code myself already. At any rate, Rosegarden makes a useful baseline comparison. |
40 | 1 | Chris Cannam | |
41 | 8 | Chris Cannam | Here are some examples, deliberately choosing small sizes in order to see how a zoomed-out scale looks, and considering both linear and paginated layouts. |
42 | 8 | Chris Cannam | |
43 | 8 | Chris Cannam | h4. Linear layouts with "good" source material |
44 | 8 | Chris Cannam | |
45 | 8 | Chris Cannam | Both applications are displaying their own example files here, so we have two different pieces but both are pieces that are expected to work well. |
46 | 8 | Chris Cannam | |
47 | 8 | Chris Cannam | h5. MuseScore |
48 | 8 | Chris Cannam | |
49 | 2 | Chris Cannam | !/attachments/download/1776/musescore-tidy-linear.png! |
50 | 1 | Chris Cannam | |
51 | 8 | Chris Cannam | h5. Rosegarden |
52 | 2 | Chris Cannam | |
53 | 1 | Chris Cannam | !/attachments/download/1779/rosegarden-tidy-linear.png! |
54 | 1 | Chris Cannam | |
55 | 8 | Chris Cannam | h4. Paginated layouts with "good" source material |
56 | 1 | Chris Cannam | |
57 | 8 | Chris Cannam | Same pieces as above. |
58 | 2 | Chris Cannam | |
59 | 8 | Chris Cannam | h5. MuseScore |
60 | 8 | Chris Cannam | |
61 | 2 | Chris Cannam | !/attachments/download/1778/musescore-tidy-paginated.png! |
62 | 1 | Chris Cannam | |
63 | 8 | Chris Cannam | h5. Rosegarden |
64 | 2 | Chris Cannam | |
65 | 1 | Chris Cannam | !/attachments/download/1780/rosegarden-tidy-paginated.png! |
66 | 2 | Chris Cannam | |
67 | 8 | Chris Cannam | h4. Imported from an approximate transcription |
68 | 2 | Chris Cannam | |
69 | 14 | Chris Cannam | This is an input that is not expected to work well -- a transcription obtained from the Silvet Vamp plugin of a MAPS database recording of Chopin mazurka op 7 no 1, exported to MIDI. Shown below is the result of taking that MIDI file as exported by Sonic Visualiser and importing it into each application with the default quantization/tidying settings. |
70 | 12 | Chris Cannam | |
71 | 17 | Chris Cannam | Despite their substantially different appearances, these are both displaying the same MIDI data. Besides quantization differences, they use different numbers of staffs and different clefs, keys, and time signatures. None of those are given in the MIDI file here. MuseScore has guessed the wrong key (according to the original score) but the right time signature. Rosegarden has the right key but the wrong time signature. |
72 | 2 | Chris Cannam | |
73 | 8 | Chris Cannam | h5. MuseScore |
74 | 8 | Chris Cannam | |
75 | 2 | Chris Cannam | !/attachments/download/1775/musescore-messy.png! |
76 | 2 | Chris Cannam | |
77 | 8 | Chris Cannam | h5. Rosegarden |
78 | 1 | Chris Cannam | |
79 | 1 | Chris Cannam | !/attachments/download/1777/rosegarden-messy.png! |