Timing and IO in Bela » History » Version 4
Giulio Moro, 2016-05-10 03:15 PM
1 | 3 | Giulio Moro | h1. Timing and I/O in Bela |
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2 | 1 | Andrew McPherson | |
3 | 3 | Giulio Moro | All I/O in Bela -- audio, analog and digital -- is synchronised to the same master clock. This means that audio and sensor data is always strongly aligned with no latency or jitter. It also means that programming conventions for handling I/O are somewhat different from other platforms. |
4 | 1 | Andrew McPherson | |
5 | 3 | Giulio Moro | h2. Functions in a Bela project |
6 | 1 | Andrew McPherson | |
7 | 3 | Giulio Moro | Every Bela project must declare three functions: @setup()@, @render()@ and @cleanup()@. |
8 | 1 | Andrew McPherson | |
9 | 1 | Andrew McPherson | @setup(BeagleRTContext *context, void *userData)@ runs once at the *beginning* of the program, before any audio or sensor processing has taken place. It is analogous to the @setup()@ function in the Arduino environment. Your code here should allocate any needed memory and initialise program state. |
10 | 1 | Andrew McPherson | |
11 | 3 | Giulio Moro | @render(BeagleRTContext *context, void *userData)@ runs *regularly, in a loop* as long as the program is running. It is called by the Bela system. Your code within @render()@ should process one buffer worth of audio, analog and digital data, using the information stored in the @context@ data structure. For further information, see [[ Tutorial Sketches - Explanations ]]. |
12 | 1 | Andrew McPherson | |
13 | 1 | Andrew McPherson | @cleanup(BeagleRTContext *context, void *userData)@ runs once at the *end* of the program, after audio and sensor processing has finished. Use it to clean up resources allocated in @setup()@. |
14 | 1 | Andrew McPherson | |
15 | 1 | Andrew McPherson | h2. Working with I/O |
16 | 1 | Andrew McPherson | |
17 | 1 | Andrew McPherson | All audio processing, as well as all analog and digital I/O, should be handled from @render()@. Every call to @render()@ represents a small slice of time: |
18 | 1 | Andrew McPherson | |
19 | 1 | Andrew McPherson | (image to go here) |
20 | 1 | Andrew McPherson | |
21 | 4 | Giulio Moro | On Bela, analog and digital I/Os are sampled at a constant rate, _regardless of whether you use the samples or not_. All I/O is held within the @context@ data structure. For example, if the buffer size is 8 audio samples and you are using 8 analog channels, then the structure will contain: |
22 | 1 | Andrew McPherson | |
23 | 1 | Andrew McPherson | * @context->audioIn@ is an array of 8 frames * 2 channels = 16 audio input samples. These samples were read by the hardware before @render()@ began. |
24 | 1 | Andrew McPherson | * @context->audioOut@ is an array of 8 frames * 2 channels = 16 audio output samples which your program should write. They will be sent to the hardware after @render()@ has finished. |
25 | 1 | Andrew McPherson | * @context->analogIn@ is an array of 4 frames * 8 channels = 32 analog input samples. (4 frames because analog I/O runs at half the sample rate of audio I/O.) These samples were read by the hardware before @render()@ began. |
26 | 1 | Andrew McPherson | * @context->analogOut@ is an array of 4 frames * 8 channels = 32 analog output samples which your program should write. |
27 | 4 | Giulio Moro | * @context->digital@ is an array of 8 frames. Digital frames are encoded as 32bit words where bits 31-16 are the input or output value and bits 15-0 set the direction. While these can be set directly using bitwise operators, it is recommended that you use the provided functions digitalReadFrame and digitalWriteFrame. |
28 | 1 | Andrew McPherson | |
29 | 3 | Giulio Moro | This is a contrast to Arduino and similar environments. For example, calling @analogRead()@ on Arduino would cause the analog pin to be read at the moment the function runs. The rest of the code will stop until the analog to digital conversion has finished and @analogRead()@ returns. On Bela, the analog input data is _already present in the buffer_. Calling @analogReadFrame()@ will retrieve the sample from the buffer. Your code does not need to wait for the conversion to happen. |
30 | 1 | Andrew McPherson | |
31 | 1 | Andrew McPherson | h3. Understanding the "frame" argument |
32 | 1 | Andrew McPherson | |
33 | 3 | Giulio Moro | All the I/O functions in Bela (@digitalReadFrame()@, @analogWriteFrame()@, etc.) take an argument for which frame to read or write the I/O pin. The frame indicates exactly what time the read/write should take place. The number of frames in any given call to @render()@ depends on the Bela buffer size (which can be changed with the @- p@ command line argument). By default, the buffer size is 8 analog frames or 16 audio frames. Valid frame numbers will range from 0 to @(context->analogFrames - 1)@ for analog, @(context->digitalFrames - 1)@ for digital and @(context->audioFrames - 1)@ for audio. |
34 | 1 | Andrew McPherson | |
35 | 1 | Andrew McPherson | Remember when calling @analogWriteFrame()@ or @digitalWriteFrame()@ that the value will not be updated immediately upon returning from the function. Instead, the output will be buffered and will change when the designated frame arrives. |
36 | 1 | Andrew McPherson | |
37 | 1 | Andrew McPherson | h3. I/O Functions |
38 | 1 | Andrew McPherson | |
39 | 3 | Giulio Moro | Bela provides a number of I/O functions. Your files should contain @#include <Utilities.h>@ in order to use these functions. See the code docs for detailed usage: https://code.soundsoftware.ac.uk/projects/beaglert/embedded/Utilities_8h.html |
40 | 1 | Andrew McPherson | |
41 | 1 | Andrew McPherson | * @digitalReadFrame@ -- read a digital pin |
42 | 1 | Andrew McPherson | * @digitalWriteFrame@ -- write a digital pin, and hold the value going forward |
43 | 1 | Andrew McPherson | * @digitalWriteFrameOnce@ -- write a digital pin for one frame only |
44 | 1 | Andrew McPherson | * @pinModeFrame@ -- change a digital pin to an input or output and maintain this going forward |
45 | 1 | Andrew McPherson | * @pinModeFrameOnce@ -- change a digital pin to an input or output for one frame only |
46 | 1 | Andrew McPherson | * @analogReadFrame@ -- read an analog pin |
47 | 1 | Andrew McPherson | * @analogWriteFrame@ -- write an analog pin, and (depending on system setting) hold the value going forward |
48 | 1 | Andrew McPherson | * @analogWriteFrameOnce@ -- write an analog pin for one frame only |
49 | 1 | Andrew McPherson | |
50 | 1 | Andrew McPherson | h3. Example: @int digitalReadFrame(BeagleRTContext *context, int frame, int channel)@ |
51 | 1 | Andrew McPherson | |
52 | 1 | Andrew McPherson | This function works like @digitalRead()@ on Arduino, but it takes two extra arguments. The first argument is the @context@ data structure which is passed in to @render()@. This is needed because @context@ holds all the references to the I/O buffers. The second argument is the frame (i.e. the time) at which to read the pin. The third argument, @channel@, is the pin to read, similar to the Arduino function. The value of the pin (@HIGH@ or @LOW@) is returned. |
53 | 2 | Giulio Moro | |
54 | 2 | Giulio Moro | h3. Input/output pins |
55 | 2 | Giulio Moro | |
56 | 2 | Giulio Moro | Analog input and output pins are provided on dedicated headers, labelled "IN" and "OUT" respectively. |
57 | 2 | Giulio Moro | The 8 analog inputs are ordered sequentially from 0 to 7 starting from the one closer to P9 and moving towards P8. |
58 | 2 | Giulio Moro | The 8 analog outputs are not sequential but their numbers are silkscreened on the PCB. |
59 | 2 | Giulio Moro | |
60 | 2 | Giulio Moro | Digital input/output pins are available on P8 and P9 connectors. The correspondency between physical pins and the digital pin numbers used in the software is outlined below. |
61 | 2 | Giulio Moro | |
62 | 2 | Giulio Moro | Refer to the interactive diagram to find your way around the available pins on the cape: http://www.astridbin.com/bbb_diagram/ . |
63 | 2 | Giulio Moro | |
64 | 2 | Giulio Moro | Pin Digital in/out number |
65 | 2 | Giulio Moro | P8_07 0 |
66 | 2 | Giulio Moro | P8_08 1 |
67 | 2 | Giulio Moro | P8_09 2 |
68 | 2 | Giulio Moro | P8_10 3 |
69 | 2 | Giulio Moro | P8_11 4 |
70 | 2 | Giulio Moro | P8_12 5 |
71 | 2 | Giulio Moro | P9_12 6 |
72 | 2 | Giulio Moro | P9_14 7 |
73 | 2 | Giulio Moro | P8_15 8 |
74 | 2 | Giulio Moro | P8_16 9 |
75 | 2 | Giulio Moro | P9_16 10 |
76 | 2 | Giulio Moro | P8_18 11 |
77 | 2 | Giulio Moro | P8_27 12 |
78 | 2 | Giulio Moro | P8_28 13 |
79 | 2 | Giulio Moro | P8_29 14 |
80 | 2 | Giulio Moro | P8_30 15 |