Legislation » History » Version 17
Steve Welburn, 2012-07-25 12:28 PM
1 | 1 | Steve Welburn | h1. Legislation |
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2 | 1 | Steve Welburn | |
3 | 6 | Steve Welburn | (part of [[WP1_1_Research_Of_Available_Resources]]) |
4 | 6 | Steve Welburn | |
5 | 4 | Steve Welburn | JISC "Web2 Rights":http://www.web2rights.org.uk/documents.html |
6 | 5 | Steve Welburn | "JISC Legal":http://www.jisclegal.ac.uk/ |
7 | 4 | Steve Welburn | |
8 | 1 | Steve Welburn | h2. Copyright |
9 | 1 | Steve Welburn | |
10 | 16 | Steve Welburn | h3. UK |
11 | 16 | Steve Welburn | |
12 | 1 | Steve Welburn | "Copyright, Designs and Patents Act 1988":http://www.legislation.gov.uk/ukpga/1988/48/contents |
13 | 1 | Steve Welburn | |
14 | 1 | Steve Welburn | Fair dealing / fair use |
15 | 2 | Steve Welburn | |
16 | 2 | Steve Welburn | Use in "education":http://www.legislation.gov.uk/ukpga/1988/48/part/I/chapter/III/crossheading/education |
17 | 3 | Steve Welburn | |
18 | 9 | Steve Welburn | Lots of fact sheets at "The UK Copyright Service":http://www.copyrightservice.co.uk |
19 | 9 | Steve Welburn | |
20 | 9 | Steve Welburn | Includes the "Top 10 Copyright Myths":http://www.copyrightservice.co.uk/copyright/copyright_myths |
21 | 9 | Steve Welburn | |
22 | 13 | Steve Welburn | "UK Intellectual Property Office":http://www.ipo.gov.uk has a "page on copyright":http://www.ipo.gov.uk/types/copy.htm including a downloadable booklet. |
23 | 13 | Steve Welburn | |
24 | 10 | Steve Welburn | "Pay The Piper":http://www.paythepiper.co.uk has a post explaining "music copyright":http://www.paythepiper.co.uk/copyright.asp |
25 | 10 | Steve Welburn | |
26 | 10 | Steve Welburn | bq. If you compose a completely original piece of music then it is your own property - you own the copyright, in other words. |
27 | 10 | Steve Welburn | |
28 | 10 | Steve Welburn | bq. Arranging existing music is fraught with difficulties. To put it very simply (and this is indeed a gross simplification) until the composer has been dead for seventy years his music is copyright and you may not make a written arrangement of it without permission. |
29 | 10 | Steve Welburn | |
30 | 11 | Steve Welburn | ...lots more good info on "the page":http://www.paythepiper.co.uk/copyright.asp though |
31 | 11 | Steve Welburn | |
32 | 12 | Steve Welburn | "Music Publishers Association - MPA":http://www.mpaonline.org.uk/licensing-music-copyrights |
33 | 12 | Steve Welburn | |
34 | 12 | Steve Welburn | "Performing Rights Society - PRS":http://www.prsformusic.com |
35 | 13 | Steve Welburn | |
36 | 13 | Steve Welburn | "Guide to Copyright in Schools":http://www.licensing-copyright.org/index.html |
37 | 13 | Steve Welburn | |
38 | 17 | Steve Welburn | "PRS - Performing Rights Society":http://www.prsformusic.com/creators/joiningus/Pages/NewMemberFAQs.aspx - FAQ, includes details on copyright |
39 | 17 | Steve Welburn | |
40 | 16 | Steve Welburn | h3. Abroad |
41 | 16 | Steve Welburn | |
42 | 14 | Steve Welburn | Australian IP law "blog posts":http://www.dilanchian.com.au re. media and copyright. Includes: |
43 | 13 | Steve Welburn | * "Digital music technology and copyright timeline":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=202:digital-music-technology-and-copyright-timeline&catid=5:ip-tech-a-e-biz&Itemid=144 |
44 | 13 | Steve Welburn | * "Are adaptations of copyright work legal?":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=502:are-adaptations-of-copyright-work-legal&catid=23:ip&Itemid=114 |
45 | 13 | Steve Welburn | * "Music formats and law: commercialisation of 45-rpm records":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=196:music-formats-and-law-commercialisation-of-45-rpm-records&catid=23&Itemid=114 |
46 | 13 | Steve Welburn | * "Creative Commons licences are useful but oversold":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=233:creative-commons-licences-are-useful-but-oversold&catid=5:ip-tech-a-e-biz&Itemid=144 |
47 | 12 | Steve Welburn | |
48 | 15 | Steve Welburn | US articles from Public Domain Sherpa "Tutorial on Copyright and the Public Domain":http://www.publicdomainsherpa.com/copyright-public-domain.html |
49 | 15 | Steve Welburn | * "What makes a derivative work":http://www.publicdomainsherpa.com/derivative-work.html |
50 | 15 | Steve Welburn | ??derivative must use enough of the prior work that the average person would conclude that it had been based on or adapted from the prior work?? |
51 | 15 | Steve Welburn | * "Compilations":http://www.publicdomainsherpa.com/compilation.html |
52 | 15 | Steve Welburn | ??compilations are (c) if they show minimal creativity?? (e.g. not just all works by someone or by date) |
53 | 15 | Steve Welburn | * "Copyright Renewal":http://www.publicdomainsherpa.com/copyright-renewal.html |
54 | 15 | Steve Welburn | Many works did not have copyright renewed and therefore went *out of copyright* and into the public domain in the US - estimated 15% of works had copyright renewed. Renewals will appear in the "online US copyright database":http://www.copyright.gov/records/ for works from 1950-1963, |
55 | 15 | Steve Welburn | |
56 | 15 | Steve Welburn | CHM Super Sound (a South Pacific record company) "state that":http://www.chmsupersound.com/index.php?option=com_content&view=article&id=170:theadaptationanduseofcopyrighttunesandmelodiesbypngmusicians-&catid=1:latest&Itemid=7 : |
57 | 15 | Steve Welburn | |
58 | 15 | Steve Welburn | bq. A melodic phrase of a song is in copyright. The lyrics are in copyright. Chord progressions in a music composition however, are not copyright material. |
59 | 16 | Steve Welburn | |
60 | 16 | Steve Welburn | University of Washington "Copyright Connection":http://depts.washington.edu/uwcopy/Copyright_Connection/ |
61 | 16 | Steve Welburn | |
62 | 16 | Steve Welburn | WIPO "Understanding Copyright and Related Rights":http://www.wipo.int/freepublications/en/intproperty/909/wipo_pub_909.html |
63 | 16 | Steve Welburn | |
64 | 16 | Steve Welburn | "Berne Convention for the Protection of Literary and Artistic Works":http://www.wipo.int/treaties/en/ip/berne/ |
65 | 16 | Steve Welburn | |
66 | 16 | Steve Welburn | Chord Progressions and Copyright: |
67 | 16 | Steve Welburn | * "LegaliBlog (AUS)":http://legalit.com.au/legaliblog/?p=28 |
68 | 16 | Steve Welburn | * "Essential Secrets of Song Writing blog (US?)":http://garyewer.wordpress.com/2009/06/14/can-you-use-someone-elses-chord-progression/" |
69 | 15 | Steve Welburn | |
70 | 3 | Steve Welburn | h2. Data Protection |
71 | 3 | Steve Welburn | |
72 | 3 | Steve Welburn | "Data Protection Act 1998":http://www.legislation.gov.uk/ukpga/1998/29/contents |
73 | 7 | Steve Welburn | |
74 | 7 | Steve Welburn | h2. Freedom Of Information |
75 | 8 | Steve Welburn | |
76 | 8 | Steve Welburn | "Freedom Of Information Act 2000":http://www.legislation.gov.uk/ukpga/2000/36/contents |
77 | 8 | Steve Welburn | |
78 | 8 | Steve Welburn | |
79 | 8 | Steve Welburn | h2. Files |