Legislation » History » Version 15
Steve Welburn, 2012-07-11 02:52 PM
1 | 1 | Steve Welburn | h1. Legislation |
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3 | 6 | Steve Welburn | (part of [[WP1_1_Research_Of_Available_Resources]]) |
4 | 6 | Steve Welburn | |
5 | 4 | Steve Welburn | JISC "Web2 Rights":http://www.web2rights.org.uk/documents.html |
6 | 5 | Steve Welburn | "JISC Legal":http://www.jisclegal.ac.uk/ |
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8 | 1 | Steve Welburn | h2. Copyright |
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10 | 1 | Steve Welburn | "Copyright, Designs and Patents Act 1988":http://www.legislation.gov.uk/ukpga/1988/48/contents |
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12 | 1 | Steve Welburn | Fair dealing / fair use |
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14 | 2 | Steve Welburn | Use in "education":http://www.legislation.gov.uk/ukpga/1988/48/part/I/chapter/III/crossheading/education |
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16 | 9 | Steve Welburn | Lots of fact sheets at "The UK Copyright Service":http://www.copyrightservice.co.uk |
17 | 9 | Steve Welburn | |
18 | 9 | Steve Welburn | Includes the "Top 10 Copyright Myths":http://www.copyrightservice.co.uk/copyright/copyright_myths |
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20 | 13 | Steve Welburn | "UK Intellectual Property Office":http://www.ipo.gov.uk has a "page on copyright":http://www.ipo.gov.uk/types/copy.htm including a downloadable booklet. |
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22 | 10 | Steve Welburn | "Pay The Piper":http://www.paythepiper.co.uk has a post explaining "music copyright":http://www.paythepiper.co.uk/copyright.asp |
23 | 10 | Steve Welburn | |
24 | 10 | Steve Welburn | bq. If you compose a completely original piece of music then it is your own property - you own the copyright, in other words. |
25 | 10 | Steve Welburn | |
26 | 10 | Steve Welburn | bq. Arranging existing music is fraught with difficulties. To put it very simply (and this is indeed a gross simplification) until the composer has been dead for seventy years his music is copyright and you may not make a written arrangement of it without permission. |
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28 | 11 | Steve Welburn | ...lots more good info on "the page":http://www.paythepiper.co.uk/copyright.asp though |
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30 | 12 | Steve Welburn | "Music Publishers Association - MPA":http://www.mpaonline.org.uk/licensing-music-copyrights |
31 | 12 | Steve Welburn | |
32 | 12 | Steve Welburn | "Performing Rights Society - PRS":http://www.prsformusic.com |
33 | 13 | Steve Welburn | |
34 | 13 | Steve Welburn | "Guide to Copyright in Schools":http://www.licensing-copyright.org/index.html |
35 | 13 | Steve Welburn | |
36 | 14 | Steve Welburn | Australian IP law "blog posts":http://www.dilanchian.com.au re. media and copyright. Includes: |
37 | 13 | Steve Welburn | * "Digital music technology and copyright timeline":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=202:digital-music-technology-and-copyright-timeline&catid=5:ip-tech-a-e-biz&Itemid=144 |
38 | 13 | Steve Welburn | * "Are adaptations of copyright work legal?":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=502:are-adaptations-of-copyright-work-legal&catid=23:ip&Itemid=114 |
39 | 13 | Steve Welburn | * "Music formats and law: commercialisation of 45-rpm records":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=196:music-formats-and-law-commercialisation-of-45-rpm-records&catid=23&Itemid=114 |
40 | 13 | Steve Welburn | * "Creative Commons licences are useful but oversold":http://www.dilanchian.com.au/index.php?option=com_content&view=article&id=233:creative-commons-licences-are-useful-but-oversold&catid=5:ip-tech-a-e-biz&Itemid=144 |
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42 | 15 | Steve Welburn | US articles from Public Domain Sherpa "Tutorial on Copyright and the Public Domain":http://www.publicdomainsherpa.com/copyright-public-domain.html |
43 | 15 | Steve Welburn | * "What makes a derivative work":http://www.publicdomainsherpa.com/derivative-work.html |
44 | 15 | Steve Welburn | ??derivative must use enough of the prior work that the average person would conclude that it had been based on or adapted from the prior work?? |
45 | 15 | Steve Welburn | * "Compilations":http://www.publicdomainsherpa.com/compilation.html |
46 | 15 | Steve Welburn | ??compilations are (c) if they show minimal creativity?? (e.g. not just all works by someone or by date) |
47 | 15 | Steve Welburn | * "Copyright Renewal":http://www.publicdomainsherpa.com/copyright-renewal.html |
48 | 15 | Steve Welburn | Many works did not have copyright renewed and therefore went *out of copyright* and into the public domain in the US - estimated 15% of works had copyright renewed. Renewals will appear in the "online US copyright database":http://www.copyright.gov/records/ for works from 1950-1963, |
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50 | 15 | Steve Welburn | CHM Super Sound (a South Pacific record company) "state that":http://www.chmsupersound.com/index.php?option=com_content&view=article&id=170:theadaptationanduseofcopyrighttunesandmelodiesbypngmusicians-&catid=1:latest&Itemid=7 : |
51 | 15 | Steve Welburn | |
52 | 15 | Steve Welburn | bq. A melodic phrase of a song is in copyright. The lyrics are in copyright. Chord progressions in a music composition however, are not copyright material. |
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54 | 3 | Steve Welburn | h2. Data Protection |
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56 | 3 | Steve Welburn | "Data Protection Act 1998":http://www.legislation.gov.uk/ukpga/1998/29/contents |
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58 | 7 | Steve Welburn | h2. Freedom Of Information |
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60 | 8 | Steve Welburn | "Freedom Of Information Act 2000":http://www.legislation.gov.uk/ukpga/2000/36/contents |
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62 | 8 | Steve Welburn | |
63 | 8 | Steve Welburn | h2. Files |