Charis Saitis » History » Version 3
Polina Proutskova, 2019-09-18 04:43 PM
| 1 | 1 | Polina Proutskova | h1. Charis Saitis |
|---|---|---|---|
| 2 | 1 | Polina Proutskova | |
| 3 | 3 | Polina Proutskova | poster can be found at: !!"https://osf.io/gmw27/" |
| 4 | 2 | Polina Proutskova | |
| 5 | 1 | Polina Proutskova | joined C4DM recently |
| 6 | 1 | Polina Proutskova | |
| 7 | 2 | Polina Proutskova | musical acoustics perception, tactile interaction, timbre |
| 8 | 1 | Polina Proutskova | |
| 9 | 1 | Polina Proutskova | timbre semantics: how to communicate timbre between musicians, producers, etc with words |
| 10 | 1 | Polina Proutskova | |
| 11 | 1 | Polina Proutskova | "Metaphors we live by" book |
| 12 | 1 | Polina Proutskova | Instruments are voices - traditional instruments were built to mimic human voice |
| 13 | 1 | Polina Proutskova | sound as material |
| 14 | 1 | Polina Proutskova | noise is friction |
| 15 | 1 | Polina Proutskova | |
| 16 | 1 | Polina Proutskova | brightness |
| 17 | 1 | Polina Proutskova | roughness |
| 18 | 3 | Polina Proutskova | fullness |