Tutorial Sketches - Explanations » History » Version 15
Tutorial Sketches - Explanations¶
Find the tutorial sketches in Respository > Projects, or click this link: https://code.soundsoftware.ac.uk/projects/beaglert/repository/show/projects
Below is a list of the sample sketches, and what they do.
Basic sketch structure¶
A collection of BeagleRT files are called a "project".
The structure of a BeagleRT project¶
If you open a project folder in the above repository, you'll see that each of these BeagleRT project contains two files: main.cpp and render.cpp (some projects have additional files, but every project has at least these two). The main.cpp file you don't really have to worry about; it contains helper functions and things that run command line arguments. Most work is done in the render.cpp file.
The structure of a render.cpp file¶
A render.cpp file has three functions: setup(), render() and cleanup().
setup() is a function that runs at the beginning when the project starts.
render() is a function that is regularly called, over and over continuously, at the highest priority by the audio engine.
cleanup() is a function that is called when the program stops, to finish up any processes that might still be running.
Here we will briefly explain each function and the structure of the render.cpp document
Before any functions¶
At the top of the file, include any libraries you might need.
Additionally, declare any global variables. In these tutorial sketches, all global variables are preceded by a g so we always know which variables are global - gSampleData, for instance. It's not mandatory but is a really good way of keeping track of what's global and what isn't.
Sometimes it's necessary to access a variable from another file, such as main.cpp. In this case, precede this variable with the keyword extern.
setup(), render() and cleanup() each take the same arguments. These are:
These arguments are pointers to data structures. The main one that's used is context, which is a pointer to a data structure containing lots of information you need.
Take a look at what's in the data structure here: https://code.soundsoftware.ac.uk/projects/beaglert/embedded/structBeagleRTContext.html In that link there is also a
You can access any of those bits of information contained in the data structure like this: context->[item in struct]
For example, context->audioChannels returns the number of audioChannels. context->audioIn[n] would give you the current input sample (assuming that your input is mono - if it's not you will have to account for multiple channels).
Note that every audioIn, audioOut, analogIn, analogOut and digital are buffers.
This sketch performs an FFT (Fast Fourier Transform) on incoming audio. It uses the NE10 library, included at the top of the file (line 11).
Read the documentation on the NE10 library here: http://projectne10.github.io/Ne10/doc/annotated.html
The variables timeDomainIn, timeDomainOut and frequencyDomain are variables of the struct ne10_fft_cpx_float32_t (http://projectne10.github.io/Ne10/doc/structne10__fft__cpx__float32__t.html). These are declared at the top of the file (line 21), and memory is allocated for them in setup() (line 41).
In render() a for loop performs the FFT is performed on each sample, and the resulting output is placed on each channel.
This sketch produces a sine wave.
The frequency of the sine wave is determined in a global variable, gFrequency (line 12).
This sketch produces a sine wave, the frequency and amplitude of which are affected by data received on the analog pins. Before looping through each audio frame, we declare a value for the frequency and amplitude of our sine wave (line 55); we adjust these values by taking in data from analog sensors (for example, a potentiometer).
The important thing to notice is that audio is sampled twice as often as analog data. The audio sampling rate is 44.1kHz (44100 frames per second) and the analog sampling rate is 22.05kHz (22050 frames per second). On line 62 you might notice that we are processing the analog data and updating frequency and amplitude only on every second audio sample, since the analog sampling rate is half that of the audio.
Note that the pin numbers are stored in the variables gAnalogInputFrequency and gAnalogInputAmplitude. These are declared in the main.cpp file; if you look in that file you will see that they have the values of 0 and 1. Bear in mind that these are analog input pins which is a specific header!
This sketch uses a sine wave to drive the brightness of a series of LEDs connected to the eight analog out pins. Again you can see the nested for loop structure.
Within the first for loop in render we cycle through each frame in the analog output matrix. At each frame we then cycle through the analog output channels with another for loop and set the voltage according to the phase of a sine tone that acts as an LFO.
The output on each pin is set with analogWriteFrame within the for loop that cycles through the analog output channels. This needs to be provided with arguments as follows analogWriteFrame(context, n, channel, out). Channel is where the you give the address of the analog output pin (in this case we cycle through each pin address in the for loop), out is the variable that holds the desired output (set by the sine wave).
Notice that the phase of the brightness cycle for each led is different. This is achieved by updating a variable that stores a relative phase value, this is advanced by pi/4 (1/8 of a full rotation) for each channel giving each of the eight LEDs a different phase.
This sketch demonstrates the simplest possible case: it passes audio input straight to audio output.
Note the nested for loop structure. You will see this in all BeagleRT projects. The first for loop cycles through the audio frames, the second through each of the audio channels (in this case left 0 and right 1).
We write samples to the audio output buffer with this: context->audioOut[n * context->audioChannels + ch] where n is the current audio frame and ch is the current channel, both provided by the nested for loop structure.
We can access samples in the audio input buffer with this: context->audioIn[n * context->audioChannels + ch].
So a simple audio pass through is achieved by: context->audioOut[n * context->audioChannels + ch] = context->audioIn[n * context->audioChannels + ch].
This sketch is for testing purposes only. Each analog input should be connected to each analog output 0-0, 1-1, etc. The board will then produce either a 880Hz pulse if the every channel is functioning or a 220Hz continuous tone if one of the channels is not working. A message will be printed to the terminal window that details the particular channel that is not working.
These files are from the d-box hackable musical instrument. See https://code.soundsoftware.ac.uk/publications/128?project_id=beaglert for more information.