annotate docs/WAC2016/WAC2016.tex @ 1952:b0c6106afd44

Add interfaces section to WAC paper
author Dave Moffat <me@davemoffat.com>
date Mon, 12 Oct 2015 12:22:42 +0100
parents 47d87764e26d
children a48b6a2c7489
rev   line source
b@1481 1 \documentclass{sig-alternate}
b@1950 2 \usepackage{hyperref} % make links (like references, links to Sections, ...) clickable
b@1950 3 \usepackage{enumitem} % tighten itemize etc by appending '[noitemsep,nolistsep]'
me@1952 4 \usepackage{cleveref}
b@1481 5
b@1481 6 \begin{document}
b@1481 7
b@1481 8 % Copyright
b@1481 9 \setcopyright{waclicense}
b@1481 10
b@1481 11
b@1481 12 %% DOI
b@1481 13 %\doi{10.475/123_4}
b@1481 14 %
b@1481 15 %% ISBN
b@1481 16 %\isbn{123-4567-24-567/08/06}
b@1481 17 %
b@1481 18 %%Conference
b@1481 19 %\conferenceinfo{PLDI '13}{June 16--19, 2013, Seattle, WA, USA}
b@1481 20 %
b@1481 21 %\acmPrice{\$15.00}
b@1481 22
b@1481 23 %
b@1481 24 % --- Author Metadata here ---
b@1481 25 \conferenceinfo{Web Audio Conference WAC-2016,}{April 4--6, 2016, Atlanta, USA}
b@1481 26 \CopyrightYear{2016} % Allows default copyright year (20XX) to be over-ridden - IF NEED BE.
b@1481 27 %\crdata{0-12345-67-8/90/01} % Allows default copyright data (0-89791-88-6/97/05) to be over-ridden - IF NEED BE.
b@1481 28 % --- End of Author Metadata ---
b@1481 29
b@1951 30 \title{Web Audio Evaluation Tool: A framework for subjective assessment of audio}
b@1481 31 %\subtitle{[Extended Abstract]
b@1481 32 %\titlenote{A full version of this paper is available as
b@1481 33 %\textit{Author's Guide to Preparing ACM SIG Proceedings Using
b@1481 34 %\LaTeX$2_\epsilon$\ and BibTeX} at
b@1481 35 %\texttt{www.acm.org/eaddress.htm}}}
b@1481 36 %
b@1481 37 % You need the command \numberofauthors to handle the 'placement
b@1481 38 % and alignment' of the authors beneath the title.
b@1481 39 %
b@1481 40 % For aesthetic reasons, we recommend 'three authors at a time'
b@1481 41 % i.e. three 'name/affiliation blocks' be placed beneath the title.
b@1481 42 %
b@1481 43 % NOTE: You are NOT restricted in how many 'rows' of
b@1481 44 % "name/affiliations" may appear. We just ask that you restrict
b@1481 45 % the number of 'columns' to three.
b@1481 46 %
b@1481 47 % Because of the available 'opening page real-estate'
b@1481 48 % we ask you to refrain from putting more than six authors
b@1481 49 % (two rows with three columns) beneath the article title.
b@1481 50 % More than six makes the first-page appear very cluttered indeed.
b@1481 51 %
b@1481 52 % Use the \alignauthor commands to handle the names
b@1481 53 % and affiliations for an 'aesthetic maximum' of six authors.
b@1481 54 % Add names, affiliations, addresses for
b@1481 55 % the seventh etc. author(s) as the argument for the
b@1481 56 % \additionalauthors command.
b@1481 57 % These 'additional authors' will be output/set for you
b@1481 58 % without further effort on your part as the last section in
b@1481 59 % the body of your article BEFORE References or any Appendices.
b@1481 60
b@1948 61 % FIVE authors instead of four, to leave space between first two authors.
me@1944 62 \numberofauthors{5} % in this sample file, there are a *total*
b@1481 63 % of EIGHT authors. SIX appear on the 'first-page' (for formatting
b@1481 64 % reasons) and the remaining two appear in the \additionalauthors section.
b@1481 65 %
b@1481 66 \author{
b@1481 67 % You can go ahead and credit any number of authors here,
b@1481 68 % e.g. one 'row of three' or two rows (consisting of one row of three
b@1481 69 % and a second row of one, two or three).
b@1481 70 %
b@1481 71 % The command \alignauthor (no curly braces needed) should
b@1481 72 % precede each author name, affiliation/snail-mail address and
b@1481 73 % e-mail address. Additionally, tag each line of
b@1481 74 % affiliation/address with \affaddr, and tag the
b@1481 75 % e-mail address with \email.
b@1481 76 %
b@1481 77 % 1st. author
b@1481 78 \alignauthor Nicholas Jillings\\
b@1481 79 \email{n.g.r.jillings@se14.qmul.ac.uk}
b@1948 80 % dummy author for nicer spacing
b@1948 81 \alignauthor
b@1481 82 % 2nd. author
b@1481 83 \alignauthor Brecht De Man\\
b@1481 84 \email{b.deman@qmul.ac.uk}
b@1481 85 \and % use '\and' if you need 'another row' of author names
b@1481 86 % 3rd. author
b@1481 87 \alignauthor David Moffat\\
b@1481 88 \email{d.j.moffat@qmul.ac.uk}
b@1481 89 % 4th. author
b@1481 90 \alignauthor Joshua D. Reiss\\
b@1481 91 \email{joshua.reiss@qmul.ac.uk}
b@1948 92 \and % new line for address
b@1481 93 \affaddr{Centre for Digital Music}\\
b@1481 94 \affaddr{School of Electronic Engineering and Computer Science}\\
b@1481 95 \affaddr{Queen Mary University of London}\\
b@1481 96 \affaddr{Mile End Road,}
b@1481 97 \affaddr{London E1 4NS}\\
b@1481 98 \affaddr{United Kingdom}\\
b@1481 99 }
b@1481 100 %Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London
b@1481 101 %% 5th. author
b@1481 102 %\alignauthor Sean Fogarty\\
b@1481 103 % \affaddr{NASA Ames Research Center}\\
b@1481 104 % \affaddr{Moffett Field}\\
b@1481 105 % \email{fogartys@amesres.org}
b@1481 106 %% 6th. author
b@1481 107 %\alignauthor Charles Palmer\\
b@1481 108 % \affaddr{Palmer Research Laboratories}\\
b@1481 109 % \affaddr{8600 Datapoint Drive}\\
b@1481 110 % \email{cpalmer@prl.com}
b@1481 111 %}
b@1481 112 % There's nothing stopping you putting the seventh, eighth, etc.
b@1481 113 % author on the opening page (as the 'third row') but we ask,
b@1481 114 % for aesthetic reasons that you place these 'additional authors'
b@1481 115 % in the \additional authors block, viz.
b@1481 116 %\additionalauthors{Additional authors: John Smith (The Th{\o}rv{\"a}ld Group,
b@1481 117 %email: {\texttt{jsmith@affiliation.org}}) and Julius P.~Kumquat
b@1481 118 %(The Kumquat Consortium, email: {\texttt{jpkumquat@consortium.net}}).}
b@1481 119 \date{1 October 2015}
b@1481 120 % Just remember to make sure that the TOTAL number of authors
b@1481 121 % is the number that will appear on the first page PLUS the
b@1481 122 % number that will appear in the \additionalauthors section.
b@1481 123
b@1481 124 \maketitle
b@1481 125 \begin{abstract}
b@1481 126 Here comes the abstract.
b@1481 127 \end{abstract}
b@1481 128
b@1481 129
b@1481 130 \section{Introduction}
b@1949 131
b@1949 132 % Listening tests/perceptual audio evaluation: what are they, why are they important
b@1949 133 % As opposed to limited scope of WAC15 paper: also musical features, realism of sound effects / sound synthesis, performance of source separation and other algorithms...
b@1949 134 Perceptual evaluation of audio, in the form of listening tests, is a powerful way to assess anything from audio codec quality over realism of sound synthesis to the performance of source separation, automated music production and
b@1949 135 In less technical areas, the framework of a listening test can be used to measure emotional response to music or test cognitive abilities. % maybe some references? If there's space.
b@1949 136
b@1950 137 % check out http://link.springer.com/article/10.1007/s10055-015-0270-8 - only paper that cited WAC15 paper
b@1950 138
b@1949 139 % Why difficult? Challenges? What constitutes a good interface?
b@1949 140 Technical, interfaces, user friendliness, reliability
b@1949 141
b@1949 142 Note that the design of an effective listening test further poses many challenges unrelated to interface design, which are beyond the scope of this paper \cite{bech}.
b@1949 143
b@1949 144 % Why in the browser?
b@1949 145 Web Audio API has made some essential features like sample manipulation of audio streams possible \cite{schoeffler2015mushra}.
b@1481 146
b@1948 147 Situating the Web Audio Evaluation Tool between other currently available evaluation tools, ...
b@1948 148
b@1948 149 % only browser-based?
me@1952 150 \begin{table*}[ht]
b@1948 151 \caption{Table with existing listening test platforms and their features}
b@1948 152 \begin{center}
b@1948 153 \begin{tabular}{|*{6}{l|}}
b@1948 154 \hline
b@1949 155 \textbf{Name} & \textbf{Ref.} & \textbf{Language} & \textbf{Interfaces} & \textbf{Remote} & \textbf{All UI} \\
b@1948 156 \hline
b@1949 157 APE & \cite{ape} & MATLAB & multiple stimulus one axis & & \\
b@1948 158 BeaqleJS & \cite{beaqlejs} & JavaScript & & not natively supported & \\
b@1949 159 HULTI-GEN & \cite{hultigen} & MAX & & & \checkmark \\
b@1949 160 \textbf{WAET} & \cite{waet} & JavaScript & \textbf{all of the above} & \checkmark & \checkmark \\
b@1948 161 \hline
b@1948 162 \end{tabular}
b@1948 163 \end{center}
b@1948 164 \label{tab:toolboxes}
b@1948 165 \end{table*}%
b@1948 166
b@1948 167 % about BeaqleJS
b@1948 168 ... However, BeaqleJS \cite{beaqlejs} does not make use of the Web Audio API, %requires programming knowledge...
b@1948 169
b@1948 170 %
b@1949 171 Selling points: remote tests, visualisaton, create your own test in the browser, many interfaces, few/no dependencies, flexibility
b@1949 172
b@1949 173 As recruiting participants can be very time-consuming, and as for some tests a large number of participants is needed, browser-based tests \cite{schoeffler2015mushra}. However, to our knowledge, no tool currently exists that allows the creation of a remotely accessible listening test. % I wonder what you can do with Amazon Mechanical Turk and the likes.
b@1949 174
b@1949 175 [Talking about what we do in the various sections of this paper. Referring to \cite{waet}. ]
b@1948 176
b@1951 177 % MEETING 8 OCTOBER
b@1951 178 \subsection{Meeting 8 October}
b@1951 179 \begin{itemize}
b@1951 180 \item Do we manipulate audio?\\
b@1951 181 \begin{itemize}
b@1951 182 \item Add loudness equalisation? (test\_create.html) Tag with gains.
b@1951 183 \item Add volume slider?
b@1951 184 \item Cross-fade (in interface node): default 0, number of seconds
b@1951 185 \item Also: we use the playback buffer to present metrics of which portion is listened to
b@1951 186 \end{itemize}
b@1951 187 \item Logging system information: whichever are possible (justify others)
b@1951 188 \item Input streams as audioelements
b@1951 189 \item Capture microphone to estimate loudness (especially Macbook)
b@1951 190 \item Test page (in-built oscillators): left-right calibration, ramp up test tone until you hear it; optional compensating EQ (future work implementing own filters) --> Highlight issues!
b@1951 191 \item Record IP address (PHP function, grab and append to XML file)
b@1951 192 \item Expand anchor/reference options
b@1951 193 \item AB / ABX
b@1951 194 \end{itemize}
b@1951 195
b@1951 196 \subsubsection{Issues}
b@1951 197 \begin{itemize}
b@1951 198 \item Filters not consistent (Nick to test across browsers)
b@1951 199 \item Playback audiobuffers need to be destroyed and rebuilt each time
b@1951 200 \item Can't get channel data, hardware input/output...
b@1951 201 \end{itemize}
b@1951 202
b@1948 203
b@1949 204 \section{Architecture} % title? 'back end'? % NICK
b@1481 205 A slightly technical overview of the system. Talk about XML, JavaScript, Web Audio API, HTML5.
b@1948 206 Describe and/or visualise audioholder-audioelement-... structure.
b@1948 207
b@1949 208 % see also SMC12 - less detail here
b@1949 209
b@1949 210 Which type of files? % WAV, anything else? Perhaps not exhaustive list, but say something along the lines of 'whatever browser supports'
b@1947 211
b@1948 212 Streaming audio? % probably not, unless it's easy
b@1948 213
b@1949 214 Compatibility? % not IE, everything else fine?
b@1949 215
b@1949 216
b@1947 217
b@1947 218
b@1948 219 \section{Remote tests} % with previous?
b@1949 220
b@1949 221 If the experimenter is willing to trade some degree of control for a higher number of participants, the test can be hosted on a web server so that subjects can take part remotely. This way, a link can be shared widely in the hope of attracting a large amount of subjects, while listening conditions and subject reliability may be less ideal. However, a sound system calibration page and a wide range of metrics logged during the test mitigate these problems. Note also that in some experiments, it may be preferred that the subject has a `real life', familiar listening set-up, for instance when perceived quality differences on everyday sound systems are investigated.
b@1949 222 Furthermore, a fully browser-based test, where the collection of the results is automatic, is more efficient and technically reliable even when the test still takes place under lab conditions.
b@1949 223
b@1947 224 The following features allow easy and effective remote testing:
b@1950 225 \begin{itemize}[noitemsep,nolistsep]
b@1947 226 \item PHP script to collect result XML files
b@1947 227 \item Randomly pick specified number of audioholders
b@1949 228 \item Calibration
b@1947 229 \item Functionality to participate multiple times
b@1950 230 \begin{itemize}[noitemsep,nolistsep]
b@1947 231 \item Possible to log in with unique ID (no password)
b@1947 232 \item Pick `new user' (need new, unique ID) or `already participated' (need already available ID)
b@1947 233 \item Store XML on server with IDs plus which audioholders have already been listened to
b@1947 234 \item Don't show `post-test' survey after first time
b@1947 235 \item Pick `new' audioholders if available
b@1947 236 \item Copy survey information first time to new XMLs
b@1947 237 \end{itemize}
b@1947 238 \item Intermediate saves
b@1947 239 \item Collect IP address information (privacy issues?) --> geo-related API?
b@1949 240 \item Time measurement - see before or
b@1947 241 \end{itemize}
b@1947 242
b@1481 243
b@1948 244 \section{Interfaces} % title? 'Front end'? % Dave
me@1952 245
me@1952 246 The purpose of this listening test framework is to allow any user the maximum flexibility to design a listening test for their exact application with minimum effort. To this end, a large range of standard listening test interfaces have been implemented. A review of existing listening test frameworks was undertaken and presented in~\Cref{tab:toolboxes}. HULTI-GEN~\cite{hultigen} is a single toolbox that presents the user with a large number of different test interfaces and allows for customisation of each test interface.
me@1952 247
me@1952 248 To provide users with a flexible system, a large range of `standard' listening test interfaces have been implemented, including:
me@1952 249 \begin{itemize}[noitemsep,nolistsep]
me@1952 250 \item MUSHRA (ITU-R BS. 1534)~\cite{recommendation20031534}
me@1952 251 \begin{itemize}
me@1952 252 \item Multiple stimuli are presented and rated on a continuous scale, which includes a reference, hidden reference and hidden anchors.
me@1952 253 \end{itemize}
me@1952 254 \item Rank Scale~\cite{pascoe1983evaluation}
me@1952 255 \begin{itemize}
me@1952 256 \item Stimuli ranked on single horizontal scale, where they are ordered in preference order.
me@1952 257 \end{itemize}
me@1952 258 \item Likert scale~\cite{likert1932technique}
me@1952 259 \begin{itemize}
me@1952 260 \item Each stimuli has a five point scale with values: Strongly Agree, Agree, Neutral, Disagree and Strongly Disagree.
me@1952 261 \end{itemize}
me@1952 262 \item ABC/HR (ITU-R BS. 1116)~\cite{recommendation19971116} (Mean Opinion Score: MOS)
me@1952 263 \begin{itemize}
me@1952 264 \item Each stimulus has a continuous scale (5-1), labeled as Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying.
me@1952 265 \end{itemize}
me@1952 266 \item -50 to 50 Bipolar with Ref
me@1952 267 \begin{itemize}
me@1952 268 \item Each stimulus has a continuous scale -50 to 50 with default values as 0 in middle and a comparison. There is also a provided reference \end{itemize}
me@1952 269 \item Absolute Category Rating (ACR) Scale~\cite{rec1996p}
me@1952 270 \begin{itemize}
me@1952 271 \item Each stimuli has a five point scale with values: Bad, Poor, Fair, Good, Excellent
me@1952 272 \end{itemize}
me@1952 273 \item Degredation Category Rating (DCR) Scale~\cite{rec1996p}
me@1952 274 \begin{itemize}
me@1952 275 \item Each stimuli has a five point scale with values: (5) Inaudible, (4) Audible but not annoying, (3) slightly annoying, (2) annoying, (1) very annoying.
me@1952 276 \end{itemize}
me@1952 277 \item Comparison Category Rating (CCR) Scale~\cite{rec1996p}
me@1952 278 \begin{itemize}
me@1952 279 \item Each stimuli has a seven point scale with values: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse. There is also a provided reference.
me@1952 280 \end{itemize}
me@1952 281 \item 9 Point Hedonic Category Rating Scale~\cite{peryam1952advanced}
me@1952 282 \begin{itemize}
me@1952 283 \item Each stimuli has a seven point scale with values: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly. There is also a provided reference.
me@1952 284 \end{itemize}
me@1952 285 \item ITU-R 5 Point Continuous Impairment Scale~\cite{rec1997bs}
me@1952 286 \begin{itemize}
me@1952 287 \item Each stimuli has a five point scale with values: (5) Imperceptible, (4) Perceptible but not annoying, (3) slightly annoying, (2) annoying, (1) very annoying. There is also a provided reference.
me@1952 288 \end{itemize}
me@1952 289 \item Pairwise Comparison (Better/Worse)~\cite{david1963method}
me@1952 290 \begin{itemize}
me@1952 291 \item A reference is provided and ever stimulus is rated as being either better or worse than the reference.
me@1952 292 \end{itemize}
me@1952 293 \item APE style \cite{ape}
me@1952 294 \begin{itemize}
me@1952 295 \item Multiple stimuli on a single horizontal slider for inter-sample rating.
me@1952 296 \end{itemize}
me@1952 297 \item Multi attribute ratings
me@1952 298 \begin{itemize}
me@1952 299 \item Multiple stimuli as points on a 2D plane for inter-sample rating (eg. Valence Arousal)
me@1952 300 \end{itemize}
me@1952 301 \item AB Test~\cite{lipshitz1981great}
me@1952 302 \begin{itemize}
me@1952 303 \item Two stimuli are presented at a time and the participant has to select a preferred stimulus.
me@1952 304 \end{itemize}
me@1952 305 \item ABX Test~\cite{clark1982high}
me@1952 306 \begin{itemize}
me@1952 307 \item Two stimuli are presented along with a reference and the participant has to select a preferred stimulus, often the closest to the reference.
me@1952 308 \end{itemize}
me@1952 309 \end{itemize}
me@1952 310
me@1952 311 While implementing all of these interfaces, it is possible to include any number of references, anchors, hidden references and hidden anchors into all of these listening test formats.
me@1952 312
me@1952 313 %%%% \begin{itemize}[noitemsep,nolistsep]
me@1952 314 %%%% \item (APE style) \cite{ape}
me@1952 315 %%%% \item Multi attribute ratings
me@1952 316 %%%% \item MUSHRA (ITU-R BS. 1534)~\cite{recommendation20031534}
me@1952 317 %%%% \item Interval Scale~\cite{zacharov1999round}
me@1952 318 %%%% \item Rank Scale~\cite{pascoe1983evaluation}
me@1952 319 %%%%
me@1952 320 %%%% \item 2D Plane rating - e.g. Valence vs. Arousal~\cite{carroll1969individual}
me@1952 321 %%%% \item Likert scale~\cite{likert1932technique}
me@1952 322 %%%%
me@1952 323 %%%% \item {\bf All the following are the interfaces available in HULTI-GEN~\cite{hultigen} }
me@1952 324 %%%% \item ABC/HR (ITU-R BS. 1116)~\cite{recommendation19971116}
me@1952 325 %%%% \begin{itemize}
me@1952 326 %%%% \item Continuous Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)
me@1952 327 %%%% \end{itemize}
me@1952 328 %%%% \item -50 to 50 Bipolar with Ref
me@1952 329 %%%% \begin{itemize}
me@1952 330 %%%% \item Scale -50 to 50 on Mushra with default values as 0 in middle and a comparison ``Reference'' to compare to 0 value
me@1952 331 %%%% \end{itemize}
me@1952 332 %%%% \item Absolute Category Rating (ACR) Scale~\cite{rec1996p}
me@1952 333 %%%% \begin{itemize}
me@1952 334 %%%% \item 5 point Scale - Bad, Poor, Fair, Good, Excellent (Default fair?)
me@1952 335 %%%% \end{itemize}
me@1952 336 %%%% \item Degredation Category Rating (DCR) Scale~\cite{rec1996p}
me@1952 337 %%%% \begin{itemize}
me@1952 338 %%%% \item 5 point Scale - Inaudible, Audible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?) - {\it Basically just quantised ABC/HR?}
me@1952 339 %%%% \end{itemize}
me@1952 340 %%%% \item Comparison Category Rating (CCR) Scale~\cite{rec1996p}
me@1952 341 %%%% \begin{itemize}
me@1952 342 %%%% \item 7 point scale: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse - Default about the same with reference to compare to
me@1952 343 %%%% \end{itemize}
me@1952 344 %%%% \item 9 Point Hedonic Category Rating Scale~\cite{peryam1952advanced}
me@1952 345 %%%% \begin{itemize}
me@1952 346 %%%% \item 9 point scale: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly - Default Neither Like nor Dislike with reference to compare to
me@1952 347 %%%% \end{itemize}
me@1952 348 %%%% \item ITU-R 5 Point Continuous Impairment Scale~\cite{rec1997bs}
me@1952 349 %%%% \begin{itemize}
me@1952 350 %%%% \item 5 point Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)- {\it Basically just quantised ABC/HR, or Different named DCR}
me@1952 351 %%%% \end{itemize}
me@1952 352 %%%% \item Pairwise Comparison (Better/Worse)~\cite{david1963method}
me@1952 353 %%%% \begin{itemize}
me@1952 354 %%%% \item 2 point Scale - Better or Worse - (not sure how to default this - they default everything to better, which is an interesting choice)
me@1952 355 %%%% \end{itemize}
me@1952 356 %%%% \end{itemize}
me@1952 357
me@1952 358 { \bf A screenshot would be nice.
me@1952 359
b@1948 360 `Build your own test'
b@1948 361
b@1949 362 Elements present to build any of the following interfaces, and many more: axes, markers, labels, anchors, references, reference signal button, stop button, comment boxes, radio buttons, checkboxes, transport/scrubber bar
b@1949 363
me@1952 364 Established tests (see below) included as `presets' in the build-your-own-test page. }
b@1481 365
b@1481 366 \section{Analysis and diagnostics}
b@1949 367 % don't mention Python scripts
b@1481 368 It would be great to have easy-to-use analysis tools to visualise the collected data and even do science with it. Even better would be to have all this in the browser. Complete perfection would be achieved if and when only limited setup, installation time, and expertise are required for the average non-CS researcher to use this.
b@1481 369
b@1945 370 The following could be nice:
b@1945 371
b@1950 372 \begin{itemize}[noitemsep,nolistsep]
b@1945 373 \item Web page showing all audioholder IDs, file names, subject IDs, audio element IDs, ... in the collected XMLs so far (\texttt{saves/*.xml})
b@1945 374 \item Check/uncheck each of the above for analysis (e.g. zoom in on a certain song, or exclude a subset of subjects)
b@1945 375 \item Click a mix to hear it (follow path in XML setup file, which is also embedded in the XML result file)
b@1945 376 \item Box plot, confidence plot, scatter plot of values (for a given audioholder)
b@1945 377 \item Timeline for a specific subject (see Python scripts), perhaps re-playing the experiment in X times realtime. (If actual realtime, you could replay the audio...)
b@1945 378 \item Distribution plots of any radio button and number questions (drop-down menu with `pretest', `posttest', ...; then drop-down menu with question `IDs' like `gender', `age', ...; make pie chart/histogram of these values over selected range of XMLs)
b@1945 379 \item All `comments' on a specific audioelement
b@1945 380 \item A `download' button for a nice CSV of various things (values, survey responses, comments) people might want to use for analysis, e.g. when XML scares them
b@1947 381 \item Validation of setup XMLs (easily spot `errors', like duplicate IDs or URLs, missing/dangling tags, ...)
b@1945 382 \end{itemize}
b@1945 383
b@1945 384 A subset of the above would already be nice for this paper.
b@1945 385
b@1481 386 Some pictures here please.
b@1481 387
b@1948 388 \section{Concluding remarks and future work}
b@1481 389
b@1949 390 The code and documentation can be pulled or downloaded from \url{code.soundsoftware.ac.uk/projects/webaudioevaluationtool}.
b@1481 391
b@1949 392 [Talking a little bit about what else might happen. Unless we really want to wrap this up. ]
b@1948 393
b@1949 394 Use \cite{schoeffler2015mushra} as a `checklist', even though it only considers subjective evaluation of audio systems (and focuses on the requirements for a MUSHRA test).
b@1949 395 % remote
b@1949 396 % language support (not explicitly stated)
b@1949 397 % crossfades
b@1949 398 % choosing speakers/sound device from within browser?
b@1949 399 % collect information about software and sound system
b@1949 400 % buttons, scales, ... UI elements
b@1949 401 % must be able to load uncompressed PCM
b@1949 402
b@1949 403 [What can we not do? `Method of adjustment', as in \cite{schoeffler2015mushra} is another can of worms, because, like, you could adjust lots of things (volume is just one of them, that could be done quite easily). Same for using input signals like the participant's voice. Either leave out, or mention this requires modification of the code we provide.]
b@1481 404
b@1481 405 %
b@1481 406 % The following two commands are all you need in the
b@1481 407 % initial runs of your .tex file to
b@1481 408 % produce the bibliography for the citations in your paper.
b@1481 409 \bibliographystyle{abbrv}
b@1481 410 \bibliography{WAC2016} % sigproc.bib is the name of the Bibliography in this case
b@1481 411 % You must have a proper ".bib" file
b@1481 412 % and remember to run:
b@1481 413 % latex bibtex latex latex
b@1481 414 % to resolve all references
b@1481 415 %
b@1481 416 % ACM needs 'a single self-contained file'!
b@1481 417 %
b@1481 418 \end{document}