annotate docs/WAC2016/WAC2016.tex @ 1951:47d87764e26d

Paper: title and meeting notes
author Brecht De Man <b.deman@qmul.ac.uk>
date Mon, 12 Oct 2015 11:03:57 +0100
parents 6eec4abc85e7
children 6a7f6a58bf11
rev   line source
b@1481 1 \documentclass{sig-alternate}
b@1950 2 \usepackage{hyperref} % make links (like references, links to Sections, ...) clickable
b@1950 3 \usepackage{enumitem} % tighten itemize etc by appending '[noitemsep,nolistsep]'
b@1481 4
b@1481 5 \begin{document}
b@1481 6
b@1481 7 % Copyright
b@1481 8 \setcopyright{waclicense}
b@1481 9
b@1481 10
b@1481 11 %% DOI
b@1481 12 %\doi{10.475/123_4}
b@1481 13 %
b@1481 14 %% ISBN
b@1481 15 %\isbn{123-4567-24-567/08/06}
b@1481 16 %
b@1481 17 %%Conference
b@1481 18 %\conferenceinfo{PLDI '13}{June 16--19, 2013, Seattle, WA, USA}
b@1481 19 %
b@1481 20 %\acmPrice{\$15.00}
b@1481 21
b@1481 22 %
b@1481 23 % --- Author Metadata here ---
b@1481 24 \conferenceinfo{Web Audio Conference WAC-2016,}{April 4--6, 2016, Atlanta, USA}
b@1481 25 \CopyrightYear{2016} % Allows default copyright year (20XX) to be over-ridden - IF NEED BE.
b@1481 26 %\crdata{0-12345-67-8/90/01} % Allows default copyright data (0-89791-88-6/97/05) to be over-ridden - IF NEED BE.
b@1481 27 % --- End of Author Metadata ---
b@1481 28
b@1951 29 \title{Web Audio Evaluation Tool: A framework for subjective assessment of audio}
b@1481 30 %\subtitle{[Extended Abstract]
b@1481 31 %\titlenote{A full version of this paper is available as
b@1481 32 %\textit{Author's Guide to Preparing ACM SIG Proceedings Using
b@1481 33 %\LaTeX$2_\epsilon$\ and BibTeX} at
b@1481 34 %\texttt{www.acm.org/eaddress.htm}}}
b@1481 35 %
b@1481 36 % You need the command \numberofauthors to handle the 'placement
b@1481 37 % and alignment' of the authors beneath the title.
b@1481 38 %
b@1481 39 % For aesthetic reasons, we recommend 'three authors at a time'
b@1481 40 % i.e. three 'name/affiliation blocks' be placed beneath the title.
b@1481 41 %
b@1481 42 % NOTE: You are NOT restricted in how many 'rows' of
b@1481 43 % "name/affiliations" may appear. We just ask that you restrict
b@1481 44 % the number of 'columns' to three.
b@1481 45 %
b@1481 46 % Because of the available 'opening page real-estate'
b@1481 47 % we ask you to refrain from putting more than six authors
b@1481 48 % (two rows with three columns) beneath the article title.
b@1481 49 % More than six makes the first-page appear very cluttered indeed.
b@1481 50 %
b@1481 51 % Use the \alignauthor commands to handle the names
b@1481 52 % and affiliations for an 'aesthetic maximum' of six authors.
b@1481 53 % Add names, affiliations, addresses for
b@1481 54 % the seventh etc. author(s) as the argument for the
b@1481 55 % \additionalauthors command.
b@1481 56 % These 'additional authors' will be output/set for you
b@1481 57 % without further effort on your part as the last section in
b@1481 58 % the body of your article BEFORE References or any Appendices.
b@1481 59
b@1948 60 % FIVE authors instead of four, to leave space between first two authors.
me@1944 61 \numberofauthors{5} % in this sample file, there are a *total*
b@1481 62 % of EIGHT authors. SIX appear on the 'first-page' (for formatting
b@1481 63 % reasons) and the remaining two appear in the \additionalauthors section.
b@1481 64 %
b@1481 65 \author{
b@1481 66 % You can go ahead and credit any number of authors here,
b@1481 67 % e.g. one 'row of three' or two rows (consisting of one row of three
b@1481 68 % and a second row of one, two or three).
b@1481 69 %
b@1481 70 % The command \alignauthor (no curly braces needed) should
b@1481 71 % precede each author name, affiliation/snail-mail address and
b@1481 72 % e-mail address. Additionally, tag each line of
b@1481 73 % affiliation/address with \affaddr, and tag the
b@1481 74 % e-mail address with \email.
b@1481 75 %
b@1481 76 % 1st. author
b@1481 77 \alignauthor Nicholas Jillings\\
b@1481 78 \email{n.g.r.jillings@se14.qmul.ac.uk}
b@1948 79 % dummy author for nicer spacing
b@1948 80 \alignauthor
b@1481 81 % 2nd. author
b@1481 82 \alignauthor Brecht De Man\\
b@1481 83 \email{b.deman@qmul.ac.uk}
b@1481 84 \and % use '\and' if you need 'another row' of author names
b@1481 85 % 3rd. author
b@1481 86 \alignauthor David Moffat\\
b@1481 87 \email{d.j.moffat@qmul.ac.uk}
b@1481 88 % 4th. author
b@1481 89 \alignauthor Joshua D. Reiss\\
b@1481 90 \email{joshua.reiss@qmul.ac.uk}
b@1948 91 \and % new line for address
b@1481 92 \affaddr{Centre for Digital Music}\\
b@1481 93 \affaddr{School of Electronic Engineering and Computer Science}\\
b@1481 94 \affaddr{Queen Mary University of London}\\
b@1481 95 \affaddr{Mile End Road,}
b@1481 96 \affaddr{London E1 4NS}\\
b@1481 97 \affaddr{United Kingdom}\\
b@1481 98 }
b@1481 99 %Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London
b@1481 100 %% 5th. author
b@1481 101 %\alignauthor Sean Fogarty\\
b@1481 102 % \affaddr{NASA Ames Research Center}\\
b@1481 103 % \affaddr{Moffett Field}\\
b@1481 104 % \email{fogartys@amesres.org}
b@1481 105 %% 6th. author
b@1481 106 %\alignauthor Charles Palmer\\
b@1481 107 % \affaddr{Palmer Research Laboratories}\\
b@1481 108 % \affaddr{8600 Datapoint Drive}\\
b@1481 109 % \email{cpalmer@prl.com}
b@1481 110 %}
b@1481 111 % There's nothing stopping you putting the seventh, eighth, etc.
b@1481 112 % author on the opening page (as the 'third row') but we ask,
b@1481 113 % for aesthetic reasons that you place these 'additional authors'
b@1481 114 % in the \additional authors block, viz.
b@1481 115 %\additionalauthors{Additional authors: John Smith (The Th{\o}rv{\"a}ld Group,
b@1481 116 %email: {\texttt{jsmith@affiliation.org}}) and Julius P.~Kumquat
b@1481 117 %(The Kumquat Consortium, email: {\texttt{jpkumquat@consortium.net}}).}
b@1481 118 \date{1 October 2015}
b@1481 119 % Just remember to make sure that the TOTAL number of authors
b@1481 120 % is the number that will appear on the first page PLUS the
b@1481 121 % number that will appear in the \additionalauthors section.
b@1481 122
b@1481 123 \maketitle
b@1481 124 \begin{abstract}
b@1481 125 Here comes the abstract.
b@1481 126 \end{abstract}
b@1481 127
b@1481 128
b@1481 129 \section{Introduction}
b@1949 130
b@1949 131 % Listening tests/perceptual audio evaluation: what are they, why are they important
b@1949 132 % As opposed to limited scope of WAC15 paper: also musical features, realism of sound effects / sound synthesis, performance of source separation and other algorithms...
b@1949 133 Perceptual evaluation of audio, in the form of listening tests, is a powerful way to assess anything from audio codec quality over realism of sound synthesis to the performance of source separation, automated music production and
b@1949 134 In less technical areas, the framework of a listening test can be used to measure emotional response to music or test cognitive abilities. % maybe some references? If there's space.
b@1949 135
b@1950 136 % check out http://link.springer.com/article/10.1007/s10055-015-0270-8 - only paper that cited WAC15 paper
b@1950 137
b@1949 138 % Why difficult? Challenges? What constitutes a good interface?
b@1949 139 Technical, interfaces, user friendliness, reliability
b@1949 140
b@1949 141 Note that the design of an effective listening test further poses many challenges unrelated to interface design, which are beyond the scope of this paper \cite{bech}.
b@1949 142
b@1949 143 % Why in the browser?
b@1949 144 Web Audio API has made some essential features like sample manipulation of audio streams possible \cite{schoeffler2015mushra}.
b@1481 145
b@1948 146 Situating the Web Audio Evaluation Tool between other currently available evaluation tools, ...
b@1948 147
b@1948 148 % only browser-based?
b@1948 149 \begin{table*}[htdp]
b@1948 150 \caption{Table with existing listening test platforms and their features}
b@1948 151 \begin{center}
b@1948 152 \begin{tabular}{|*{6}{l|}}
b@1948 153 \hline
b@1949 154 \textbf{Name} & \textbf{Ref.} & \textbf{Language} & \textbf{Interfaces} & \textbf{Remote} & \textbf{All UI} \\
b@1948 155 \hline
b@1949 156 APE & \cite{ape} & MATLAB & multiple stimulus one axis & & \\
b@1948 157 BeaqleJS & \cite{beaqlejs} & JavaScript & & not natively supported & \\
b@1949 158 HULTI-GEN & \cite{hultigen} & MAX & & & \checkmark \\
b@1949 159 \textbf{WAET} & \cite{waet} & JavaScript & \textbf{all of the above} & \checkmark & \checkmark \\
b@1948 160 \hline
b@1948 161 \end{tabular}
b@1948 162 \end{center}
b@1948 163 \label{tab:toolboxes}
b@1948 164 \end{table*}%
b@1948 165
b@1948 166 % about BeaqleJS
b@1948 167 ... However, BeaqleJS \cite{beaqlejs} does not make use of the Web Audio API, %requires programming knowledge...
b@1948 168
b@1948 169 %
b@1949 170 Selling points: remote tests, visualisaton, create your own test in the browser, many interfaces, few/no dependencies, flexibility
b@1949 171
b@1949 172 As recruiting participants can be very time-consuming, and as for some tests a large number of participants is needed, browser-based tests \cite{schoeffler2015mushra}. However, to our knowledge, no tool currently exists that allows the creation of a remotely accessible listening test. % I wonder what you can do with Amazon Mechanical Turk and the likes.
b@1949 173
b@1949 174 [Talking about what we do in the various sections of this paper. Referring to \cite{waet}. ]
b@1948 175
b@1951 176 % MEETING 8 OCTOBER
b@1951 177 \subsection{Meeting 8 October}
b@1951 178 \begin{itemize}
b@1951 179 \item Do we manipulate audio?\\
b@1951 180 \begin{itemize}
b@1951 181 \item Add loudness equalisation? (test\_create.html) Tag with gains.
b@1951 182 \item Add volume slider?
b@1951 183 \item Cross-fade (in interface node): default 0, number of seconds
b@1951 184 \item Also: we use the playback buffer to present metrics of which portion is listened to
b@1951 185 \end{itemize}
b@1951 186 \item Logging system information: whichever are possible (justify others)
b@1951 187 \item Input streams as audioelements
b@1951 188 \item Capture microphone to estimate loudness (especially Macbook)
b@1951 189 \item Test page (in-built oscillators): left-right calibration, ramp up test tone until you hear it; optional compensating EQ (future work implementing own filters) --> Highlight issues!
b@1951 190 \item Record IP address (PHP function, grab and append to XML file)
b@1951 191 \item Expand anchor/reference options
b@1951 192 \item AB / ABX
b@1951 193 \end{itemize}
b@1951 194
b@1951 195 \subsubsection{Issues}
b@1951 196 \begin{itemize}
b@1951 197 \item Filters not consistent (Nick to test across browsers)
b@1951 198 \item Playback audiobuffers need to be destroyed and rebuilt each time
b@1951 199 \item Can't get channel data, hardware input/output...
b@1951 200 \end{itemize}
b@1951 201
b@1948 202
b@1949 203 \section{Architecture} % title? 'back end'? % NICK
b@1481 204 A slightly technical overview of the system. Talk about XML, JavaScript, Web Audio API, HTML5.
b@1948 205 Describe and/or visualise audioholder-audioelement-... structure.
b@1948 206
b@1949 207 % see also SMC12 - less detail here
b@1949 208
b@1949 209 Which type of files? % WAV, anything else? Perhaps not exhaustive list, but say something along the lines of 'whatever browser supports'
b@1947 210
b@1948 211 Streaming audio? % probably not, unless it's easy
b@1948 212
b@1949 213 Compatibility? % not IE, everything else fine?
b@1949 214
b@1949 215
b@1947 216
b@1947 217
b@1948 218 \section{Remote tests} % with previous?
b@1949 219
b@1949 220 If the experimenter is willing to trade some degree of control for a higher number of participants, the test can be hosted on a web server so that subjects can take part remotely. This way, a link can be shared widely in the hope of attracting a large amount of subjects, while listening conditions and subject reliability may be less ideal. However, a sound system calibration page and a wide range of metrics logged during the test mitigate these problems. Note also that in some experiments, it may be preferred that the subject has a `real life', familiar listening set-up, for instance when perceived quality differences on everyday sound systems are investigated.
b@1949 221 Furthermore, a fully browser-based test, where the collection of the results is automatic, is more efficient and technically reliable even when the test still takes place under lab conditions.
b@1949 222
b@1947 223 The following features allow easy and effective remote testing:
b@1950 224 \begin{itemize}[noitemsep,nolistsep]
b@1947 225 \item PHP script to collect result XML files
b@1947 226 \item Randomly pick specified number of audioholders
b@1949 227 \item Calibration
b@1947 228 \item Functionality to participate multiple times
b@1950 229 \begin{itemize}[noitemsep,nolistsep]
b@1947 230 \item Possible to log in with unique ID (no password)
b@1947 231 \item Pick `new user' (need new, unique ID) or `already participated' (need already available ID)
b@1947 232 \item Store XML on server with IDs plus which audioholders have already been listened to
b@1947 233 \item Don't show `post-test' survey after first time
b@1947 234 \item Pick `new' audioholders if available
b@1947 235 \item Copy survey information first time to new XMLs
b@1947 236 \end{itemize}
b@1947 237 \item Intermediate saves
b@1947 238 \item Collect IP address information (privacy issues?) --> geo-related API?
b@1949 239 \item Time measurement - see before or
b@1947 240 \end{itemize}
b@1947 241
b@1481 242
b@1948 243 \section{Interfaces} % title? 'Front end'? % Dave
b@1948 244 `Build your own test'
b@1948 245
b@1949 246 Elements present to build any of the following interfaces, and many more: axes, markers, labels, anchors, references, reference signal button, stop button, comment boxes, radio buttons, checkboxes, transport/scrubber bar
b@1949 247
b@1949 248 Established tests (see below) included as `presets' in the build-your-own-test page.
b@1949 249
b@1949 250
b@1481 251 We could add more interfaces, such as:
b@1950 252 \begin{itemize}[noitemsep,nolistsep]
b@1948 253 \item (APE style) \cite{ape}
b@1481 254 \item Multi attribute ratings
me@1944 255 \item MUSHRA (ITU-R BS. 1534)~\cite{recommendation20031534}
me@1944 256 \item Interval Scale~\cite{zacharov1999round}
me@1944 257 \item Rank Scale~\cite{pascoe1983evaluation}
b@1481 258
me@1944 259 \item 2D Plane rating - e.g. Valence vs. Arousal~\cite{carroll1969individual}
me@1944 260 \item Likert scale~\cite{likert1932technique}
me@1943 261
b@1948 262 \item {\bf All the following are the interfaces available in HULTI-GEN~\cite{hultigen} }
me@1944 263 \item ABC/HR (ITU-R BS. 1116)~\cite{recommendation19971116}
me@1943 264 \begin{itemize}
me@1943 265 \item Continuous Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)
me@1943 266 \end{itemize}
me@1943 267 \item -50 to 50 Bipolar with Ref
me@1943 268 \begin{itemize}
me@1943 269 \item Scale -50 to 50 on Mushra with default values as 0 in middle and a comparison ``Reference'' to compare to 0 value
me@1943 270 \end{itemize}
me@1944 271 \item Absolute Category Rating (ACR) Scale~\cite{rec1996p}
me@1943 272 \begin{itemize}
me@1943 273 \item 5 point Scale - Bad, Poor, Fair, Good, Excellent (Default fair?)
me@1943 274 \end{itemize}
me@1944 275 \item Degredation Category Rating (DCR) Scale~\cite{rec1996p}
me@1943 276 \begin{itemize}
me@1943 277 \item 5 point Scale - Inaudible, Audible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?) - {\it Basically just quantised ABC/HR?}
me@1943 278 \end{itemize}
me@1944 279 \item Comparison Category Rating (CCR) Scale~\cite{rec1996p}
me@1943 280 \begin{itemize}
me@1943 281 \item 7 point scale: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse - Default about the same with reference to compare to
me@1943 282 \end{itemize}
me@1944 283 \item 9 Point Hedonic Category Rating Scale~\cite{peryam1952advanced}
me@1943 284 \begin{itemize}
me@1943 285 \item 9 point scale: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly - Default Neither Like nor Dislike with reference to compare to
me@1943 286 \end{itemize}
me@1944 287 \item ITU-R 5 Point Continuous Impairment Scale~\cite{rec1997bs}
me@1943 288 \begin{itemize}
me@1943 289 \item 5 point Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)- {\it Basically just quantised ABC/HR, or Different named DCR}
me@1943 290 \end{itemize}
me@1944 291 \item Pairwise Comparison (Better/Worse)~\cite{david1963method}
me@1943 292 \begin{itemize}
me@1943 293 \item 2 point Scale - Better or Worse - (not sure how to default this - they default everything to better, which is an interesting choice)
me@1943 294 \end{itemize}
b@1481 295 \end{itemize}
b@1481 296
b@1481 297 There are also the following interfaces, which would require a slightly different `engine' underneath, e.g. loading a different page for every possible pair.
b@1950 298 \begin{itemize}[noitemsep,nolistsep]
me@1944 299 \item AB Test~\cite{lipshitz1981great}
me@1944 300 \item ABX Test~\cite{clark1982high}
b@1481 301 \item JND
b@1481 302 \end{itemize}
b@1481 303
b@1481 304 A screenshot would be nice.
b@1481 305
b@1481 306 \section{Analysis and diagnostics}
b@1949 307 % don't mention Python scripts
b@1481 308 It would be great to have easy-to-use analysis tools to visualise the collected data and even do science with it. Even better would be to have all this in the browser. Complete perfection would be achieved if and when only limited setup, installation time, and expertise are required for the average non-CS researcher to use this.
b@1481 309
b@1945 310 The following could be nice:
b@1945 311
b@1950 312 \begin{itemize}[noitemsep,nolistsep]
b@1945 313 \item Web page showing all audioholder IDs, file names, subject IDs, audio element IDs, ... in the collected XMLs so far (\texttt{saves/*.xml})
b@1945 314 \item Check/uncheck each of the above for analysis (e.g. zoom in on a certain song, or exclude a subset of subjects)
b@1945 315 \item Click a mix to hear it (follow path in XML setup file, which is also embedded in the XML result file)
b@1945 316 \item Box plot, confidence plot, scatter plot of values (for a given audioholder)
b@1945 317 \item Timeline for a specific subject (see Python scripts), perhaps re-playing the experiment in X times realtime. (If actual realtime, you could replay the audio...)
b@1945 318 \item Distribution plots of any radio button and number questions (drop-down menu with `pretest', `posttest', ...; then drop-down menu with question `IDs' like `gender', `age', ...; make pie chart/histogram of these values over selected range of XMLs)
b@1945 319 \item All `comments' on a specific audioelement
b@1945 320 \item A `download' button for a nice CSV of various things (values, survey responses, comments) people might want to use for analysis, e.g. when XML scares them
b@1947 321 \item Validation of setup XMLs (easily spot `errors', like duplicate IDs or URLs, missing/dangling tags, ...)
b@1945 322 \end{itemize}
b@1945 323
b@1945 324 A subset of the above would already be nice for this paper.
b@1945 325
b@1481 326 Some pictures here please.
b@1481 327
b@1948 328 \section{Concluding remarks and future work}
b@1481 329
b@1949 330 The code and documentation can be pulled or downloaded from \url{code.soundsoftware.ac.uk/projects/webaudioevaluationtool}.
b@1481 331
b@1949 332 [Talking a little bit about what else might happen. Unless we really want to wrap this up. ]
b@1948 333
b@1949 334 Use \cite{schoeffler2015mushra} as a `checklist', even though it only considers subjective evaluation of audio systems (and focuses on the requirements for a MUSHRA test).
b@1949 335 % remote
b@1949 336 % language support (not explicitly stated)
b@1949 337 % crossfades
b@1949 338 % choosing speakers/sound device from within browser?
b@1949 339 % collect information about software and sound system
b@1949 340 % buttons, scales, ... UI elements
b@1949 341 % must be able to load uncompressed PCM
b@1949 342
b@1949 343 [What can we not do? `Method of adjustment', as in \cite{schoeffler2015mushra} is another can of worms, because, like, you could adjust lots of things (volume is just one of them, that could be done quite easily). Same for using input signals like the participant's voice. Either leave out, or mention this requires modification of the code we provide.]
b@1481 344
b@1481 345 %
b@1481 346 % The following two commands are all you need in the
b@1481 347 % initial runs of your .tex file to
b@1481 348 % produce the bibliography for the citations in your paper.
b@1481 349 \bibliographystyle{abbrv}
b@1481 350 \bibliography{WAC2016} % sigproc.bib is the name of the Bibliography in this case
b@1481 351 % You must have a proper ".bib" file
b@1481 352 % and remember to run:
b@1481 353 % latex bibtex latex latex
b@1481 354 % to resolve all references
b@1481 355 %
b@1481 356 % ACM needs 'a single self-contained file'!
b@1481 357 %
b@1481 358 \end{document}