annotate docs/WAC2016/WAC2016.tex @ 1949:162d571a71d0

Paper: bits of introduction and remote testing, minor edits
author Brecht De Man <b.deman@qmul.ac.uk>
date Tue, 29 Sep 2015 23:55:10 +0200
parents a14124d3578b
children 3b637867eafe
rev   line source
b@1481 1 \documentclass{sig-alternate}
b@1949 2 \usepackage{hyperref}
b@1481 3
b@1481 4 \begin{document}
b@1481 5
b@1481 6 % Copyright
b@1481 7 \setcopyright{waclicense}
b@1481 8
b@1481 9
b@1481 10 %% DOI
b@1481 11 %\doi{10.475/123_4}
b@1481 12 %
b@1481 13 %% ISBN
b@1481 14 %\isbn{123-4567-24-567/08/06}
b@1481 15 %
b@1481 16 %%Conference
b@1481 17 %\conferenceinfo{PLDI '13}{June 16--19, 2013, Seattle, WA, USA}
b@1481 18 %
b@1481 19 %\acmPrice{\$15.00}
b@1481 20
b@1481 21 %
b@1481 22 % --- Author Metadata here ---
b@1481 23 \conferenceinfo{Web Audio Conference WAC-2016,}{April 4--6, 2016, Atlanta, USA}
b@1481 24 \CopyrightYear{2016} % Allows default copyright year (20XX) to be over-ridden - IF NEED BE.
b@1481 25 %\crdata{0-12345-67-8/90/01} % Allows default copyright data (0-89791-88-6/97/05) to be over-ridden - IF NEED BE.
b@1481 26 % --- End of Author Metadata ---
b@1481 27
b@1945 28 \title{Web Audio Evaluation Tool something something}
b@1481 29 %\subtitle{[Extended Abstract]
b@1481 30 %\titlenote{A full version of this paper is available as
b@1481 31 %\textit{Author's Guide to Preparing ACM SIG Proceedings Using
b@1481 32 %\LaTeX$2_\epsilon$\ and BibTeX} at
b@1481 33 %\texttt{www.acm.org/eaddress.htm}}}
b@1481 34 %
b@1481 35 % You need the command \numberofauthors to handle the 'placement
b@1481 36 % and alignment' of the authors beneath the title.
b@1481 37 %
b@1481 38 % For aesthetic reasons, we recommend 'three authors at a time'
b@1481 39 % i.e. three 'name/affiliation blocks' be placed beneath the title.
b@1481 40 %
b@1481 41 % NOTE: You are NOT restricted in how many 'rows' of
b@1481 42 % "name/affiliations" may appear. We just ask that you restrict
b@1481 43 % the number of 'columns' to three.
b@1481 44 %
b@1481 45 % Because of the available 'opening page real-estate'
b@1481 46 % we ask you to refrain from putting more than six authors
b@1481 47 % (two rows with three columns) beneath the article title.
b@1481 48 % More than six makes the first-page appear very cluttered indeed.
b@1481 49 %
b@1481 50 % Use the \alignauthor commands to handle the names
b@1481 51 % and affiliations for an 'aesthetic maximum' of six authors.
b@1481 52 % Add names, affiliations, addresses for
b@1481 53 % the seventh etc. author(s) as the argument for the
b@1481 54 % \additionalauthors command.
b@1481 55 % These 'additional authors' will be output/set for you
b@1481 56 % without further effort on your part as the last section in
b@1481 57 % the body of your article BEFORE References or any Appendices.
b@1481 58
b@1948 59 % FIVE authors instead of four, to leave space between first two authors.
me@1944 60 \numberofauthors{5} % in this sample file, there are a *total*
b@1481 61 % of EIGHT authors. SIX appear on the 'first-page' (for formatting
b@1481 62 % reasons) and the remaining two appear in the \additionalauthors section.
b@1481 63 %
b@1481 64 \author{
b@1481 65 % You can go ahead and credit any number of authors here,
b@1481 66 % e.g. one 'row of three' or two rows (consisting of one row of three
b@1481 67 % and a second row of one, two or three).
b@1481 68 %
b@1481 69 % The command \alignauthor (no curly braces needed) should
b@1481 70 % precede each author name, affiliation/snail-mail address and
b@1481 71 % e-mail address. Additionally, tag each line of
b@1481 72 % affiliation/address with \affaddr, and tag the
b@1481 73 % e-mail address with \email.
b@1481 74 %
b@1481 75 % 1st. author
b@1481 76 \alignauthor Nicholas Jillings\\
b@1481 77 \email{n.g.r.jillings@se14.qmul.ac.uk}
b@1948 78 % dummy author for nicer spacing
b@1948 79 \alignauthor
b@1481 80 % 2nd. author
b@1481 81 \alignauthor Brecht De Man\\
b@1481 82 \email{b.deman@qmul.ac.uk}
b@1481 83 \and % use '\and' if you need 'another row' of author names
b@1481 84 % 3rd. author
b@1481 85 \alignauthor David Moffat\\
b@1481 86 \email{d.j.moffat@qmul.ac.uk}
b@1481 87 % 4th. author
b@1481 88 \alignauthor Joshua D. Reiss\\
b@1481 89 \email{joshua.reiss@qmul.ac.uk}
b@1948 90 \and % new line for address
b@1481 91 \affaddr{Centre for Digital Music}\\
b@1481 92 \affaddr{School of Electronic Engineering and Computer Science}\\
b@1481 93 \affaddr{Queen Mary University of London}\\
b@1481 94 \affaddr{Mile End Road,}
b@1481 95 \affaddr{London E1 4NS}\\
b@1481 96 \affaddr{United Kingdom}\\
b@1481 97 }
b@1481 98 %Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London
b@1481 99 %% 5th. author
b@1481 100 %\alignauthor Sean Fogarty\\
b@1481 101 % \affaddr{NASA Ames Research Center}\\
b@1481 102 % \affaddr{Moffett Field}\\
b@1481 103 % \email{fogartys@amesres.org}
b@1481 104 %% 6th. author
b@1481 105 %\alignauthor Charles Palmer\\
b@1481 106 % \affaddr{Palmer Research Laboratories}\\
b@1481 107 % \affaddr{8600 Datapoint Drive}\\
b@1481 108 % \email{cpalmer@prl.com}
b@1481 109 %}
b@1481 110 % There's nothing stopping you putting the seventh, eighth, etc.
b@1481 111 % author on the opening page (as the 'third row') but we ask,
b@1481 112 % for aesthetic reasons that you place these 'additional authors'
b@1481 113 % in the \additional authors block, viz.
b@1481 114 %\additionalauthors{Additional authors: John Smith (The Th{\o}rv{\"a}ld Group,
b@1481 115 %email: {\texttt{jsmith@affiliation.org}}) and Julius P.~Kumquat
b@1481 116 %(The Kumquat Consortium, email: {\texttt{jpkumquat@consortium.net}}).}
b@1481 117 \date{1 October 2015}
b@1481 118 % Just remember to make sure that the TOTAL number of authors
b@1481 119 % is the number that will appear on the first page PLUS the
b@1481 120 % number that will appear in the \additionalauthors section.
b@1481 121
b@1481 122 \maketitle
b@1481 123 \begin{abstract}
b@1481 124 Here comes the abstract.
b@1481 125 \end{abstract}
b@1481 126
b@1481 127
b@1481 128 \section{Introduction}
b@1949 129
b@1949 130 % Listening tests/perceptual audio evaluation: what are they, why are they important
b@1949 131 % As opposed to limited scope of WAC15 paper: also musical features, realism of sound effects / sound synthesis, performance of source separation and other algorithms...
b@1949 132 Perceptual evaluation of audio, in the form of listening tests, is a powerful way to assess anything from audio codec quality over realism of sound synthesis to the performance of source separation, automated music production and
b@1949 133 In less technical areas, the framework of a listening test can be used to measure emotional response to music or test cognitive abilities. % maybe some references? If there's space.
b@1949 134
b@1949 135 % Why difficult? Challenges? What constitutes a good interface?
b@1949 136 Technical, interfaces, user friendliness, reliability
b@1949 137
b@1949 138 Note that the design of an effective listening test further poses many challenges unrelated to interface design, which are beyond the scope of this paper \cite{bech}.
b@1949 139
b@1949 140 % Why in the browser?
b@1949 141 Web Audio API has made some essential features like sample manipulation of audio streams possible \cite{schoeffler2015mushra}.
b@1481 142
b@1948 143 Situating the Web Audio Evaluation Tool between other currently available evaluation tools, ...
b@1948 144
b@1948 145 % only browser-based?
b@1948 146 \begin{table*}[htdp]
b@1948 147 \caption{Table with existing listening test platforms and their features}
b@1948 148 \begin{center}
b@1948 149 \begin{tabular}{|*{6}{l|}}
b@1948 150 \hline
b@1949 151 \textbf{Name} & \textbf{Ref.} & \textbf{Language} & \textbf{Interfaces} & \textbf{Remote} & \textbf{All UI} \\
b@1948 152 \hline
b@1949 153 APE & \cite{ape} & MATLAB & multiple stimulus one axis & & \\
b@1948 154 BeaqleJS & \cite{beaqlejs} & JavaScript & & not natively supported & \\
b@1949 155 HULTI-GEN & \cite{hultigen} & MAX & & & \checkmark \\
b@1949 156 \textbf{WAET} & \cite{waet} & JavaScript & \textbf{all of the above} & \checkmark & \checkmark \\
b@1948 157 \hline
b@1948 158 \end{tabular}
b@1948 159 \end{center}
b@1948 160 \label{tab:toolboxes}
b@1948 161 \end{table*}%
b@1948 162
b@1948 163 % about BeaqleJS
b@1948 164 ... However, BeaqleJS \cite{beaqlejs} does not make use of the Web Audio API, %requires programming knowledge...
b@1948 165
b@1948 166 %
b@1949 167 Selling points: remote tests, visualisaton, create your own test in the browser, many interfaces, few/no dependencies, flexibility
b@1949 168
b@1949 169 As recruiting participants can be very time-consuming, and as for some tests a large number of participants is needed, browser-based tests \cite{schoeffler2015mushra}. However, to our knowledge, no tool currently exists that allows the creation of a remotely accessible listening test. % I wonder what you can do with Amazon Mechanical Turk and the likes.
b@1949 170
b@1949 171 [Talking about what we do in the various sections of this paper. Referring to \cite{waet}. ]
b@1948 172
b@1948 173
b@1949 174 \section{Architecture} % title? 'back end'? % NICK
b@1481 175 A slightly technical overview of the system. Talk about XML, JavaScript, Web Audio API, HTML5.
b@1948 176 Describe and/or visualise audioholder-audioelement-... structure.
b@1948 177
b@1949 178 % see also SMC12 - less detail here
b@1949 179
b@1949 180 Which type of files? % WAV, anything else? Perhaps not exhaustive list, but say something along the lines of 'whatever browser supports'
b@1947 181
b@1948 182 Streaming audio? % probably not, unless it's easy
b@1948 183
b@1949 184 Compatibility? % not IE, everything else fine?
b@1949 185
b@1949 186
b@1947 187
b@1947 188
b@1948 189 \section{Remote tests} % with previous?
b@1949 190
b@1949 191 If the experimenter is willing to trade some degree of control for a higher number of participants, the test can be hosted on a web server so that subjects can take part remotely. This way, a link can be shared widely in the hope of attracting a large amount of subjects, while listening conditions and subject reliability may be less ideal. However, a sound system calibration page and a wide range of metrics logged during the test mitigate these problems. Note also that in some experiments, it may be preferred that the subject has a `real life', familiar listening set-up, for instance when perceived quality differences on everyday sound systems are investigated.
b@1949 192 Furthermore, a fully browser-based test, where the collection of the results is automatic, is more efficient and technically reliable even when the test still takes place under lab conditions.
b@1949 193
b@1947 194 The following features allow easy and effective remote testing:
b@1947 195 \begin{itemize}
b@1947 196 \item PHP script to collect result XML files
b@1947 197 \item Randomly pick specified number of audioholders
b@1949 198 \item Calibration
b@1947 199 \item Functionality to participate multiple times
b@1947 200 \begin{itemize}
b@1947 201 \item Possible to log in with unique ID (no password)
b@1947 202 \item Pick `new user' (need new, unique ID) or `already participated' (need already available ID)
b@1947 203 \item Store XML on server with IDs plus which audioholders have already been listened to
b@1947 204 \item Don't show `post-test' survey after first time
b@1947 205 \item Pick `new' audioholders if available
b@1947 206 \item Copy survey information first time to new XMLs
b@1947 207 \end{itemize}
b@1947 208 \item Intermediate saves
b@1947 209 \item Collect IP address information (privacy issues?) --> geo-related API?
b@1949 210 \item Time measurement - see before or
b@1947 211 \end{itemize}
b@1947 212
b@1481 213
b@1948 214 \section{Interfaces} % title? 'Front end'? % Dave
b@1948 215 `Build your own test'
b@1948 216
b@1949 217 Elements present to build any of the following interfaces, and many more: axes, markers, labels, anchors, references, reference signal button, stop button, comment boxes, radio buttons, checkboxes, transport/scrubber bar
b@1949 218
b@1949 219 Established tests (see below) included as `presets' in the build-your-own-test page.
b@1949 220
b@1949 221
b@1481 222 We could add more interfaces, such as:
b@1481 223 \begin{itemize}
b@1948 224 \item (APE style) \cite{ape}
b@1481 225 \item Multi attribute ratings
me@1944 226 \item MUSHRA (ITU-R BS. 1534)~\cite{recommendation20031534}
me@1944 227 \item Interval Scale~\cite{zacharov1999round}
me@1944 228 \item Rank Scale~\cite{pascoe1983evaluation}
b@1481 229
me@1944 230 \item 2D Plane rating - e.g. Valence vs. Arousal~\cite{carroll1969individual}
me@1944 231 \item Likert scale~\cite{likert1932technique}
me@1943 232
b@1948 233 \item {\bf All the following are the interfaces available in HULTI-GEN~\cite{hultigen} }
me@1944 234 \item ABC/HR (ITU-R BS. 1116)~\cite{recommendation19971116}
me@1943 235 \begin{itemize}
me@1943 236 \item Continuous Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)
me@1943 237 \end{itemize}
me@1943 238 \item -50 to 50 Bipolar with Ref
me@1943 239 \begin{itemize}
me@1943 240 \item Scale -50 to 50 on Mushra with default values as 0 in middle and a comparison ``Reference'' to compare to 0 value
me@1943 241 \end{itemize}
me@1944 242 \item Absolute Category Rating (ACR) Scale~\cite{rec1996p}
me@1943 243 \begin{itemize}
me@1943 244 \item 5 point Scale - Bad, Poor, Fair, Good, Excellent (Default fair?)
me@1943 245 \end{itemize}
me@1944 246 \item Degredation Category Rating (DCR) Scale~\cite{rec1996p}
me@1943 247 \begin{itemize}
me@1943 248 \item 5 point Scale - Inaudible, Audible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?) - {\it Basically just quantised ABC/HR?}
me@1943 249 \end{itemize}
me@1944 250 \item Comparison Category Rating (CCR) Scale~\cite{rec1996p}
me@1943 251 \begin{itemize}
me@1943 252 \item 7 point scale: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse - Default about the same with reference to compare to
me@1943 253 \end{itemize}
me@1944 254 \item 9 Point Hedonic Category Rating Scale~\cite{peryam1952advanced}
me@1943 255 \begin{itemize}
me@1943 256 \item 9 point scale: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly - Default Neither Like nor Dislike with reference to compare to
me@1943 257 \end{itemize}
me@1944 258 \item ITU-R 5 Point Continuous Impairment Scale~\cite{rec1997bs}
me@1943 259 \begin{itemize}
me@1943 260 \item 5 point Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)- {\it Basically just quantised ABC/HR, or Different named DCR}
me@1943 261 \end{itemize}
me@1944 262 \item Pairwise Comparison (Better/Worse)~\cite{david1963method}
me@1943 263 \begin{itemize}
me@1943 264 \item 2 point Scale - Better or Worse - (not sure how to default this - they default everything to better, which is an interesting choice)
me@1943 265 \end{itemize}
b@1481 266 \end{itemize}
b@1481 267
b@1481 268 There are also the following interfaces, which would require a slightly different `engine' underneath, e.g. loading a different page for every possible pair.
b@1481 269 \begin{itemize}
me@1944 270 \item AB Test~\cite{lipshitz1981great}
me@1944 271 \item ABX Test~\cite{clark1982high}
b@1481 272 \item JND
b@1481 273 \end{itemize}
b@1481 274
b@1481 275 A screenshot would be nice.
b@1481 276
b@1481 277 \section{Analysis and diagnostics}
b@1949 278 % don't mention Python scripts
b@1481 279 It would be great to have easy-to-use analysis tools to visualise the collected data and even do science with it. Even better would be to have all this in the browser. Complete perfection would be achieved if and when only limited setup, installation time, and expertise are required for the average non-CS researcher to use this.
b@1481 280
b@1945 281 The following could be nice:
b@1945 282
b@1945 283 \begin{itemize}
b@1945 284 \item Web page showing all audioholder IDs, file names, subject IDs, audio element IDs, ... in the collected XMLs so far (\texttt{saves/*.xml})
b@1945 285 \item Check/uncheck each of the above for analysis (e.g. zoom in on a certain song, or exclude a subset of subjects)
b@1945 286 \item Click a mix to hear it (follow path in XML setup file, which is also embedded in the XML result file)
b@1945 287 \item Box plot, confidence plot, scatter plot of values (for a given audioholder)
b@1945 288 \item Timeline for a specific subject (see Python scripts), perhaps re-playing the experiment in X times realtime. (If actual realtime, you could replay the audio...)
b@1945 289 \item Distribution plots of any radio button and number questions (drop-down menu with `pretest', `posttest', ...; then drop-down menu with question `IDs' like `gender', `age', ...; make pie chart/histogram of these values over selected range of XMLs)
b@1945 290 \item All `comments' on a specific audioelement
b@1945 291 \item A `download' button for a nice CSV of various things (values, survey responses, comments) people might want to use for analysis, e.g. when XML scares them
b@1947 292 \item Validation of setup XMLs (easily spot `errors', like duplicate IDs or URLs, missing/dangling tags, ...)
b@1945 293 \end{itemize}
b@1945 294
b@1945 295 A subset of the above would already be nice for this paper.
b@1945 296
b@1481 297 Some pictures here please.
b@1481 298
b@1948 299 \section{Concluding remarks and future work}
b@1481 300
b@1949 301 The code and documentation can be pulled or downloaded from \url{code.soundsoftware.ac.uk/projects/webaudioevaluationtool}.
b@1481 302
b@1949 303 [Talking a little bit about what else might happen. Unless we really want to wrap this up. ]
b@1948 304
b@1949 305 Use \cite{schoeffler2015mushra} as a `checklist', even though it only considers subjective evaluation of audio systems (and focuses on the requirements for a MUSHRA test).
b@1949 306 % remote
b@1949 307 % language support (not explicitly stated)
b@1949 308 % crossfades
b@1949 309 % choosing speakers/sound device from within browser?
b@1949 310 % collect information about software and sound system
b@1949 311 % buttons, scales, ... UI elements
b@1949 312 % must be able to load uncompressed PCM
b@1949 313
b@1949 314 [What can we not do? `Method of adjustment', as in \cite{schoeffler2015mushra} is another can of worms, because, like, you could adjust lots of things (volume is just one of them, that could be done quite easily). Same for using input signals like the participant's voice. Either leave out, or mention this requires modification of the code we provide.]
b@1481 315
b@1481 316 %
b@1481 317 % The following two commands are all you need in the
b@1481 318 % initial runs of your .tex file to
b@1481 319 % produce the bibliography for the citations in your paper.
b@1481 320 \bibliographystyle{abbrv}
b@1481 321 \bibliography{WAC2016} % sigproc.bib is the name of the Bibliography in this case
b@1481 322 % You must have a proper ".bib" file
b@1481 323 % and remember to run:
b@1481 324 % latex bibtex latex latex
b@1481 325 % to resolve all references
b@1481 326 %
b@1481 327 % ACM needs 'a single self-contained file'!
b@1481 328 %
b@1481 329 \end{document}