Piano Evaluation for Level Normalisation¶

Lack of normalisation for Vamp plugin inputs is a problem when analysing quiet recordings (see #1028).

Testing using a small set of piano recordings, quickly evaluating performance across the first 30 seconds under a number of different normalisation / level management regimes.

Input files¶

Filename	Signal max approx
31.wav	0.57
MAPS_MUS-bach_846_AkPnBcht.wav	0.12
MAPS_MUS-chpn_op7_1_ENSTDkAm.wav	0.33
MAPS_MUS-scn15_7_SptkBGAm.wav	0.13
mz_333_1MINp_align.wav	0.10

The plugin has one internal threshold parameter, which can be lowered to find quieter notes (at the expense of course of more false positives). We don't really want to expose this (or any continuous controls) as a parameter. But we need to have approximately predictable input levels, for this threshold to be meaningful.

Methods¶

Name	Hg revision	Description
norm	d721a17f3e14	Normalise to 0.50 max before running plugin (can't do this in plugin: it's here as the reference case)
as-is	d721a17f3e14	No normalisation
to-date	d9b688700819	Track max signal level so far, adjust each sample so that max is at 0.50
r2,r3,r4,r5,r6	b5a8836dd2a4	Preprocess with Flatten Dynamics at 0.02, 0.03, 0.04, 0.05, 0.06 target RMS levels respectively
s8	4ac067799e0b	With Flatten Dynamics second attempt with max RMS targeted to 0.08
t4	d67fae2bb29e	With Flatten Dynamics attempt 2a with max RMS targeted to 0.04
u4	70773820e719	With Flatten Dynamics attempt 2b with max RMS targeted to 0.04

Results¶

Reporting only the note onset F-measure for the first 30 seconds of each piece.

Filename	norm	as-is	to-date	r2	r3	r4	r5	r6	s8	t4	u4
31.wav	50	33	40	45	47	48	45	43	42	49	45
MAPS_MUS-bach_846_AkPnBcht.wav	87	15	62	64	85	87	87	86	81	86	87
MAPS_MUS-chpn_op7_1_ENSTDkAm.wav	33	31	31	11	25	31	32	31	32	34	35
MAPS_MUS-scn15_7_SptkBGAm.wav	73	16	61	50	57	67	74	75	70	69	68
mz_333_1MINp_align.wav	66	3	58	42	60	64	66	63	66	63	65

The precision (proportion of correct onsets among detected onsets, or 1 minus the false-positive rate) and recall (proportion of correctly-detected onsets among all ground-truth onsets, or true-positive rate) vary as you would hope:

• when the resulting audio level is quieter than the norm case, precision is high and recall is low but the F-measure is worse than the norm case
• when the resulting audio level is louder than the norm case, precision is low and recall is high and the F-measure is still worse than the norm case

This suggests that our threshold (which happens to be 6) is moderately well-suited to the norm case, at least to optimise F-measure (this might not be the most perceptually useful measure though).

The best results (apart from norm) above seem to be r5 and u4. Let's try to refine the parameters for each of those and see if any patterns emerge.

Flatten Dynamics fine-tuning¶

The adjustable parameters within r5, with their defaults, are

Parameter	Description	Default
historySeconds	Length of RMS window	4.0 sec
catchUpSeconds	Length of gain slide window	0.5 sec
targetRMS	Target RMS value	0.05
maxGain	Hard limit on gain	20.0

The targetRMS is the one we have been varying across r2, r3 etc -- for r5 it is fixed at 0.05. We don't need to test maxGain variation.

Here r5hNcM represents the r5 method with historySeconds = N and catchUpSeconds = M/10. So r5 is the same as r5h4c05. The r5 test was run again, hence variation from above results.

Filename	norm	r5	r5h2c05	r5h5c05	r5h6c05	r5h8c05	r5h4c01	r5h4c10
31.wav	50	47	38	47	48	46	46	53
MAPS_MUS-bach_846_AkPnBcht.wav	87	87	87	87	87	88	86	88
MAPS_MUS-chpn_op7_1_ENSTDkAm.wav	33	32	33	32	29	31	32	31
MAPS_MUS-scn15_7_SptkBGAm.wav	73	73	66	72	76	73	73	73
mz_333_1MINp_align.wav	66	66	64	64	66	63	65	66

For different piano template sets¶

The above results are all generated using four piano templates, numbered 1-3 plus pianorwc.

Here are results using the norm and as-is methods, but with different sets of piano templates: first with three templates (1-3) and then with each template in turn as the only one.

The template turns out not to make an enormous difference -- perhaps because these recordings contain nothing but piano?

Filename	norm/all	as-is/all	norm/3of4	as-is/3of4	norm/1	as-is/1	norm/2	as-is/2	norm/3	as-is/3	norm/rwc	as-is/rwc
31.wav	50	33	51	30	50	34	44	42	50	32	56	36
MAPS_MUS-bach_846_AkPnBcht.wav	87	15	86	16	86	24	75	20	73	10	71	18
MAPS_MUS-chpn_op7_1_ENSTDkAm.wav	33	31	32	32	31	22	29	31	35	34	32	28
MAPS_MUS-scn15_7_SptkBGAm.wav	73	16	71	19	71	12	68	14	72	17	70	15
mz_333_1MINp_align.wav	66	3	68	1	63	4	67	2	67	1	63	3

For "generic" template set¶

The above results all use template sets with only piano templates in them.

Here are results using the norm and as-is methods, but with the full set of instrument templates (four pianos plus all the rest).

Filename	norm	as-is
31.wav	49	37
MAPS_MUS-bach_846_AkPnBcht.wav	79	34
MAPS_MUS-chpn_op7_1_ENSTDkAm.wav	31	28
MAPS_MUS-scn15_7_SptkBGAm.wav	67	16
mz_333_1MINp_align.wav	63	5

Cross-checking with non-piano test data¶

The results need to be roughly comparable with those obtained from pre-normalised data using other datasets as well as the piano one. Here is a subset of the TRIOS dataset. The norm result is that obtained from the plugin prior to doing this work, using pre-normalised data.

The mirex result is that from the MIREX 2012 submission in MATLAB, but note that this always uses all instrument templates while the plugin results are based on selecting the "right" instrument for the piece (which is assumed to be the best, though we aren't actually testing that here).

File	mirex	norm	u4
mozart/piano	60	64	56
mozart/viola	33	37	35
mozart/mix	51	58	55
mozart/clarinet	74	80	86
lussier/piano	45	52	63
lussier/mix	36	43	40
lussier/bassoon	43	75	80
lussier/trumpet	43	46	51
take_five/piano	61	46	69
take_five/mix	62	73	69
take_five/saxophone	78	80	84