DAFx2012RR » History » Version 8
Chris Cannam, 2012-10-19 05:15 PM
| 1 | 2 | Chris Cannam | h1. DAFx 2012: C4DM papers for RR review |
|---|---|---|---|
| 2 | 1 | Chris Cannam | |
| 3 | 3 | Chris Cannam | h4. SIMULATING MICROPHONE BLEED AND TOM-TOM RESONANCE IN MULTISAMPLED DRUM WORKSTATIONS |
| 4 | 3 | Chris Cannam | |
| 5 | 5 | Chris Cannam | Submission no. 5 |
| 6 | 1 | Chris Cannam | Alice Clifford, Henry Lindsay Smith, Joshua Reiss |
| 7 | 1 | Chris Cannam | (n.b. Henry is on behalf of FXpansion here, not QM) |
| 8 | 1 | Chris Cannam | |
| 9 | 7 | Chris Cannam | No software or data link provided. No software platform identified. It's unclear whether software was written for the paper or not. |
| 10 | 7 | Chris Cannam | |
| 11 | 6 | Chris Cannam | h4. AN AUTONOMOUS METHOD FOR MULTI-TRACK DYNAMIC RANGE COMPRESSION |
| 12 | 5 | Chris Cannam | |
| 13 | 5 | Chris Cannam | Submission no. 6 |
| 14 | 1 | Chris Cannam | Jacob A. Maddams, Saoirse Finn, Joshua D. Reiss |
| 15 | 1 | Chris Cannam | |
| 16 | 7 | Chris Cannam | No software or data link provided. No software platform identified. |
| 17 | 7 | Chris Cannam | |
| 18 | 6 | Chris Cannam | h4. VARIABLE-POLAR PATTERN SYNTHESIS FOR USE IN TWO DIMENSIONAL SOUND REPRODUCTION |
| 19 | 5 | Chris Cannam | |
| 20 | 1 | Chris Cannam | Submission no. 16 |
| 21 | 1 | Chris Cannam | Martin J. Morrell, Joshua D. Reiss |
| 22 | 7 | Chris Cannam | |
| 23 | 7 | Chris Cannam | Describes a VST plugin implementation. No software or data link provided. |
| 24 | 7 | Chris Cannam | (As it happens, this code is in a private project on soundsoftware) |
| 25 | 1 | Chris Cannam | |
| 26 | 6 | Chris Cannam | h4. THE WABLET: SCANNED SYNTHESIS ON A MULTI-TOUCH INTERFACE |
| 27 | 1 | Chris Cannam | |
| 28 | 1 | Chris Cannam | Submission no. 18 |
| 29 | 1 | Chris Cannam | Robert Tubb, Anssi Klapuri and Simon Dixon |
| 30 | 1 | Chris Cannam | |
| 31 | 8 | Chris Cannam | Describes an iPad app and a Max/MSP controller. The paper is largely a description of software. No software or data link provided. |
| 32 | 8 | Chris Cannam | |
| 33 | 6 | Chris Cannam | h4. CHARACTERISATION OF ACOUSTIC SCENES USING A TEMPORALLY-CONSTRAINED SHIFT-INVARIANT MODEL |
| 34 | 1 | Chris Cannam | |
| 35 | 5 | Chris Cannam | Submission no. 30 |
| 36 | 1 | Chris Cannam | Emmanouil Benetos, Mathieu Lagrange, and Simon Dixon |
| 37 | 1 | Chris Cannam | (Mathieu is with IRCAM) |
| 38 | 8 | Chris Cannam | |
| 39 | 8 | Chris Cannam | |
| 40 | 1 | Chris Cannam | |
| 41 | 6 | Chris Cannam | h4. DRUMKIT TRANSCRIPTION VIA CONVOLUTIVE NMF |
| 42 | 5 | Chris Cannam | |
| 43 | 5 | Chris Cannam | Submission no. 39 |
| 44 | 1 | Chris Cannam | Henry Lindsay-Smith, Skot McDonald, Mark Sandler |
| 45 | 1 | Chris Cannam | (first two authors both FXpansion) |
| 46 | 5 | Chris Cannam | |
| 47 | 5 | Chris Cannam | h4. Other papers |
| 48 | 5 | Chris Cannam | |
| 49 | 5 | Chris Cannam | There is also a paper (no. 78) from Joachim, but it's credited to Antwerp university, and there's one (no. 81) which has Anssi at QM as |
| 50 | 5 | Chris Cannam | the second of three authors but the first and third are both elsewhere. |