DAFx2012RR » History » Version 2
Chris Cannam, 2012-10-19 04:45 PM
| 1 | 2 | Chris Cannam | h1. DAFx 2012: C4DM papers for RR review |
|---|---|---|---|
| 2 | 1 | Chris Cannam | |
| 3 | 1 | Chris Cannam | h4. SIMULATING MICROPHONE BLEED AND TOM-TOM RESONANCE IN MULTISAMPLED |
| 4 | 1 | Chris Cannam | DRUM WORKSTATIONS |
| 5 | 1 | Chris Cannam | Alice Clifford, Henry Lindsay Smith, Joshua Reiss |
| 6 | 1 | Chris Cannam | (n.b. Henry is on behalf of FXpansion here, not QM) |
| 7 | 1 | Chris Cannam | |
| 8 | 1 | Chris Cannam | Submission no. 6 |
| 9 | 1 | Chris Cannam | AN AUTONOMOUS METHOD FOR MULTI-TRACK DYNAMIC RANGE COMPRESSION |
| 10 | 1 | Chris Cannam | Jacob A. Maddams, Saoirse Finn, Joshua D. Reiss |
| 11 | 1 | Chris Cannam | |
| 12 | 1 | Chris Cannam | Submission no. 16 |
| 13 | 1 | Chris Cannam | VARIABLE-POLAR PATTERN SYNTHESIS FOR USE IN TWO DIMENSIONAL SOUND |
| 14 | 1 | Chris Cannam | REPRODUCTION |
| 15 | 1 | Chris Cannam | Martin J. Morrell, Joshua D. Reiss |
| 16 | 1 | Chris Cannam | |
| 17 | 1 | Chris Cannam | Submission no. 18 |
| 18 | 1 | Chris Cannam | THE WABLET: SCANNED SYNTHESIS ON A MULTI-TOUCH INTERFACE |
| 19 | 1 | Chris Cannam | Robert Tubb, Anssi Klapuri and Simon Dixon |
| 20 | 1 | Chris Cannam | |
| 21 | 1 | Chris Cannam | Submission no. 30 |
| 22 | 1 | Chris Cannam | CHARACTERISATION OF ACOUSTIC SCENES USING A TEMPORALLY-CONSTRAINED |
| 23 | 1 | Chris Cannam | SHIFT-INVARIANT MODEL |
| 24 | 1 | Chris Cannam | Emmanouil Benetos, Mathieu Lagrange, and Simon Dixon |
| 25 | 1 | Chris Cannam | (Mathieu is with IRCAM) |
| 26 | 1 | Chris Cannam | |
| 27 | 1 | Chris Cannam | Submission no. 39 |
| 28 | 1 | Chris Cannam | DRUMKIT TRANSCRIPTION VIA CONVOLUTIVE NMF |
| 29 | 1 | Chris Cannam | Henry Lindsay-Smith, Skot McDonald, Mark Sandler |
| 30 | 1 | Chris Cannam | (first two authors both FXpansion) |