DAFx2012RR » History » Version 10
Version 9 (Chris Cannam, 2012-10-19 05:19 PM) → Version 10/11 (Chris Cannam, 2012-10-19 05:31 PM)
h1. DAFx 2012: C4DM papers for RR review
h4. SIMULATING MICROPHONE BLEED AND TOM-TOM RESONANCE IN MULTISAMPLED DRUM WORKSTATIONS
Submission no. 5
Alice Clifford, Henry Lindsay Smith, Joshua Reiss
(n.b. Henry is on behalf of FXpansion here, not QM)
No software or data link provided. No software platform identified. It's unclear whether software was written for the paper or not. No software or data link provided.
h4. AN AUTONOMOUS METHOD FOR MULTI-TRACK DYNAMIC RANGE COMPRESSION
Submission no. 6
Jacob A. Maddams, Saoirse Finn, Joshua D. Reiss
No software platform identified. No software or data link provided. No software platform identified.
h4. VARIABLE-POLAR PATTERN SYNTHESIS FOR USE IN TWO DIMENSIONAL SOUND REPRODUCTION
Submission no. 16
Martin J. Morrell, Joshua D. Reiss
Describes a VST plugin implementation. No software or data link provided.
(As it happens, this code is in a private project on soundsoftware)
h4. THE WABLET: SCANNED SYNTHESIS ON A MULTI-TOUCH INTERFACE
Submission no. 18
Robert Tubb, Anssi Klapuri and Simon Dixon
Describes an iPad app and a Max/MSP controller. The paper is largely a description of software. No software or data link provided.
h4. CHARACTERISATION OF ACOUSTIC SCENES USING A TEMPORALLY-CONSTRAINED SHIFT-INVARIANT MODEL
Submission no. 30
Emmanouil Benetos, Mathieu Lagrange, and Simon Dixon
(Mathieu is with IRCAM)
Describes what looks like a software method. Identifies, and links to, the dataset used for evaluation. No software link provided.
h4. DRUMKIT TRANSCRIPTION VIA CONVOLUTIVE NMF
Submission no. 39
Henry Lindsay-Smith, Skot McDonald, Mark Sandler
(first two authors both FXpansion)
Describes what looks like a software method. Describes a test dataset. No software or data link provided.
h4. Other papers
There is also a paper (no. 78) from Joachim, but it's credited to Antwerp university, and there's one (no. 81) which has Anssi at QM as
the second of three authors but the first and third are both elsewhere.
h4. SIMULATING MICROPHONE BLEED AND TOM-TOM RESONANCE IN MULTISAMPLED DRUM WORKSTATIONS
Submission no. 5
Alice Clifford, Henry Lindsay Smith, Joshua Reiss
(n.b. Henry is on behalf of FXpansion here, not QM)
No software or data link provided. No software platform identified. It's unclear whether software was written for the paper or not. No software or data link provided.
h4. AN AUTONOMOUS METHOD FOR MULTI-TRACK DYNAMIC RANGE COMPRESSION
Submission no. 6
Jacob A. Maddams, Saoirse Finn, Joshua D. Reiss
No software platform identified. No software or data link provided. No software platform identified.
h4. VARIABLE-POLAR PATTERN SYNTHESIS FOR USE IN TWO DIMENSIONAL SOUND REPRODUCTION
Submission no. 16
Martin J. Morrell, Joshua D. Reiss
Describes a VST plugin implementation. No software or data link provided.
(As it happens, this code is in a private project on soundsoftware)
h4. THE WABLET: SCANNED SYNTHESIS ON A MULTI-TOUCH INTERFACE
Submission no. 18
Robert Tubb, Anssi Klapuri and Simon Dixon
Describes an iPad app and a Max/MSP controller. The paper is largely a description of software. No software or data link provided.
h4. CHARACTERISATION OF ACOUSTIC SCENES USING A TEMPORALLY-CONSTRAINED SHIFT-INVARIANT MODEL
Submission no. 30
Emmanouil Benetos, Mathieu Lagrange, and Simon Dixon
(Mathieu is with IRCAM)
Describes what looks like a software method. Identifies, and links to, the dataset used for evaluation. No software link provided.
h4. DRUMKIT TRANSCRIPTION VIA CONVOLUTIVE NMF
Submission no. 39
Henry Lindsay-Smith, Skot McDonald, Mark Sandler
(first two authors both FXpansion)
Describes what looks like a software method. Describes a test dataset. No software or data link provided.
h4. Other papers
There is also a paper (no. 78) from Joachim, but it's credited to Antwerp university, and there's one (no. 81) which has Anssi at QM as
the second of three authors but the first and third are both elsewhere.