DAFx2012RR » History » Version 10
Chris Cannam, 2012-10-19 05:31 PM
1 | 2 | Chris Cannam | h1. DAFx 2012: C4DM papers for RR review |
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2 | 1 | Chris Cannam | |
3 | 3 | Chris Cannam | h4. SIMULATING MICROPHONE BLEED AND TOM-TOM RESONANCE IN MULTISAMPLED DRUM WORKSTATIONS |
4 | 3 | Chris Cannam | |
5 | 5 | Chris Cannam | Submission no. 5 |
6 | 1 | Chris Cannam | Alice Clifford, Henry Lindsay Smith, Joshua Reiss |
7 | 1 | Chris Cannam | (n.b. Henry is on behalf of FXpansion here, not QM) |
8 | 1 | Chris Cannam | |
9 | 10 | Chris Cannam | No software platform identified. It's unclear whether software was written for the paper or not. No software or data link provided. |
10 | 7 | Chris Cannam | |
11 | 6 | Chris Cannam | h4. AN AUTONOMOUS METHOD FOR MULTI-TRACK DYNAMIC RANGE COMPRESSION |
12 | 5 | Chris Cannam | |
13 | 5 | Chris Cannam | Submission no. 6 |
14 | 1 | Chris Cannam | Jacob A. Maddams, Saoirse Finn, Joshua D. Reiss |
15 | 1 | Chris Cannam | |
16 | 10 | Chris Cannam | No software platform identified. No software or data link provided. |
17 | 7 | Chris Cannam | |
18 | 6 | Chris Cannam | h4. VARIABLE-POLAR PATTERN SYNTHESIS FOR USE IN TWO DIMENSIONAL SOUND REPRODUCTION |
19 | 5 | Chris Cannam | |
20 | 1 | Chris Cannam | Submission no. 16 |
21 | 1 | Chris Cannam | Martin J. Morrell, Joshua D. Reiss |
22 | 7 | Chris Cannam | |
23 | 7 | Chris Cannam | Describes a VST plugin implementation. No software or data link provided. |
24 | 7 | Chris Cannam | (As it happens, this code is in a private project on soundsoftware) |
25 | 1 | Chris Cannam | |
26 | 6 | Chris Cannam | h4. THE WABLET: SCANNED SYNTHESIS ON A MULTI-TOUCH INTERFACE |
27 | 1 | Chris Cannam | |
28 | 1 | Chris Cannam | Submission no. 18 |
29 | 1 | Chris Cannam | Robert Tubb, Anssi Klapuri and Simon Dixon |
30 | 1 | Chris Cannam | |
31 | 8 | Chris Cannam | Describes an iPad app and a Max/MSP controller. The paper is largely a description of software. No software or data link provided. |
32 | 8 | Chris Cannam | |
33 | 6 | Chris Cannam | h4. CHARACTERISATION OF ACOUSTIC SCENES USING A TEMPORALLY-CONSTRAINED SHIFT-INVARIANT MODEL |
34 | 1 | Chris Cannam | |
35 | 5 | Chris Cannam | Submission no. 30 |
36 | 1 | Chris Cannam | Emmanouil Benetos, Mathieu Lagrange, and Simon Dixon |
37 | 1 | Chris Cannam | (Mathieu is with IRCAM) |
38 | 8 | Chris Cannam | |
39 | 9 | Chris Cannam | Describes what looks like a software method. Identifies, and links to, the dataset used for evaluation. No software link provided. |
40 | 1 | Chris Cannam | |
41 | 6 | Chris Cannam | h4. DRUMKIT TRANSCRIPTION VIA CONVOLUTIVE NMF |
42 | 5 | Chris Cannam | |
43 | 5 | Chris Cannam | Submission no. 39 |
44 | 1 | Chris Cannam | Henry Lindsay-Smith, Skot McDonald, Mark Sandler |
45 | 1 | Chris Cannam | (first two authors both FXpansion) |
46 | 10 | Chris Cannam | |
47 | 10 | Chris Cannam | Describes what looks like a software method. Describes a test dataset. No software or data link provided. |
48 | 5 | Chris Cannam | |
49 | 5 | Chris Cannam | h4. Other papers |
50 | 5 | Chris Cannam | |
51 | 5 | Chris Cannam | There is also a paper (no. 78) from Joachim, but it's credited to Antwerp university, and there's one (no. 81) which has Anssi at QM as |
52 | 5 | Chris Cannam | the second of three authors but the first and third are both elsewhere. |