Overview » History » Version 4
Fiore Martin, 2016-08-11 11:56 AM
| 1 | 1 | Nick Bryan-Kinns | h1. Overview |
|---|---|---|---|
| 2 | 2 | Nick Bryan-Kinns | |
| 3 | 3 | Fiore Martin | Collidoscope is an interactive, collaborative sound installation and musical instrument (granular synthesizer) that allows participants to seamlessly record, manipulate, explore and perform real-world sounds. It is designed for both amateurs and professional musicians. |
| 4 | 3 | Fiore Martin | |
| 5 | 3 | Fiore Martin | Collidsocope massively drives on the research conducted at the Center for Digital Music at Queen Mary University of London in real-time sound processing and synthesis, hardware design, physical computing, UI design, designing for interaction, accessibility and collaboration. |
| 6 | 3 | Fiore Martin | |
| 7 | 4 | Fiore Martin | The granular synthesis engine is based on Ross Becina's paper "Implementing Real-Time Granular Synthesis":http://www.cs.au.dk/~dsound/DigitalAudio.dir/Papers/BencinaAudioAnecdotes310801.pdf, on the TGrains Unit Generator of the SuperCollider language and on the Cross-modal DAW Prototype developed in the EPSRC funded project Design Patterns for Inclusive Collaboration (DePIC) |