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Paper: Updated figures for hi-res png.
author Nicholas Jillings <n.g.r.jillings@se14.qmul.ac.uk>
date Mon, 27 Apr 2015 20:19:37 +0100
parents 0a8e99e3f2bf
children 794c82442083
files docs/SMC15/XMLInput2.png docs/SMC15/XMLOutput2.png docs/SMC15/interface2.png docs/SMC15/smc2015template.bbl docs/SMC15/smc2015template.tex
diffstat 5 files changed, 131 insertions(+), 131 deletions(-) [+]
line wrap: on
line diff
Binary file docs/SMC15/XMLInput2.png has changed
Binary file docs/SMC15/XMLOutput2.png has changed
Binary file docs/SMC15/interface2.png has changed
--- a/docs/SMC15/smc2015template.bbl	Mon Apr 27 19:38:27 2015 +0100
+++ b/docs/SMC15/smc2015template.bbl	Mon Apr 27 20:19:37 2015 +0100
@@ -1,129 +1,129 @@
-% Generated by IEEEtran.bst, version: 1.12 (2007/01/11)
-\begin{thebibliography}{10}
-\providecommand{\url}[1]{#1}
-\csname url@samestyle\endcsname
-\providecommand{\newblock}{\relax}
-\providecommand{\bibinfo}[2]{#2}
-\providecommand{\BIBentrySTDinterwordspacing}{\spaceskip=0pt\relax}
-\providecommand{\BIBentryALTinterwordstretchfactor}{4}
-\providecommand{\BIBentryALTinterwordspacing}{\spaceskip=\fontdimen2\font plus
-\BIBentryALTinterwordstretchfactor\fontdimen3\font minus
-  \fontdimen4\font\relax}
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-\typeout{** loaded for the language `#1'. Using the pattern for}%
-\typeout{** the default language instead.}%
-\else
-\language=\csname l@#1\endcsname
-\fi
-#2}}
-\providecommand{\BIBdecl}{\relax}
-\BIBdecl
-
-\bibitem{schoeffler2013impact}
-M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall
-  listening experience,'' in \emph{Proceedings of Sound and Music Computing
-  Conference}, 2013, pp. 48--53.
-
-\bibitem{repp}
-R.~Repp, ``Recording quality ratings by music professionals,'' in
-  \emph{Proceedings of the 2006 International Computer Music Conference}, 2006,
-  pp. 468--474.
-
-\bibitem{de2013real}
-A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or
-  synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings
-  of SMC 2013 : 10th Sound and Music Computing Conference}, 2013.
-
-\bibitem{durr2015implementation}
-G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and
-  evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering
-  Society Conference: 56th International Conference: Audio for Games}, 2015.
-
-\bibitem{deman2014a}
-B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion
-  effects,'' in \emph{53rd Conference of the Audio Engineering Society}, 2014.
-
-\bibitem{mushram}
-E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for
-  subjective evalutation of audio source separation algorithms,'' in \emph{UK
-  ICA Research Network Workshop}, 2006.
-
-\bibitem{uhlereiss}
-J.~D. Reiss and C.~Uhle, ``Determined source separation for microphone
-  recordings using {IIR} filters,'' in \emph{129th Convention of the Audio
-  Engineering Society}.\hskip 1em plus 0.5em minus 0.4em\relax Audio
-  Engineering Society, 2010.
-
-\bibitem{song2013b}
-Y.~Song, S.~Dixon, and A.~R. Halpern, ``Do online social tags predict perceived
-  or induced emotional responses to music?'' in \emph{Proceedings of the 14th
-  International Society for Music Information Retrieval (ISMIR2013)}, 2013.
-
-\bibitem{song2013a}
-Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli
-  in the study of music and emotion,'' \emph{Proceedings of the 3rd
-  International Conference on Music \& Emotion (ICME)}, 2013.
-
-\bibitem{friberg2011comparison}
-A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed
-  audio features,'' in \emph{Proceedings of the SMC2011, 8th Sound and Music
-  Computing Conference}, 2011, pp. 122--127.
-
-\bibitem{deman2014b}
-B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox
-  for {MATLAB},'' in \emph{136th Convention of the Audio Engineering Society},
-  2014.
-
-\bibitem{beaqlejs}
-S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based
-  framework for the subjective evaluation of audio quality,'' in \emph{Linux
-  Audio Conference, Karlsruhe, DE}, 2014.
-
-\bibitem{hulti-gen}
-C.~Gribben and H.~Lee, ``Toward the development of a universal listening test
-  interface generator in max,'' in \emph{138th Convention of the Audio
-  Engineering Society}, 2015.
-
-\bibitem{scale}
-A.~V. Giner, ``Scale - a software tool for listening experiments,'' in
-  \emph{AIA/DAGA Conference on Acoustics, Merano (Italy)}, 2013.
-
-\bibitem{whisper}
-S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for
-  performing listening tests,'' in \emph{126th Convention of the Audio
-  Engineering Society}, 2009.
-
-\bibitem{opaque}
-J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio
-  quality attributes,'' in \emph{118th Convention of the Audio Engineering
-  Society}, 2005.
-
-\bibitem{guineapig}
-J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system
-  for multichannel audio,'' in \emph{106th Convention of the Audio Engineering
-  Society Convention}, 1999.
-
-\bibitem{mushra}
-\emph{Method for the subjective assessment of intermediate quality level of
-  coding systems}.\hskip 1em plus 0.5em minus 0.4em\relax Recommendation {ITU-R
-  BS.1534-1}, 2003.
-
-\bibitem{mason2015compression}
-A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio
-  reproduction using personalized compression,'' in \emph{Audio Engineering
-  Society Conference: 57th International Conference: The Future of Audio
-  Entertainment Technology -- Cinema, Television and the Internet}, 2015.
-
-\bibitem{bech}
-S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and
-  Application}.\hskip 1em plus 0.5em minus 0.4em\relax John Wiley \& Sons,
-  2007.
-
-\bibitem{deman2015a}
-B.~De~Man, M.~Boerum, B.~Leonard, G.~Massenburg, R.~King, and J.~D. Reiss,
-  ``Perceptual evaluation of music mixing practices,'' in \emph{138th
-  Convention of the Audio Engineering Society}, 2015.
-
-\end{thebibliography}
+% Generated by IEEEtran.bst, version: 1.12 (2007/01/11)
+\begin{thebibliography}{10}
+\providecommand{\url}[1]{#1}
+\csname url@samestyle\endcsname
+\providecommand{\newblock}{\relax}
+\providecommand{\bibinfo}[2]{#2}
+\providecommand{\BIBentrySTDinterwordspacing}{\spaceskip=0pt\relax}
+\providecommand{\BIBentryALTinterwordstretchfactor}{4}
+\providecommand{\BIBentryALTinterwordspacing}{\spaceskip=\fontdimen2\font plus
+\BIBentryALTinterwordstretchfactor\fontdimen3\font minus
+  \fontdimen4\font\relax}
+\providecommand{\BIBforeignlanguage}[2]{{%
+\expandafter\ifx\csname l@#1\endcsname\relax
+\typeout{** WARNING: IEEEtran.bst: No hyphenation pattern has been}%
+\typeout{** loaded for the language `#1'. Using the pattern for}%
+\typeout{** the default language instead.}%
+\else
+\language=\csname l@#1\endcsname
+\fi
+#2}}
+\providecommand{\BIBdecl}{\relax}
+\BIBdecl
+
+\bibitem{schoeffler2013impact}
+M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall
+  listening experience,'' in \emph{Proceedings of Sound and Music Computing
+  Conference}, 2013, pp. 48--53.
+
+\bibitem{repp}
+R.~Repp, ``Recording quality ratings by music professionals,'' in
+  \emph{Proceedings of the 2006 International Computer Music Conference}, 2006,
+  pp. 468--474.
+
+\bibitem{de2013real}
+A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or
+  synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings
+  of SMC 2013 : 10th Sound and Music Computing Conference}, 2013.
+
+\bibitem{durr2015implementation}
+G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and
+  evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering
+  Society Conference: 56th International Conference: Audio for Games}, 2015.
+
+\bibitem{deman2014a}
+B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion
+  effects,'' in \emph{53rd Conference of the Audio Engineering Society}, 2014.
+
+\bibitem{mushram}
+E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for
+  subjective evalutation of audio source separation algorithms,'' in \emph{UK
+  ICA Research Network Workshop}, 2006.
+
+\bibitem{uhlereiss}
+J.~D. Reiss and C.~Uhle, ``Determined source separation for microphone
+  recordings using {IIR} filters,'' in \emph{129th Convention of the Audio
+  Engineering Society}.\hskip 1em plus 0.5em minus 0.4em\relax Audio
+  Engineering Society, 2010.
+
+\bibitem{song2013b}
+Y.~Song, S.~Dixon, and A.~R. Halpern, ``Do online social tags predict perceived
+  or induced emotional responses to music?'' in \emph{Proceedings of the 14th
+  International Society for Music Information Retrieval (ISMIR2013)}, 2013.
+
+\bibitem{song2013a}
+Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli
+  in the study of music and emotion,'' \emph{Proceedings of the 3rd
+  International Conference on Music \& Emotion (ICME)}, 2013.
+
+\bibitem{friberg2011comparison}
+A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed
+  audio features,'' in \emph{Proceedings of the SMC2011, 8th Sound and Music
+  Computing Conference}, 2011, pp. 122--127.
+
+\bibitem{deman2014b}
+B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox
+  for {MATLAB},'' in \emph{136th Convention of the Audio Engineering Society},
+  2014.
+
+\bibitem{beaqlejs}
+S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based
+  framework for the subjective evaluation of audio quality,'' in \emph{Linux
+  Audio Conference, Karlsruhe, DE}, 2014.
+
+\bibitem{hulti-gen}
+C.~Gribben and H.~Lee, ``Toward the development of a universal listening test
+  interface generator in max,'' in \emph{138th Convention of the Audio
+  Engineering Society}, 2015.
+
+\bibitem{scale}
+A.~V. Giner, ``Scale - a software tool for listening experiments,'' in
+  \emph{AIA/DAGA Conference on Acoustics, Merano (Italy)}, 2013.
+
+\bibitem{whisper}
+S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for
+  performing listening tests,'' in \emph{126th Convention of the Audio
+  Engineering Society}, 2009.
+
+\bibitem{opaque}
+J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio
+  quality attributes,'' in \emph{118th Convention of the Audio Engineering
+  Society}, 2005.
+
+\bibitem{guineapig}
+J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system
+  for multichannel audio,'' in \emph{106th Convention of the Audio Engineering
+  Society Convention}, 1999.
+
+\bibitem{mushra}
+\emph{Method for the subjective assessment of intermediate quality level of
+  coding systems}.\hskip 1em plus 0.5em minus 0.4em\relax Recommendation {ITU-R
+  BS.1534-1}, 2003.
+
+\bibitem{mason2015compression}
+A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio
+  reproduction using personalized compression,'' in \emph{Audio Engineering
+  Society Conference: 57th International Conference: The Future of Audio
+  Entertainment Technology -- Cinema, Television and the Internet}, 2015.
+
+\bibitem{bech}
+S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and
+  Application}.\hskip 1em plus 0.5em minus 0.4em\relax John Wiley \& Sons,
+  2007.
+
+\bibitem{deman2015a}
+B.~De~Man, M.~Boerum, B.~Leonard, G.~Massenburg, R.~King, and J.~D. Reiss,
+  ``Perceptual evaluation of music mixing practices,'' in \emph{138th
+  Convention of the Audio Engineering Society}, 2015.
+
+\end{thebibliography}
--- a/docs/SMC15/smc2015template.tex	Mon Apr 27 19:38:27 2015 +0100
+++ b/docs/SMC15/smc2015template.tex	Mon Apr 27 20:19:37 2015 +0100
@@ -281,7 +281,7 @@
 
 \begin{figure}[ht]
 \begin{center}
-\includegraphics[width=0.5\textwidth]{XMLInput.png}
+\includegraphics[width=0.5\textwidth]{XMLInput2.png}
 \caption{An Example Input XML File}
 \label{fig:xmlIn}
 \end{center}
@@ -325,7 +325,7 @@
 
 \begin{figure}[ht]
 \begin{center}
-\includegraphics[width=0.5\textwidth]{XMLOutput.png}
+\includegraphics[width=0.5\textwidth]{XMLOutput2.png}
 \caption{An Example Output XML File}
 \label{fig:xmlOut}
 \end{center}