annotate docs/WAC2016/WAC2016.tex @ 312:8aefcf569e7b WAC2016

Paper: added ideas for in-the-browser visualisation, diagnostics and analysis
author Brecht De Man <b.deman@qmul.ac.uk>
date Wed, 23 Sep 2015 14:42:02 +0200
parents 1b168b627cb9
children ffd14d1f9ad7 464ca23d5f39
rev   line source
b@308 1 \documentclass{sig-alternate}
b@308 2
b@308 3
b@308 4 \begin{document}
b@308 5
b@308 6 % Copyright
b@308 7 \setcopyright{waclicense}
b@308 8
b@308 9
b@308 10 %% DOI
b@308 11 %\doi{10.475/123_4}
b@308 12 %
b@308 13 %% ISBN
b@308 14 %\isbn{123-4567-24-567/08/06}
b@308 15 %
b@308 16 %%Conference
b@308 17 %\conferenceinfo{PLDI '13}{June 16--19, 2013, Seattle, WA, USA}
b@308 18 %
b@308 19 %\acmPrice{\$15.00}
b@308 20
b@308 21 %
b@308 22 % --- Author Metadata here ---
b@308 23 \conferenceinfo{Web Audio Conference WAC-2016,}{April 4--6, 2016, Atlanta, USA}
b@308 24 \CopyrightYear{2016} % Allows default copyright year (20XX) to be over-ridden - IF NEED BE.
b@308 25 %\crdata{0-12345-67-8/90/01} % Allows default copyright data (0-89791-88-6/97/05) to be over-ridden - IF NEED BE.
b@308 26 % --- End of Author Metadata ---
b@308 27
b@312 28 \title{Web Audio Evaluation Tool something something}
b@308 29 %\subtitle{[Extended Abstract]
b@308 30 %\titlenote{A full version of this paper is available as
b@308 31 %\textit{Author's Guide to Preparing ACM SIG Proceedings Using
b@308 32 %\LaTeX$2_\epsilon$\ and BibTeX} at
b@308 33 %\texttt{www.acm.org/eaddress.htm}}}
b@308 34 %
b@308 35 % You need the command \numberofauthors to handle the 'placement
b@308 36 % and alignment' of the authors beneath the title.
b@308 37 %
b@308 38 % For aesthetic reasons, we recommend 'three authors at a time'
b@308 39 % i.e. three 'name/affiliation blocks' be placed beneath the title.
b@308 40 %
b@308 41 % NOTE: You are NOT restricted in how many 'rows' of
b@308 42 % "name/affiliations" may appear. We just ask that you restrict
b@308 43 % the number of 'columns' to three.
b@308 44 %
b@308 45 % Because of the available 'opening page real-estate'
b@308 46 % we ask you to refrain from putting more than six authors
b@308 47 % (two rows with three columns) beneath the article title.
b@308 48 % More than six makes the first-page appear very cluttered indeed.
b@308 49 %
b@308 50 % Use the \alignauthor commands to handle the names
b@308 51 % and affiliations for an 'aesthetic maximum' of six authors.
b@308 52 % Add names, affiliations, addresses for
b@308 53 % the seventh etc. author(s) as the argument for the
b@308 54 % \additionalauthors command.
b@308 55 % These 'additional authors' will be output/set for you
b@308 56 % without further effort on your part as the last section in
b@308 57 % the body of your article BEFORE References or any Appendices.
b@308 58
d@310 59 \numberofauthors{5} % in this sample file, there are a *total*
b@308 60 % of EIGHT authors. SIX appear on the 'first-page' (for formatting
b@308 61 % reasons) and the remaining two appear in the \additionalauthors section.
b@308 62 %
b@308 63 \author{
b@308 64 % You can go ahead and credit any number of authors here,
b@308 65 % e.g. one 'row of three' or two rows (consisting of one row of three
b@308 66 % and a second row of one, two or three).
b@308 67 %
b@308 68 % The command \alignauthor (no curly braces needed) should
b@308 69 % precede each author name, affiliation/snail-mail address and
b@308 70 % e-mail address. Additionally, tag each line of
b@308 71 % affiliation/address with \affaddr, and tag the
b@308 72 % e-mail address with \email.
b@308 73 %
b@308 74 % 1st. author
b@308 75 \alignauthor Nicholas Jillings\\
b@308 76 \email{n.g.r.jillings@se14.qmul.ac.uk}
b@308 77 \alignauthor % dummy author for nicer spacing
b@308 78 % 2nd. author
b@308 79 \alignauthor Brecht De Man\\
b@308 80 \email{b.deman@qmul.ac.uk}
b@308 81 \and % use '\and' if you need 'another row' of author names
b@308 82 % 3rd. author
b@308 83 \alignauthor David Moffat\\
b@308 84 \email{d.j.moffat@qmul.ac.uk}
b@308 85 % 4th. author
b@308 86 \alignauthor Joshua D. Reiss\\
b@308 87 \email{joshua.reiss@qmul.ac.uk}
b@308 88 \and
b@308 89 \affaddr{Centre for Digital Music}\\
b@308 90 \affaddr{School of Electronic Engineering and Computer Science}\\
b@308 91 \affaddr{Queen Mary University of London}\\
b@308 92 \affaddr{Mile End Road,}
b@308 93 \affaddr{London E1 4NS}\\
b@308 94 \affaddr{United Kingdom}\\
b@308 95 }
b@308 96 %Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London
b@308 97 %% 5th. author
b@308 98 %\alignauthor Sean Fogarty\\
b@308 99 % \affaddr{NASA Ames Research Center}\\
b@308 100 % \affaddr{Moffett Field}\\
b@308 101 % \email{fogartys@amesres.org}
b@308 102 %% 6th. author
b@308 103 %\alignauthor Charles Palmer\\
b@308 104 % \affaddr{Palmer Research Laboratories}\\
b@308 105 % \affaddr{8600 Datapoint Drive}\\
b@308 106 % \email{cpalmer@prl.com}
b@308 107 %}
b@308 108 % There's nothing stopping you putting the seventh, eighth, etc.
b@308 109 % author on the opening page (as the 'third row') but we ask,
b@308 110 % for aesthetic reasons that you place these 'additional authors'
b@308 111 % in the \additional authors block, viz.
b@308 112 %\additionalauthors{Additional authors: John Smith (The Th{\o}rv{\"a}ld Group,
b@308 113 %email: {\texttt{jsmith@affiliation.org}}) and Julius P.~Kumquat
b@308 114 %(The Kumquat Consortium, email: {\texttt{jpkumquat@consortium.net}}).}
b@308 115 \date{1 October 2015}
b@308 116 % Just remember to make sure that the TOTAL number of authors
b@308 117 % is the number that will appear on the first page PLUS the
b@308 118 % number that will appear in the \additionalauthors section.
b@308 119
b@308 120 \maketitle
b@308 121 \begin{abstract}
b@308 122 Here comes the abstract.
b@308 123 \end{abstract}
b@308 124
b@308 125
b@308 126 \section{Introduction}
b@308 127 Introducing the paper. Referring to \cite{waet}. Talking about what we do in the various sections of this paper. Pointing out that the header of the paper kind of looks like the Bat-sign.
b@308 128
b@308 129 \section{Architecture}
b@308 130 A slightly technical overview of the system. Talk about XML, JavaScript, Web Audio API, HTML5.
b@308 131
b@308 132 \section{Interfaces}
b@308 133 We could add more interfaces, such as:
b@308 134 \begin{itemize}
b@308 135 \item Multi attribute ratings
d@310 136 \item MUSHRA (ITU-R BS. 1534)~\cite{recommendation20031534}
d@310 137 \item Interval Scale~\cite{zacharov1999round}
d@310 138 \item Rank Scale~\cite{pascoe1983evaluation}
b@308 139
d@310 140 \item 2D Plane rating - e.g. Valence vs. Arousal~\cite{carroll1969individual}
d@310 141 \item Likert scale~\cite{likert1932technique}
d@309 142
d@309 143 \item {\bf All the following are the interfaces available in HULTI-GEN~\cite{gribben2015toward} }
d@310 144 \item ABC/HR (ITU-R BS. 1116)~\cite{recommendation19971116}
d@309 145 \begin{itemize}
d@309 146 \item Continuous Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)
d@309 147 \end{itemize}
d@309 148 \item -50 to 50 Bipolar with Ref
d@309 149 \begin{itemize}
d@309 150 \item Scale -50 to 50 on Mushra with default values as 0 in middle and a comparison ``Reference'' to compare to 0 value
d@309 151 \end{itemize}
d@310 152 \item Absolute Category Rating (ACR) Scale~\cite{rec1996p}
d@309 153 \begin{itemize}
d@309 154 \item 5 point Scale - Bad, Poor, Fair, Good, Excellent (Default fair?)
d@309 155 \end{itemize}
d@310 156 \item Degredation Category Rating (DCR) Scale~\cite{rec1996p}
d@309 157 \begin{itemize}
d@309 158 \item 5 point Scale - Inaudible, Audible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?) - {\it Basically just quantised ABC/HR?}
d@309 159 \end{itemize}
d@310 160 \item Comparison Category Rating (CCR) Scale~\cite{rec1996p}
d@309 161 \begin{itemize}
d@309 162 \item 7 point scale: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse - Default about the same with reference to compare to
d@309 163 \end{itemize}
d@310 164 \item 9 Point Hedonic Category Rating Scale~\cite{peryam1952advanced}
d@309 165 \begin{itemize}
d@309 166 \item 9 point scale: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly - Default Neither Like nor Dislike with reference to compare to
d@309 167 \end{itemize}
d@310 168 \item ITU-R 5 Point Continuous Impairment Scale~\cite{rec1997bs}
d@309 169 \begin{itemize}
d@309 170 \item 5 point Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)- {\it Basically just quantised ABC/HR, or Different named DCR}
d@309 171 \end{itemize}
d@310 172 \item Pairwise Comparison (Better/Worse)~\cite{david1963method}
d@309 173 \begin{itemize}
d@309 174 \item 2 point Scale - Better or Worse - (not sure how to default this - they default everything to better, which is an interesting choice)
d@309 175 \end{itemize}
b@308 176 \end{itemize}
b@308 177
b@308 178 There are also the following interfaces, which would require a slightly different `engine' underneath, e.g. loading a different page for every possible pair.
b@308 179 \begin{itemize}
d@310 180 \item AB Test~\cite{lipshitz1981great}
d@310 181 \item ABX Test~\cite{clark1982high}
b@308 182 \item JND
b@308 183 \end{itemize}
b@308 184
b@308 185 A screenshot would be nice.
b@308 186
b@308 187 \section{Analysis and diagnostics}
b@308 188 It would be great to have easy-to-use analysis tools to visualise the collected data and even do science with it. Even better would be to have all this in the browser. Complete perfection would be achieved if and when only limited setup, installation time, and expertise are required for the average non-CS researcher to use this.
b@308 189
b@312 190 The following could be nice:
b@312 191
b@312 192 \begin{itemize}
b@312 193 \item Web page showing all audioholder IDs, file names, subject IDs, audio element IDs, ... in the collected XMLs so far (\texttt{saves/*.xml})
b@312 194 \item Check/uncheck each of the above for analysis (e.g. zoom in on a certain song, or exclude a subset of subjects)
b@312 195 \item Click a mix to hear it (follow path in XML setup file, which is also embedded in the XML result file)
b@312 196 \item Box plot, confidence plot, scatter plot of values (for a given audioholder)
b@312 197 \item Timeline for a specific subject (see Python scripts), perhaps re-playing the experiment in X times realtime. (If actual realtime, you could replay the audio...)
b@312 198 \item Distribution plots of any radio button and number questions (drop-down menu with `pretest', `posttest', ...; then drop-down menu with question `IDs' like `gender', `age', ...; make pie chart/histogram of these values over selected range of XMLs)
b@312 199 \item All `comments' on a specific audioelement
b@312 200 \item A `download' button for a nice CSV of various things (values, survey responses, comments) people might want to use for analysis, e.g. when XML scares them
b@312 201 \end{itemize}
b@312 202
b@312 203 A subset of the above would already be nice for this paper.
b@312 204
b@308 205 Some pictures here please.
b@308 206
b@308 207 \section{Concluding remarks}
b@308 208 Perhaps an `engineering brief' such as this one doesn't really have a lot of conclusion, except `We made this'.
b@308 209
b@308 210 You can check it out at \url{code.soundsoftware.ac.uk/projects/webaudioevaluationtool}.
b@308 211
b@308 212 \section{Future work}
b@308 213 Perhaps here, perhaps not. Talking a little bit about what else might happen. Unless we really want to wrap this up.
b@308 214
b@308 215 %
b@308 216 % The following two commands are all you need in the
b@308 217 % initial runs of your .tex file to
b@308 218 % produce the bibliography for the citations in your paper.
b@308 219 \bibliographystyle{abbrv}
b@308 220 \bibliography{WAC2016} % sigproc.bib is the name of the Bibliography in this case
b@308 221 % You must have a proper ".bib" file
b@308 222 % and remember to run:
b@308 223 % latex bibtex latex latex
b@308 224 % to resolve all references
b@308 225 %
b@308 226 % ACM needs 'a single self-contained file'!
b@308 227 %
b@308 228 \end{document}