annotate docs/WAC2016/WAC2016.tex @ 729:6a7f6a58bf11

Add interfaces section to WAC paper
author Dave <djmoffat@users.noreply.github.com>
date Mon, 12 Oct 2015 12:22:42 +0100
parents 28b385057ded
children a48b6a2c7489
rev   line source
BrechtDeMan@719 1 \documentclass{sig-alternate}
BrechtDeMan@727 2 \usepackage{hyperref} % make links (like references, links to Sections, ...) clickable
BrechtDeMan@727 3 \usepackage{enumitem} % tighten itemize etc by appending '[noitemsep,nolistsep]'
djmoffat@729 4 \usepackage{cleveref}
BrechtDeMan@719 5
BrechtDeMan@719 6 \begin{document}
BrechtDeMan@719 7
BrechtDeMan@719 8 % Copyright
BrechtDeMan@719 9 \setcopyright{waclicense}
BrechtDeMan@719 10
BrechtDeMan@719 11
BrechtDeMan@719 12 %% DOI
BrechtDeMan@719 13 %\doi{10.475/123_4}
BrechtDeMan@719 14 %
BrechtDeMan@719 15 %% ISBN
BrechtDeMan@719 16 %\isbn{123-4567-24-567/08/06}
BrechtDeMan@719 17 %
BrechtDeMan@719 18 %%Conference
BrechtDeMan@719 19 %\conferenceinfo{PLDI '13}{June 16--19, 2013, Seattle, WA, USA}
BrechtDeMan@719 20 %
BrechtDeMan@719 21 %\acmPrice{\$15.00}
BrechtDeMan@719 22
BrechtDeMan@719 23 %
BrechtDeMan@719 24 % --- Author Metadata here ---
BrechtDeMan@719 25 \conferenceinfo{Web Audio Conference WAC-2016,}{April 4--6, 2016, Atlanta, USA}
BrechtDeMan@719 26 \CopyrightYear{2016} % Allows default copyright year (20XX) to be over-ridden - IF NEED BE.
BrechtDeMan@719 27 %\crdata{0-12345-67-8/90/01} % Allows default copyright data (0-89791-88-6/97/05) to be over-ridden - IF NEED BE.
BrechtDeMan@719 28 % --- End of Author Metadata ---
BrechtDeMan@719 29
BrechtDeMan@728 30 \title{Web Audio Evaluation Tool: A framework for subjective assessment of audio}
BrechtDeMan@719 31 %\subtitle{[Extended Abstract]
BrechtDeMan@719 32 %\titlenote{A full version of this paper is available as
BrechtDeMan@719 33 %\textit{Author's Guide to Preparing ACM SIG Proceedings Using
BrechtDeMan@719 34 %\LaTeX$2_\epsilon$\ and BibTeX} at
BrechtDeMan@719 35 %\texttt{www.acm.org/eaddress.htm}}}
BrechtDeMan@719 36 %
BrechtDeMan@719 37 % You need the command \numberofauthors to handle the 'placement
BrechtDeMan@719 38 % and alignment' of the authors beneath the title.
BrechtDeMan@719 39 %
BrechtDeMan@719 40 % For aesthetic reasons, we recommend 'three authors at a time'
BrechtDeMan@719 41 % i.e. three 'name/affiliation blocks' be placed beneath the title.
BrechtDeMan@719 42 %
BrechtDeMan@719 43 % NOTE: You are NOT restricted in how many 'rows' of
BrechtDeMan@719 44 % "name/affiliations" may appear. We just ask that you restrict
BrechtDeMan@719 45 % the number of 'columns' to three.
BrechtDeMan@719 46 %
BrechtDeMan@719 47 % Because of the available 'opening page real-estate'
BrechtDeMan@719 48 % we ask you to refrain from putting more than six authors
BrechtDeMan@719 49 % (two rows with three columns) beneath the article title.
BrechtDeMan@719 50 % More than six makes the first-page appear very cluttered indeed.
BrechtDeMan@719 51 %
BrechtDeMan@719 52 % Use the \alignauthor commands to handle the names
BrechtDeMan@719 53 % and affiliations for an 'aesthetic maximum' of six authors.
BrechtDeMan@719 54 % Add names, affiliations, addresses for
BrechtDeMan@719 55 % the seventh etc. author(s) as the argument for the
BrechtDeMan@719 56 % \additionalauthors command.
BrechtDeMan@719 57 % These 'additional authors' will be output/set for you
BrechtDeMan@719 58 % without further effort on your part as the last section in
BrechtDeMan@719 59 % the body of your article BEFORE References or any Appendices.
BrechtDeMan@719 60
BrechtDeMan@725 61 % FIVE authors instead of four, to leave space between first two authors.
djmoffat@721 62 \numberofauthors{5} % in this sample file, there are a *total*
BrechtDeMan@719 63 % of EIGHT authors. SIX appear on the 'first-page' (for formatting
BrechtDeMan@719 64 % reasons) and the remaining two appear in the \additionalauthors section.
BrechtDeMan@719 65 %
BrechtDeMan@719 66 \author{
BrechtDeMan@719 67 % You can go ahead and credit any number of authors here,
BrechtDeMan@719 68 % e.g. one 'row of three' or two rows (consisting of one row of three
BrechtDeMan@719 69 % and a second row of one, two or three).
BrechtDeMan@719 70 %
BrechtDeMan@719 71 % The command \alignauthor (no curly braces needed) should
BrechtDeMan@719 72 % precede each author name, affiliation/snail-mail address and
BrechtDeMan@719 73 % e-mail address. Additionally, tag each line of
BrechtDeMan@719 74 % affiliation/address with \affaddr, and tag the
BrechtDeMan@719 75 % e-mail address with \email.
BrechtDeMan@719 76 %
BrechtDeMan@719 77 % 1st. author
BrechtDeMan@719 78 \alignauthor Nicholas Jillings\\
BrechtDeMan@719 79 \email{n.g.r.jillings@se14.qmul.ac.uk}
BrechtDeMan@725 80 % dummy author for nicer spacing
BrechtDeMan@725 81 \alignauthor
BrechtDeMan@719 82 % 2nd. author
BrechtDeMan@719 83 \alignauthor Brecht De Man\\
BrechtDeMan@719 84 \email{b.deman@qmul.ac.uk}
BrechtDeMan@719 85 \and % use '\and' if you need 'another row' of author names
BrechtDeMan@719 86 % 3rd. author
BrechtDeMan@719 87 \alignauthor David Moffat\\
BrechtDeMan@719 88 \email{d.j.moffat@qmul.ac.uk}
BrechtDeMan@719 89 % 4th. author
BrechtDeMan@719 90 \alignauthor Joshua D. Reiss\\
BrechtDeMan@719 91 \email{joshua.reiss@qmul.ac.uk}
BrechtDeMan@725 92 \and % new line for address
BrechtDeMan@719 93 \affaddr{Centre for Digital Music}\\
BrechtDeMan@719 94 \affaddr{School of Electronic Engineering and Computer Science}\\
BrechtDeMan@719 95 \affaddr{Queen Mary University of London}\\
BrechtDeMan@719 96 \affaddr{Mile End Road,}
BrechtDeMan@719 97 \affaddr{London E1 4NS}\\
BrechtDeMan@719 98 \affaddr{United Kingdom}\\
BrechtDeMan@719 99 }
BrechtDeMan@719 100 %Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London
BrechtDeMan@719 101 %% 5th. author
BrechtDeMan@719 102 %\alignauthor Sean Fogarty\\
BrechtDeMan@719 103 % \affaddr{NASA Ames Research Center}\\
BrechtDeMan@719 104 % \affaddr{Moffett Field}\\
BrechtDeMan@719 105 % \email{fogartys@amesres.org}
BrechtDeMan@719 106 %% 6th. author
BrechtDeMan@719 107 %\alignauthor Charles Palmer\\
BrechtDeMan@719 108 % \affaddr{Palmer Research Laboratories}\\
BrechtDeMan@719 109 % \affaddr{8600 Datapoint Drive}\\
BrechtDeMan@719 110 % \email{cpalmer@prl.com}
BrechtDeMan@719 111 %}
BrechtDeMan@719 112 % There's nothing stopping you putting the seventh, eighth, etc.
BrechtDeMan@719 113 % author on the opening page (as the 'third row') but we ask,
BrechtDeMan@719 114 % for aesthetic reasons that you place these 'additional authors'
BrechtDeMan@719 115 % in the \additional authors block, viz.
BrechtDeMan@719 116 %\additionalauthors{Additional authors: John Smith (The Th{\o}rv{\"a}ld Group,
BrechtDeMan@719 117 %email: {\texttt{jsmith@affiliation.org}}) and Julius P.~Kumquat
BrechtDeMan@719 118 %(The Kumquat Consortium, email: {\texttt{jpkumquat@consortium.net}}).}
BrechtDeMan@719 119 \date{1 October 2015}
BrechtDeMan@719 120 % Just remember to make sure that the TOTAL number of authors
BrechtDeMan@719 121 % is the number that will appear on the first page PLUS the
BrechtDeMan@719 122 % number that will appear in the \additionalauthors section.
BrechtDeMan@719 123
BrechtDeMan@719 124 \maketitle
BrechtDeMan@719 125 \begin{abstract}
BrechtDeMan@719 126 Here comes the abstract.
BrechtDeMan@719 127 \end{abstract}
BrechtDeMan@719 128
BrechtDeMan@719 129
BrechtDeMan@719 130 \section{Introduction}
BrechtDeMan@726 131
BrechtDeMan@726 132 % Listening tests/perceptual audio evaluation: what are they, why are they important
BrechtDeMan@726 133 % As opposed to limited scope of WAC15 paper: also musical features, realism of sound effects / sound synthesis, performance of source separation and other algorithms...
BrechtDeMan@726 134 Perceptual evaluation of audio, in the form of listening tests, is a powerful way to assess anything from audio codec quality over realism of sound synthesis to the performance of source separation, automated music production and
BrechtDeMan@726 135 In less technical areas, the framework of a listening test can be used to measure emotional response to music or test cognitive abilities. % maybe some references? If there's space.
BrechtDeMan@726 136
BrechtDeMan@727 137 % check out http://link.springer.com/article/10.1007/s10055-015-0270-8 - only paper that cited WAC15 paper
BrechtDeMan@727 138
BrechtDeMan@726 139 % Why difficult? Challenges? What constitutes a good interface?
BrechtDeMan@726 140 Technical, interfaces, user friendliness, reliability
BrechtDeMan@726 141
BrechtDeMan@726 142 Note that the design of an effective listening test further poses many challenges unrelated to interface design, which are beyond the scope of this paper \cite{bech}.
BrechtDeMan@726 143
BrechtDeMan@726 144 % Why in the browser?
BrechtDeMan@726 145 Web Audio API has made some essential features like sample manipulation of audio streams possible \cite{schoeffler2015mushra}.
BrechtDeMan@719 146
BrechtDeMan@725 147 Situating the Web Audio Evaluation Tool between other currently available evaluation tools, ...
BrechtDeMan@725 148
BrechtDeMan@725 149 % only browser-based?
djmoffat@729 150 \begin{table*}[ht]
BrechtDeMan@725 151 \caption{Table with existing listening test platforms and their features}
BrechtDeMan@725 152 \begin{center}
BrechtDeMan@725 153 \begin{tabular}{|*{6}{l|}}
BrechtDeMan@725 154 \hline
BrechtDeMan@726 155 \textbf{Name} & \textbf{Ref.} & \textbf{Language} & \textbf{Interfaces} & \textbf{Remote} & \textbf{All UI} \\
BrechtDeMan@725 156 \hline
BrechtDeMan@726 157 APE & \cite{ape} & MATLAB & multiple stimulus one axis & & \\
BrechtDeMan@725 158 BeaqleJS & \cite{beaqlejs} & JavaScript & & not natively supported & \\
BrechtDeMan@726 159 HULTI-GEN & \cite{hultigen} & MAX & & & \checkmark \\
BrechtDeMan@726 160 \textbf{WAET} & \cite{waet} & JavaScript & \textbf{all of the above} & \checkmark & \checkmark \\
BrechtDeMan@725 161 \hline
BrechtDeMan@725 162 \end{tabular}
BrechtDeMan@725 163 \end{center}
BrechtDeMan@725 164 \label{tab:toolboxes}
BrechtDeMan@725 165 \end{table*}%
BrechtDeMan@725 166
BrechtDeMan@725 167 % about BeaqleJS
BrechtDeMan@725 168 ... However, BeaqleJS \cite{beaqlejs} does not make use of the Web Audio API, %requires programming knowledge...
BrechtDeMan@725 169
BrechtDeMan@725 170 %
BrechtDeMan@726 171 Selling points: remote tests, visualisaton, create your own test in the browser, many interfaces, few/no dependencies, flexibility
BrechtDeMan@726 172
BrechtDeMan@726 173 As recruiting participants can be very time-consuming, and as for some tests a large number of participants is needed, browser-based tests \cite{schoeffler2015mushra}. However, to our knowledge, no tool currently exists that allows the creation of a remotely accessible listening test. % I wonder what you can do with Amazon Mechanical Turk and the likes.
BrechtDeMan@726 174
BrechtDeMan@726 175 [Talking about what we do in the various sections of this paper. Referring to \cite{waet}. ]
BrechtDeMan@725 176
BrechtDeMan@728 177 % MEETING 8 OCTOBER
BrechtDeMan@728 178 \subsection{Meeting 8 October}
BrechtDeMan@728 179 \begin{itemize}
BrechtDeMan@728 180 \item Do we manipulate audio?\\
BrechtDeMan@728 181 \begin{itemize}
BrechtDeMan@728 182 \item Add loudness equalisation? (test\_create.html) Tag with gains.
BrechtDeMan@728 183 \item Add volume slider?
BrechtDeMan@728 184 \item Cross-fade (in interface node): default 0, number of seconds
BrechtDeMan@728 185 \item Also: we use the playback buffer to present metrics of which portion is listened to
BrechtDeMan@728 186 \end{itemize}
BrechtDeMan@728 187 \item Logging system information: whichever are possible (justify others)
BrechtDeMan@728 188 \item Input streams as audioelements
BrechtDeMan@728 189 \item Capture microphone to estimate loudness (especially Macbook)
BrechtDeMan@728 190 \item Test page (in-built oscillators): left-right calibration, ramp up test tone until you hear it; optional compensating EQ (future work implementing own filters) --> Highlight issues!
BrechtDeMan@728 191 \item Record IP address (PHP function, grab and append to XML file)
BrechtDeMan@728 192 \item Expand anchor/reference options
BrechtDeMan@728 193 \item AB / ABX
BrechtDeMan@728 194 \end{itemize}
BrechtDeMan@728 195
BrechtDeMan@728 196 \subsubsection{Issues}
BrechtDeMan@728 197 \begin{itemize}
BrechtDeMan@728 198 \item Filters not consistent (Nick to test across browsers)
BrechtDeMan@728 199 \item Playback audiobuffers need to be destroyed and rebuilt each time
BrechtDeMan@728 200 \item Can't get channel data, hardware input/output...
BrechtDeMan@728 201 \end{itemize}
BrechtDeMan@728 202
BrechtDeMan@725 203
BrechtDeMan@726 204 \section{Architecture} % title? 'back end'? % NICK
BrechtDeMan@719 205 A slightly technical overview of the system. Talk about XML, JavaScript, Web Audio API, HTML5.
BrechtDeMan@725 206 Describe and/or visualise audioholder-audioelement-... structure.
BrechtDeMan@725 207
BrechtDeMan@726 208 % see also SMC12 - less detail here
BrechtDeMan@726 209
BrechtDeMan@726 210 Which type of files? % WAV, anything else? Perhaps not exhaustive list, but say something along the lines of 'whatever browser supports'
BrechtDeMan@724 211
BrechtDeMan@725 212 Streaming audio? % probably not, unless it's easy
BrechtDeMan@725 213
BrechtDeMan@726 214 Compatibility? % not IE, everything else fine?
BrechtDeMan@726 215
BrechtDeMan@726 216
BrechtDeMan@724 217
BrechtDeMan@724 218
BrechtDeMan@725 219 \section{Remote tests} % with previous?
BrechtDeMan@726 220
BrechtDeMan@726 221 If the experimenter is willing to trade some degree of control for a higher number of participants, the test can be hosted on a web server so that subjects can take part remotely. This way, a link can be shared widely in the hope of attracting a large amount of subjects, while listening conditions and subject reliability may be less ideal. However, a sound system calibration page and a wide range of metrics logged during the test mitigate these problems. Note also that in some experiments, it may be preferred that the subject has a `real life', familiar listening set-up, for instance when perceived quality differences on everyday sound systems are investigated.
BrechtDeMan@726 222 Furthermore, a fully browser-based test, where the collection of the results is automatic, is more efficient and technically reliable even when the test still takes place under lab conditions.
BrechtDeMan@726 223
BrechtDeMan@724 224 The following features allow easy and effective remote testing:
BrechtDeMan@727 225 \begin{itemize}[noitemsep,nolistsep]
BrechtDeMan@724 226 \item PHP script to collect result XML files
BrechtDeMan@724 227 \item Randomly pick specified number of audioholders
BrechtDeMan@726 228 \item Calibration
BrechtDeMan@724 229 \item Functionality to participate multiple times
BrechtDeMan@727 230 \begin{itemize}[noitemsep,nolistsep]
BrechtDeMan@724 231 \item Possible to log in with unique ID (no password)
BrechtDeMan@724 232 \item Pick `new user' (need new, unique ID) or `already participated' (need already available ID)
BrechtDeMan@724 233 \item Store XML on server with IDs plus which audioholders have already been listened to
BrechtDeMan@724 234 \item Don't show `post-test' survey after first time
BrechtDeMan@724 235 \item Pick `new' audioholders if available
BrechtDeMan@724 236 \item Copy survey information first time to new XMLs
BrechtDeMan@724 237 \end{itemize}
BrechtDeMan@724 238 \item Intermediate saves
BrechtDeMan@724 239 \item Collect IP address information (privacy issues?) --> geo-related API?
BrechtDeMan@726 240 \item Time measurement - see before or
BrechtDeMan@724 241 \end{itemize}
BrechtDeMan@724 242
BrechtDeMan@719 243
BrechtDeMan@725 244 \section{Interfaces} % title? 'Front end'? % Dave
djmoffat@729 245
djmoffat@729 246 The purpose of this listening test framework is to allow any user the maximum flexibility to design a listening test for their exact application with minimum effort. To this end, a large range of standard listening test interfaces have been implemented. A review of existing listening test frameworks was undertaken and presented in~\Cref{tab:toolboxes}. HULTI-GEN~\cite{hultigen} is a single toolbox that presents the user with a large number of different test interfaces and allows for customisation of each test interface.
djmoffat@729 247
djmoffat@729 248 To provide users with a flexible system, a large range of `standard' listening test interfaces have been implemented, including:
djmoffat@729 249 \begin{itemize}[noitemsep,nolistsep]
djmoffat@729 250 \item MUSHRA (ITU-R BS. 1534)~\cite{recommendation20031534}
djmoffat@729 251 \begin{itemize}
djmoffat@729 252 \item Multiple stimuli are presented and rated on a continuous scale, which includes a reference, hidden reference and hidden anchors.
djmoffat@729 253 \end{itemize}
djmoffat@729 254 \item Rank Scale~\cite{pascoe1983evaluation}
djmoffat@729 255 \begin{itemize}
djmoffat@729 256 \item Stimuli ranked on single horizontal scale, where they are ordered in preference order.
djmoffat@729 257 \end{itemize}
djmoffat@729 258 \item Likert scale~\cite{likert1932technique}
djmoffat@729 259 \begin{itemize}
djmoffat@729 260 \item Each stimuli has a five point scale with values: Strongly Agree, Agree, Neutral, Disagree and Strongly Disagree.
djmoffat@729 261 \end{itemize}
djmoffat@729 262 \item ABC/HR (ITU-R BS. 1116)~\cite{recommendation19971116} (Mean Opinion Score: MOS)
djmoffat@729 263 \begin{itemize}
djmoffat@729 264 \item Each stimulus has a continuous scale (5-1), labeled as Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying.
djmoffat@729 265 \end{itemize}
djmoffat@729 266 \item -50 to 50 Bipolar with Ref
djmoffat@729 267 \begin{itemize}
djmoffat@729 268 \item Each stimulus has a continuous scale -50 to 50 with default values as 0 in middle and a comparison. There is also a provided reference \end{itemize}
djmoffat@729 269 \item Absolute Category Rating (ACR) Scale~\cite{rec1996p}
djmoffat@729 270 \begin{itemize}
djmoffat@729 271 \item Each stimuli has a five point scale with values: Bad, Poor, Fair, Good, Excellent
djmoffat@729 272 \end{itemize}
djmoffat@729 273 \item Degredation Category Rating (DCR) Scale~\cite{rec1996p}
djmoffat@729 274 \begin{itemize}
djmoffat@729 275 \item Each stimuli has a five point scale with values: (5) Inaudible, (4) Audible but not annoying, (3) slightly annoying, (2) annoying, (1) very annoying.
djmoffat@729 276 \end{itemize}
djmoffat@729 277 \item Comparison Category Rating (CCR) Scale~\cite{rec1996p}
djmoffat@729 278 \begin{itemize}
djmoffat@729 279 \item Each stimuli has a seven point scale with values: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse. There is also a provided reference.
djmoffat@729 280 \end{itemize}
djmoffat@729 281 \item 9 Point Hedonic Category Rating Scale~\cite{peryam1952advanced}
djmoffat@729 282 \begin{itemize}
djmoffat@729 283 \item Each stimuli has a seven point scale with values: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly. There is also a provided reference.
djmoffat@729 284 \end{itemize}
djmoffat@729 285 \item ITU-R 5 Point Continuous Impairment Scale~\cite{rec1997bs}
djmoffat@729 286 \begin{itemize}
djmoffat@729 287 \item Each stimuli has a five point scale with values: (5) Imperceptible, (4) Perceptible but not annoying, (3) slightly annoying, (2) annoying, (1) very annoying. There is also a provided reference.
djmoffat@729 288 \end{itemize}
djmoffat@729 289 \item Pairwise Comparison (Better/Worse)~\cite{david1963method}
djmoffat@729 290 \begin{itemize}
djmoffat@729 291 \item A reference is provided and ever stimulus is rated as being either better or worse than the reference.
djmoffat@729 292 \end{itemize}
djmoffat@729 293 \item APE style \cite{ape}
djmoffat@729 294 \begin{itemize}
djmoffat@729 295 \item Multiple stimuli on a single horizontal slider for inter-sample rating.
djmoffat@729 296 \end{itemize}
djmoffat@729 297 \item Multi attribute ratings
djmoffat@729 298 \begin{itemize}
djmoffat@729 299 \item Multiple stimuli as points on a 2D plane for inter-sample rating (eg. Valence Arousal)
djmoffat@729 300 \end{itemize}
djmoffat@729 301 \item AB Test~\cite{lipshitz1981great}
djmoffat@729 302 \begin{itemize}
djmoffat@729 303 \item Two stimuli are presented at a time and the participant has to select a preferred stimulus.
djmoffat@729 304 \end{itemize}
djmoffat@729 305 \item ABX Test~\cite{clark1982high}
djmoffat@729 306 \begin{itemize}
djmoffat@729 307 \item Two stimuli are presented along with a reference and the participant has to select a preferred stimulus, often the closest to the reference.
djmoffat@729 308 \end{itemize}
djmoffat@729 309 \end{itemize}
djmoffat@729 310
djmoffat@729 311 While implementing all of these interfaces, it is possible to include any number of references, anchors, hidden references and hidden anchors into all of these listening test formats.
djmoffat@729 312
djmoffat@729 313 %%%% \begin{itemize}[noitemsep,nolistsep]
djmoffat@729 314 %%%% \item (APE style) \cite{ape}
djmoffat@729 315 %%%% \item Multi attribute ratings
djmoffat@729 316 %%%% \item MUSHRA (ITU-R BS. 1534)~\cite{recommendation20031534}
djmoffat@729 317 %%%% \item Interval Scale~\cite{zacharov1999round}
djmoffat@729 318 %%%% \item Rank Scale~\cite{pascoe1983evaluation}
djmoffat@729 319 %%%%
djmoffat@729 320 %%%% \item 2D Plane rating - e.g. Valence vs. Arousal~\cite{carroll1969individual}
djmoffat@729 321 %%%% \item Likert scale~\cite{likert1932technique}
djmoffat@729 322 %%%%
djmoffat@729 323 %%%% \item {\bf All the following are the interfaces available in HULTI-GEN~\cite{hultigen} }
djmoffat@729 324 %%%% \item ABC/HR (ITU-R BS. 1116)~\cite{recommendation19971116}
djmoffat@729 325 %%%% \begin{itemize}
djmoffat@729 326 %%%% \item Continuous Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)
djmoffat@729 327 %%%% \end{itemize}
djmoffat@729 328 %%%% \item -50 to 50 Bipolar with Ref
djmoffat@729 329 %%%% \begin{itemize}
djmoffat@729 330 %%%% \item Scale -50 to 50 on Mushra with default values as 0 in middle and a comparison ``Reference'' to compare to 0 value
djmoffat@729 331 %%%% \end{itemize}
djmoffat@729 332 %%%% \item Absolute Category Rating (ACR) Scale~\cite{rec1996p}
djmoffat@729 333 %%%% \begin{itemize}
djmoffat@729 334 %%%% \item 5 point Scale - Bad, Poor, Fair, Good, Excellent (Default fair?)
djmoffat@729 335 %%%% \end{itemize}
djmoffat@729 336 %%%% \item Degredation Category Rating (DCR) Scale~\cite{rec1996p}
djmoffat@729 337 %%%% \begin{itemize}
djmoffat@729 338 %%%% \item 5 point Scale - Inaudible, Audible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?) - {\it Basically just quantised ABC/HR?}
djmoffat@729 339 %%%% \end{itemize}
djmoffat@729 340 %%%% \item Comparison Category Rating (CCR) Scale~\cite{rec1996p}
djmoffat@729 341 %%%% \begin{itemize}
djmoffat@729 342 %%%% \item 7 point scale: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse - Default about the same with reference to compare to
djmoffat@729 343 %%%% \end{itemize}
djmoffat@729 344 %%%% \item 9 Point Hedonic Category Rating Scale~\cite{peryam1952advanced}
djmoffat@729 345 %%%% \begin{itemize}
djmoffat@729 346 %%%% \item 9 point scale: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly - Default Neither Like nor Dislike with reference to compare to
djmoffat@729 347 %%%% \end{itemize}
djmoffat@729 348 %%%% \item ITU-R 5 Point Continuous Impairment Scale~\cite{rec1997bs}
djmoffat@729 349 %%%% \begin{itemize}
djmoffat@729 350 %%%% \item 5 point Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)- {\it Basically just quantised ABC/HR, or Different named DCR}
djmoffat@729 351 %%%% \end{itemize}
djmoffat@729 352 %%%% \item Pairwise Comparison (Better/Worse)~\cite{david1963method}
djmoffat@729 353 %%%% \begin{itemize}
djmoffat@729 354 %%%% \item 2 point Scale - Better or Worse - (not sure how to default this - they default everything to better, which is an interesting choice)
djmoffat@729 355 %%%% \end{itemize}
djmoffat@729 356 %%%% \end{itemize}
djmoffat@729 357
djmoffat@729 358 { \bf A screenshot would be nice.
djmoffat@729 359
BrechtDeMan@725 360 `Build your own test'
BrechtDeMan@725 361
BrechtDeMan@726 362 Elements present to build any of the following interfaces, and many more: axes, markers, labels, anchors, references, reference signal button, stop button, comment boxes, radio buttons, checkboxes, transport/scrubber bar
BrechtDeMan@726 363
djmoffat@729 364 Established tests (see below) included as `presets' in the build-your-own-test page. }
BrechtDeMan@719 365
BrechtDeMan@719 366 \section{Analysis and diagnostics}
BrechtDeMan@726 367 % don't mention Python scripts
BrechtDeMan@719 368 It would be great to have easy-to-use analysis tools to visualise the collected data and even do science with it. Even better would be to have all this in the browser. Complete perfection would be achieved if and when only limited setup, installation time, and expertise are required for the average non-CS researcher to use this.
BrechtDeMan@719 369
BrechtDeMan@722 370 The following could be nice:
BrechtDeMan@722 371
BrechtDeMan@727 372 \begin{itemize}[noitemsep,nolistsep]
BrechtDeMan@722 373 \item Web page showing all audioholder IDs, file names, subject IDs, audio element IDs, ... in the collected XMLs so far (\texttt{saves/*.xml})
BrechtDeMan@722 374 \item Check/uncheck each of the above for analysis (e.g. zoom in on a certain song, or exclude a subset of subjects)
BrechtDeMan@722 375 \item Click a mix to hear it (follow path in XML setup file, which is also embedded in the XML result file)
BrechtDeMan@722 376 \item Box plot, confidence plot, scatter plot of values (for a given audioholder)
BrechtDeMan@722 377 \item Timeline for a specific subject (see Python scripts), perhaps re-playing the experiment in X times realtime. (If actual realtime, you could replay the audio...)
BrechtDeMan@722 378 \item Distribution plots of any radio button and number questions (drop-down menu with `pretest', `posttest', ...; then drop-down menu with question `IDs' like `gender', `age', ...; make pie chart/histogram of these values over selected range of XMLs)
BrechtDeMan@722 379 \item All `comments' on a specific audioelement
BrechtDeMan@722 380 \item A `download' button for a nice CSV of various things (values, survey responses, comments) people might want to use for analysis, e.g. when XML scares them
BrechtDeMan@724 381 \item Validation of setup XMLs (easily spot `errors', like duplicate IDs or URLs, missing/dangling tags, ...)
BrechtDeMan@722 382 \end{itemize}
BrechtDeMan@722 383
BrechtDeMan@722 384 A subset of the above would already be nice for this paper.
BrechtDeMan@722 385
BrechtDeMan@719 386 Some pictures here please.
BrechtDeMan@719 387
BrechtDeMan@725 388 \section{Concluding remarks and future work}
BrechtDeMan@719 389
BrechtDeMan@726 390 The code and documentation can be pulled or downloaded from \url{code.soundsoftware.ac.uk/projects/webaudioevaluationtool}.
BrechtDeMan@719 391
BrechtDeMan@726 392 [Talking a little bit about what else might happen. Unless we really want to wrap this up. ]
BrechtDeMan@725 393
BrechtDeMan@726 394 Use \cite{schoeffler2015mushra} as a `checklist', even though it only considers subjective evaluation of audio systems (and focuses on the requirements for a MUSHRA test).
BrechtDeMan@726 395 % remote
BrechtDeMan@726 396 % language support (not explicitly stated)
BrechtDeMan@726 397 % crossfades
BrechtDeMan@726 398 % choosing speakers/sound device from within browser?
BrechtDeMan@726 399 % collect information about software and sound system
BrechtDeMan@726 400 % buttons, scales, ... UI elements
BrechtDeMan@726 401 % must be able to load uncompressed PCM
BrechtDeMan@726 402
BrechtDeMan@726 403 [What can we not do? `Method of adjustment', as in \cite{schoeffler2015mushra} is another can of worms, because, like, you could adjust lots of things (volume is just one of them, that could be done quite easily). Same for using input signals like the participant's voice. Either leave out, or mention this requires modification of the code we provide.]
BrechtDeMan@719 404
BrechtDeMan@719 405 %
BrechtDeMan@719 406 % The following two commands are all you need in the
BrechtDeMan@719 407 % initial runs of your .tex file to
BrechtDeMan@719 408 % produce the bibliography for the citations in your paper.
BrechtDeMan@719 409 \bibliographystyle{abbrv}
BrechtDeMan@719 410 \bibliography{WAC2016} % sigproc.bib is the name of the Bibliography in this case
BrechtDeMan@719 411 % You must have a proper ".bib" file
BrechtDeMan@719 412 % and remember to run:
BrechtDeMan@719 413 % latex bibtex latex latex
BrechtDeMan@719 414 % to resolve all references
BrechtDeMan@719 415 %
BrechtDeMan@719 416 % ACM needs 'a single self-contained file'!
BrechtDeMan@719 417 %
BrechtDeMan@719 418 \end{document}