annotate docs/SMC15/smc2015template.bbl @ 2000:11d394053011

Paper: comments Josh, extra section
author Brecht De Man <b.deman@qmul.ac.uk>
date Mon, 27 Apr 2015 22:18:20 +0100
parents 72c4f6296a17
children ffeef0ac7a5f
rev   line source
b@1999 1 % Generated by IEEEtran.bst, version: 1.12 (2007/01/11)
b@1999 2 \begin{thebibliography}{10}
b@1999 3 \providecommand{\url}[1]{#1}
b@1999 4 \csname url@samestyle\endcsname
b@1999 5 \providecommand{\newblock}{\relax}
b@1999 6 \providecommand{\bibinfo}[2]{#2}
b@1999 7 \providecommand{\BIBentrySTDinterwordspacing}{\spaceskip=0pt\relax}
b@1999 8 \providecommand{\BIBentryALTinterwordstretchfactor}{4}
b@1999 9 \providecommand{\BIBentryALTinterwordspacing}{\spaceskip=\fontdimen2\font plus
b@1999 10 \BIBentryALTinterwordstretchfactor\fontdimen3\font minus
b@1999 11 \fontdimen4\font\relax}
b@1999 12 \providecommand{\BIBforeignlanguage}[2]{{%
b@1999 13 \expandafter\ifx\csname l@#1\endcsname\relax
b@1999 14 \typeout{** WARNING: IEEEtran.bst: No hyphenation pattern has been}%
b@1999 15 \typeout{** loaded for the language `#1'. Using the pattern for}%
b@1999 16 \typeout{** the default language instead.}%
b@1999 17 \else
b@1999 18 \language=\csname l@#1\endcsname
b@1999 19 \fi
b@1999 20 #2}}
b@1999 21 \providecommand{\BIBdecl}{\relax}
b@1999 22 \BIBdecl
b@1999 23
b@1999 24 \bibitem{schoeffler2013impact}
b@1999 25 M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall
b@1999 26 listening experience,'' in \emph{Proceedings of the 10th Sound and Music
b@1999 27 Computing Conference}, 2013, pp. 48--53.
b@1999 28
b@1999 29 \bibitem{repp}
b@1999 30 R.~Repp, ``Recording quality ratings by music professionals,'' in
b@1999 31 \emph{Proceedings of the 2006 International Computer Music Conference}, 2006,
b@1999 32 pp. 468--474.
b@1999 33
b@1999 34 \bibitem{de2013real}
b@1999 35 A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or
b@1999 36 synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings
b@1999 37 of SMC 2013 : 10th Sound and Music Computing Conference}, 2013.
b@1999 38
b@1999 39 \bibitem{durr2015implementation}
b@1999 40 G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and
b@1999 41 evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering
b@1999 42 Society Conference: 56th International Conference: Audio for Games}, 2015.
b@1999 43
b@1999 44 \bibitem{deman2014a}
b@1999 45 B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion
b@1999 46 effects,'' in \emph{Audio Engineering Society Conference: 53rd International
b@1999 47 Conference: Semantic Audio}, 2014.
b@1999 48
b@1999 49 \bibitem{mushram}
b@1999 50 E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for
b@1999 51 subjective evalutation of audio source separation algorithms,'' in \emph{UK
b@1999 52 ICA Research Network Workshop}, 2006.
b@1999 53
b@1999 54 \bibitem{uhlereiss}
b@1999 55 J.~D. Reiss and C.~Uhle, ``Determined source separation for microphone
b@1999 56 recordings using {IIR} filters,'' in \emph{129th Convention of the Audio
b@1999 57 Engineering Society}, 2010.
b@1999 58
b@1999 59 \bibitem{song2013a}
b@1999 60 Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli
b@1999 61 in the study of music and emotion,'' \emph{Proceedings of the 3rd
b@1999 62 International Conference on Music \& Emotion (ICME)}, 2013.
b@1999 63
b@2000 64 \bibitem{eerola2009prediction}
b@2000 65 T.~Eerola, O.~Lartillot, and P.~Toiviainen, ``Prediction of multidimensional
b@2000 66 emotional ratings in music from audio using multivariate regression models,''
b@2000 67 in \emph{Proceedings of the 10th International Society for Music Information
b@2000 68 Retrieval (ISMIR2009)}, 2009, pp. 621--626.
b@2000 69
b@1999 70 \bibitem{friberg2011comparison}
b@1999 71 A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed
b@1999 72 audio features,'' in \emph{Proceedings of the 8th Sound and Music Computing
b@1999 73 Conference}, 2011, pp. 122--127.
b@1999 74
b@1999 75 \bibitem{deman2014b}
b@1999 76 B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox
b@1999 77 for {MATLAB},'' in \emph{136th Convention of the Audio Engineering Society},
b@1999 78 2014.
b@1999 79
b@1999 80 \bibitem{beaqlejs}
b@1999 81 S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based
b@1999 82 framework for the subjective evaluation of audio quality,'' in \emph{Linux
b@1999 83 Audio Conference, Karlsruhe, DE}, 2014.
b@1999 84
b@1999 85 \bibitem{hulti-gen}
b@1999 86 C.~Gribben and H.~Lee, ``Toward the development of a universal listening test
b@1999 87 interface generator in {Max},'' in \emph{138th Convention of the Audio
b@1999 88 Engineering Society}, 2015.
b@1999 89
b@1999 90 \bibitem{scale}
b@1999 91 A.~V. Giner, ``Scale - a software tool for listening experiments,'' in
b@1999 92 \emph{AIA/DAGA Conference on Acoustics, Merano (Italy)}, 2013.
b@1999 93
b@1999 94 \bibitem{whisper}
b@1999 95 S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for
b@1999 96 performing listening tests,'' in \emph{126th Convention of the Audio
b@1999 97 Engineering Society}, 2009.
b@1999 98
b@1999 99 \bibitem{opaque}
b@1999 100 J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio
b@1999 101 quality attributes,'' in \emph{118th Convention of the Audio Engineering
b@1999 102 Society}, 2005.
b@1999 103
b@1999 104 \bibitem{guineapig}
b@1999 105 J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system
b@1999 106 for multichannel audio,'' in \emph{106th Convention of the Audio Engineering
b@1999 107 Society}, 1999.
b@1999 108
b@1999 109 \bibitem{mushra}
b@1999 110 \emph{Method for the subjective assessment of intermediate quality level of
b@1999 111 coding systems}.\hskip 1em plus 0.5em minus 0.4em\relax Recommendation {ITU-R
b@1999 112 BS.1534-1}, 2003.
b@1999 113
b@1999 114 \bibitem{mason2015compression}
b@1999 115 A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio
b@1999 116 reproduction using personalized compression,'' in \emph{Audio Engineering
b@1999 117 Society Conference: 57th International Conference: The Future of Audio
b@1999 118 Entertainment Technology -- Cinema, Television and the Internet}, 2015.
b@1999 119
b@1999 120 \bibitem{bech}
b@1999 121 S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and
b@1999 122 Application}.\hskip 1em plus 0.5em minus 0.4em\relax John Wiley \& Sons,
b@1999 123 2007.
b@1999 124
b@1999 125 \bibitem{deman2015a}
b@1999 126 B.~De~Man, M.~Boerum, B.~Leonard, G.~Massenburg, R.~King, and J.~D. Reiss,
b@1999 127 ``Perceptual evaluation of music mixing practices,'' in \emph{138th
b@1999 128 Convention of the Audio Engineering Society}, 2015.
b@1999 129
b@1999 130 \end{thebibliography}