annotate docs/SMC15/smc2015template.bbl @ 718:0b095f66de65

Update to WAC paper references
author Dave <djmoffat@users.noreply.github.com>
date Thu, 24 Sep 2015 09:49:01 +0100
parents
children ffeef0ac7a5f
rev   line source
djmoffat@718 1 % Generated by IEEEtran.bst, version: 1.12 (2007/01/11)
djmoffat@718 2 \begin{thebibliography}{10}
djmoffat@718 3 \providecommand{\url}[1]{#1}
djmoffat@718 4 \csname url@samestyle\endcsname
djmoffat@718 5 \providecommand{\newblock}{\relax}
djmoffat@718 6 \providecommand{\bibinfo}[2]{#2}
djmoffat@718 7 \providecommand{\BIBentrySTDinterwordspacing}{\spaceskip=0pt\relax}
djmoffat@718 8 \providecommand{\BIBentryALTinterwordstretchfactor}{4}
djmoffat@718 9 \providecommand{\BIBentryALTinterwordspacing}{\spaceskip=\fontdimen2\font plus
djmoffat@718 10 \BIBentryALTinterwordstretchfactor\fontdimen3\font minus
djmoffat@718 11 \fontdimen4\font\relax}
djmoffat@718 12 \providecommand{\BIBforeignlanguage}[2]{{%
djmoffat@718 13 \expandafter\ifx\csname l@#1\endcsname\relax
djmoffat@718 14 \typeout{** WARNING: IEEEtran.bst: No hyphenation pattern has been}%
djmoffat@718 15 \typeout{** loaded for the language `#1'. Using the pattern for}%
djmoffat@718 16 \typeout{** the default language instead.}%
djmoffat@718 17 \else
djmoffat@718 18 \language=\csname l@#1\endcsname
djmoffat@718 19 \fi
djmoffat@718 20 #2}}
djmoffat@718 21 \providecommand{\BIBdecl}{\relax}
djmoffat@718 22 \BIBdecl
djmoffat@718 23
djmoffat@718 24 \bibitem{schoeffler2013impact}
djmoffat@718 25 M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall
djmoffat@718 26 listening experience,'' in \emph{Proceedings of the 10th Sound and Music
djmoffat@718 27 Computing Conference}, 2013, pp. 48--53.
djmoffat@718 28
djmoffat@718 29 \bibitem{repp}
djmoffat@718 30 R.~Repp, ``Recording quality ratings by music professionals,'' in
djmoffat@718 31 \emph{Proceedings of the 2006 International Computer Music Conference}, 2006,
djmoffat@718 32 pp. 468--474.
djmoffat@718 33
djmoffat@718 34 \bibitem{de2013real}
djmoffat@718 35 A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or
djmoffat@718 36 synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings
djmoffat@718 37 of SMC 2013 : 10th Sound and Music Computing Conference}, 2013.
djmoffat@718 38
djmoffat@718 39 \bibitem{durr2015implementation}
djmoffat@718 40 G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and
djmoffat@718 41 evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering
djmoffat@718 42 Society Conference: 56th International Conference: Audio for Games}, 2015.
djmoffat@718 43
djmoffat@718 44 \bibitem{deman2014a}
djmoffat@718 45 B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion
djmoffat@718 46 effects,'' in \emph{Audio Engineering Society Conference: 53rd International
djmoffat@718 47 Conference: Semantic Audio}, 2014.
djmoffat@718 48
djmoffat@718 49 \bibitem{mushram}
djmoffat@718 50 E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for
djmoffat@718 51 subjective evalutation of audio source separation algorithms,'' in \emph{UK
djmoffat@718 52 ICA Research Network Workshop}, 2006.
djmoffat@718 53
djmoffat@718 54 \bibitem{uhlereiss}
djmoffat@718 55 J.~D. Reiss and C.~Uhle, ``Determined source separation for microphone
djmoffat@718 56 recordings using {IIR} filters,'' in \emph{129th Convention of the Audio
djmoffat@718 57 Engineering Society}, 2010.
djmoffat@718 58
djmoffat@718 59 \bibitem{song2013a}
djmoffat@718 60 Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli
djmoffat@718 61 in the study of music and emotion,'' \emph{Proceedings of the 3rd
djmoffat@718 62 International Conference on Music \& Emotion (ICME)}, 2013.
djmoffat@718 63
djmoffat@718 64 \bibitem{eerola2009prediction}
djmoffat@718 65 T.~Eerola, O.~Lartillot, and P.~Toiviainen, ``Prediction of multidimensional
djmoffat@718 66 emotional ratings in music from audio using multivariate regression models,''
djmoffat@718 67 in \emph{Proceedings of the 10th International Society for Music Information
djmoffat@718 68 Retrieval (ISMIR2009)}, 2009, pp. 621--626.
djmoffat@718 69
djmoffat@718 70 \bibitem{friberg2011comparison}
djmoffat@718 71 A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed
djmoffat@718 72 audio features,'' in \emph{Proceedings of the 8th Sound and Music Computing
djmoffat@718 73 Conference}, 2011, pp. 122--127.
djmoffat@718 74
djmoffat@718 75 \bibitem{deman2014b}
djmoffat@718 76 B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox
djmoffat@718 77 for {MATLAB},'' in \emph{136th Convention of the Audio Engineering Society},
djmoffat@718 78 2014.
djmoffat@718 79
djmoffat@718 80 \bibitem{beaqlejs}
djmoffat@718 81 S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based
djmoffat@718 82 framework for the subjective evaluation of audio quality,'' in \emph{Linux
djmoffat@718 83 Audio Conference, Karlsruhe, DE}, 2014.
djmoffat@718 84
djmoffat@718 85 \bibitem{hulti-gen}
djmoffat@718 86 C.~Gribben and H.~Lee, ``Toward the development of a universal listening test
djmoffat@718 87 interface generator in {Max},'' in \emph{138th Convention of the Audio
djmoffat@718 88 Engineering Society}, 2015.
djmoffat@718 89
djmoffat@718 90 \bibitem{scale}
djmoffat@718 91 A.~V. Giner, ``Scale - a software tool for listening experiments,'' in
djmoffat@718 92 \emph{AIA/DAGA Conference on Acoustics, Merano (Italy)}, 2013.
djmoffat@718 93
djmoffat@718 94 \bibitem{whisper}
djmoffat@718 95 S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for
djmoffat@718 96 performing listening tests,'' in \emph{126th Convention of the Audio
djmoffat@718 97 Engineering Society}, 2009.
djmoffat@718 98
djmoffat@718 99 \bibitem{opaque}
djmoffat@718 100 J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio
djmoffat@718 101 quality attributes,'' in \emph{118th Convention of the Audio Engineering
djmoffat@718 102 Society}, 2005.
djmoffat@718 103
djmoffat@718 104 \bibitem{guineapig}
djmoffat@718 105 J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system
djmoffat@718 106 for multichannel audio,'' in \emph{106th Convention of the Audio Engineering
djmoffat@718 107 Society}, 1999.
djmoffat@718 108
djmoffat@718 109 \bibitem{mushra}
djmoffat@718 110 \emph{Method for the subjective assessment of intermediate quality level of
djmoffat@718 111 coding systems}.\hskip 1em plus 0.5em minus 0.4em\relax Recommendation {ITU-R
djmoffat@718 112 BS.1534-1}, 2003.
djmoffat@718 113
djmoffat@718 114 \bibitem{mason2015compression}
djmoffat@718 115 A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio
djmoffat@718 116 reproduction using personalized compression,'' in \emph{Audio Engineering
djmoffat@718 117 Society Conference: 57th International Conference: The Future of Audio
djmoffat@718 118 Entertainment Technology -- Cinema, Television and the Internet}, 2015.
djmoffat@718 119
djmoffat@718 120 \bibitem{bech}
djmoffat@718 121 S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and
djmoffat@718 122 Application}.\hskip 1em plus 0.5em minus 0.4em\relax John Wiley \& Sons,
djmoffat@718 123 2007.
djmoffat@718 124
djmoffat@718 125 \bibitem{deman2015a}
djmoffat@718 126 B.~De~Man, M.~Boerum, B.~Leonard, G.~Massenburg, R.~King, and J.~D. Reiss,
djmoffat@718 127 ``Perceptual evaluation of music mixing practices,'' in \emph{138th
djmoffat@718 128 Convention of the Audio Engineering Society}, 2015.
djmoffat@718 129
djmoffat@718 130 \end{thebibliography}