hekeus@51
|
1 \relax
|
hekeus@51
|
2 \ifx\hyper@anchor\@undefined
|
hekeus@51
|
3 \global \let \oldcontentsline\contentsline
|
hekeus@51
|
4 \gdef \contentsline#1#2#3#4{\oldcontentsline{#1}{#2}{#3}}
|
hekeus@51
|
5 \global \let \oldnewlabel\newlabel
|
hekeus@51
|
6 \gdef \newlabel#1#2{\newlabelxx{#1}#2}
|
hekeus@51
|
7 \gdef \newlabelxx#1#2#3#4#5#6{\oldnewlabel{#1}{{#2}{#3}}}
|
hekeus@51
|
8 \AtEndDocument{\let \contentsline\oldcontentsline
|
hekeus@51
|
9 \let \newlabel\oldnewlabel}
|
hekeus@51
|
10 \else
|
hekeus@51
|
11 \global \let \hyper@last\relax
|
hekeus@51
|
12 \fi
|
hekeus@51
|
13
|
hekeus@51
|
14 \citation{Abdallah:2009p4089}
|
hekeus@51
|
15 \citation{Shannon48}
|
hekeus@51
|
16 \citation{Youngblood58,CoonsKraehenbuehl1958,Moles66,Meyer67,Cohen1962}
|
hekeus@51
|
17 \citation{Meyer:1967}
|
hekeus@51
|
18 \citation{Narmour:1977}
|
hekeus@51
|
19 \citation{Abdallah:2009p4089}
|
hekeus@51
|
20 \citation{Xenakis:1992ul}
|
hekeus@51
|
21 \citation{Boden1990}
|
hekeus@51
|
22 \@writefile{toc}{\contentsline {section}{Information Dynamics}{2}{section*.1}}
|
hekeus@51
|
23 \newlabel{sec:Information_dynamics}{{}{2}{Information Dynamics\relax }{section*.1}{}}
|
hekeus@51
|
24 \@writefile{toc}{\contentsline {section}{The Melody Triangle}{2}{section*.2}}
|
hekeus@51
|
25 \newlabel{sec:The_Melody_triangle}{{}{2}{The Melody Triangle\relax }{section*.2}{}}
|
hekeus@51
|
26 \citation{Wundt1897}
|
hekeus@51
|
27 \citation{Berlyne71}
|
hekeus@51
|
28 \@writefile{toc}{\contentsline {section}{Sequential Information Measures}{3}{section*.3}}
|
hekeus@51
|
29 \newlabel{sec:Sequential_Information_Measures}{{}{3}{Sequential Information Measures\relax }{section*.3}{}}
|
hekeus@51
|
30 \@writefile{lof}{\contentsline {figure}{\numberline {1}{\ignorespaces Two transition matrixes. The shade of white represents the probabilities of transition from one symbol to the next (black=0, white=1). The current symbol is along the bottom, and in this case there are twelve possibilities (mapped to a chromatic scale). The left hand matrix has no uncertainty; it represents a periodic pattern. The right hand matrix contains unpredictability but nonetheless is not completely without perceivable structure, it is of a higher entropy rate. }}{3}{figure.1}}
|
hekeus@51
|
31 \newlabel{TransitionMatrixes}{{1}{3}{Two transition matrixes. The shade of white represents the probabilities of transition from one symbol to the next (black=0, white=1). The current symbol is along the bottom, and in this case there are twelve possibilities (mapped to a chromatic scale). The left hand matrix has no uncertainty; it represents a periodic pattern. The right hand matrix contains unpredictability but nonetheless is not completely without perceivable structure, it is of a higher entropy rate. \label {TransitionMatrixes}\relax }{figure.1}{}}
|
hekeus@51
|
32 \citation{Abdallah:2009p4089}
|
hekeus@51
|
33 \newlabel{InfoDynEngine}{{}{4}{Sequential Information Measures\relax }{figure.1}{}}
|
hekeus@51
|
34 \@writefile{lof}{\contentsline {figure}{\numberline {2}{\ignorespaces The Melody Triangle}}{4}{figure.2}}
|
hekeus@51
|
35 \newlabel{TheTriangle}{{2}{4}{The Melody Triangle\label {TheTriangle}\relax }{figure.2}{}}
|
hekeus@51
|
36 \@writefile{toc}{\contentsline {subsection}{Populating the triangle}{4}{section*.4}}
|
hekeus@51
|
37 \newlabel{makingthetriangle}{{}{4}{Populating the triangle\relax }{section*.4}{}}
|
hekeus@51
|
38 \@writefile{toc}{\contentsline {section}{User Interfaces}{4}{section*.5}}
|
hekeus@51
|
39 \@writefile{toc}{\contentsline {subsection}{The Multi-User Installation}{4}{section*.6}}
|
hekeus@51
|
40 \@writefile{lof}{\contentsline {figure}{\numberline {3}{\ignorespaces The depth map as seen by the Kinect, and the bounding box outlines the blobs detected by OpenNI.}}{5}{figure.3}}
|
hekeus@51
|
41 \newlabel{Kinect}{{3}{5}{The depth map as seen by the Kinect, and the bounding box outlines the blobs detected by OpenNI.\label {Kinect}\relax }{figure.3}{}}
|
hekeus@51
|
42 \@writefile{lot}{\contentsline {table}{\numberline {1}{\ignorespaces Gestures and their resulting effect}}{5}{table.1}}
|
hekeus@51
|
43 \newlabel{gestures}{{1}{5}{Gestures and their resulting effect\label {gestures}\relax }{table.1}{}}
|
hekeus@51
|
44 \@writefile{toc}{\contentsline {subparagraph}{Tracking and Control}{5}{section*.7}}
|
hekeus@51
|
45 \@writefile{lof}{\contentsline {figure}{\numberline {4}{\ignorespaces Gestures and their resulting effect }}{5}{figure.4}}
|
hekeus@51
|
46 \newlabel{gestures2}{{4}{5}{Gestures and their resulting effect \label {gestures2}\relax }{figure.4}{}}
|
hekeus@51
|
47 \@writefile{lof}{\contentsline {figure}{\numberline {5}{\ignorespaces Screen shot of the screen based interface for the Melody Triangle}}{5}{figure.5}}
|
hekeus@51
|
48 \newlabel{UIScreenShot}{{5}{5}{Screen shot of the screen based interface for the Melody Triangle\label {UIScreenShot}\relax }{figure.5}{}}
|
hekeus@51
|
49 \@writefile{toc}{\contentsline {subparagraph}{Observations}{5}{section*.8}}
|
hekeus@51
|
50 \@writefile{toc}{\contentsline {subsection}{The Screen Based Interface}{5}{section*.9}}
|
hekeus@51
|
51 \citation{Mullensiefen:2011ts}
|
hekeus@51
|
52 \@writefile{toc}{\contentsline {section}{Information Dynamics and Musical Preference Study}{6}{section*.10}}
|
hekeus@51
|
53 \citation{Pearce:2005wr}
|
hekeus@51
|
54 \citation{Potter:2007tt}
|
hekeus@51
|
55 \bibdata{smc2012template,nime,all,c4dm}
|
hekeus@51
|
56 \@writefile{toc}{\contentsline {section}{Further Work}{7}{section*.11}}
|
hekeus@51
|
57 \@writefile{toc}{\contentsline {section}{acknowledgments}{7}{section*.12}}
|