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1 !!!COA: Petrus de Cruce; Pierre de la Croix
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2 !!!OTL: Motet: Aucun - Lonc tans - Aunnuntiantes
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3 !!!CDT: <1270///->1300///
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4 !!!CNT: France
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5 !!!AGN: "Petronian" motet
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6 **kern **kern **kern
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7 *Ivox *Ivox *Ivox
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8 *k[] *k[] *k[]
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9 *M3/4 *M3/4 *M3/4
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10 *MM80 *MM80 *MM80
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11 2.F 2c 12f
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12 . . 6f
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13 . . 12e
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14 . . 12d
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15 . . 12c
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16 . 12c 12f
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17 . 12B 12f
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18 . 12c 12f
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19 =2 =2 =2
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20 2.A 2A 12e
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21 . . 6c
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22 . . 20e
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23 . . 20d
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24 . . 20e
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25 . . 20d
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samer@0
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26 . . 20e
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27 . 4c 12e
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28 . . 6f
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29 =3 =3 =3
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30 2.G 2d 2g
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samer@0
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31 . 4e 4r
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32 =4 =4 =
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33 2.r 2f 12f
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samer@0
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34 . . 6d
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35 . . 4f
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36 . 12f 24g
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samer@0
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37 . . 24f
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38 . 12e 24g
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samer@0
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39 . . 24f
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40 . 12d 24e
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41 . . 24f
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samer@0
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42 =5 =5 =
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43 2.c [2c 12g
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44 . . 6g
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45 . . 4g
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46 . 4c] 4e
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47 =6 =6 =4
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48 2.B 2.r 12f#
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samer@0
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49 . . 6d
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50 . . 12f#
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51 . . 6g
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samer@0
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52 . . 12f
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53 . . 12e
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54 . . 12d
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55 =7 =7 =
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56 2.c 4g 2c
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57 . 4g .
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58 . 12g 4r
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59 . 12f .
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60 . 12e .
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61 =8 =8 =5
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62 2.r 2d 12d
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63 . . 6f
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64 . . 4a
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65 . 12c 4g
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66 . 6d .
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67 =9 =9 =6
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68 2.A 2e 12e
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69 . . 6c
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70 . . 4e
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71 . 12d 12c
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72 . 6e 12B
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73 . . 12A
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74 =10 =10 =7
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75 2.F 2f 12c
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76 . . 6c
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77 . . 12d
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78 . . 12c
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79 . . 12B
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80 . 4e 4c
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81 =11 =11 =8
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82 2.G [2d 2d
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83 . 4d] 4r
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84 =12 =12 =9
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85 2.r 2.r 12e
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86 . . 6f
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87 . . 4e
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88 . . 28f
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89 . . 28e
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90 . . 28f
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91 . . 28g
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92 . . 28f
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93 . . 28e
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94 . . 28d
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95 =13 =13 =
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96 2.F 2c 12f
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97 . . 12f
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98 . . 12f
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99 . . 4f
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100 . 4c 4e
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101 =14 =14 =10
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102 2.G 2B 12f
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103 . . 12e
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104 . . 12d
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105 . . 4c
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106 . 4B 12d
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107 . . 12c
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108 . . 12d
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109 =15 =15 =
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110 2.A 2A 4e
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111 . . 4e
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112 . 4B 4f
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113 =16 =16 =
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114 2.r 4c 12g
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samer@0
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115 . . 6f
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116 . 4B 4g
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117 . 4c 12f
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118 . . 12e
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119 . . 12d
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120 =17 =17 =
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121 2.G 2d 2d
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122 . 4r 4r
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123 =18 =18 =
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124 2.A 2.r 12a
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125 . . 6a
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126 . . 4e
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127 . . 12a
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128 . . 12b
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129 . . 12a
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130 =19 =19 =
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131 2.c 2c 4g
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132 . . 20g
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133 . . 20f
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134 . . 20g
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135 . . 20f
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136 . . 20g
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137 . 4d 12e
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138 . . 6f
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139 =20 =20 =13
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140 2.r 2B 12e
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141 . . 12d
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142 . . 12c
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143 . . 4d
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144 . 4A 12e
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145 . . 6e
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146 =21 =21 =
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147 2.d [2G 12g
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148 . . 6a
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149 . . 4g
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150 . 4G] 4f
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151 =22 =22 =14
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152 2.c 2c 2g
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153 . 4e 4r
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154 =23 =23 =15
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155 2.c 2g 12c
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samer@0
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156 . . 6c
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157 . . 4c
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158 . 4f 12d
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159 . . 6d
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160 =24 =24 =16
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161 2.r 2e 4e
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162 . . 4A
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163 . 4d 12d
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164 . . 12c
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165 . . 12B
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166 =25 =25 =17
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167 2.A [2e 4A
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168 . . 4e
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169 . 4e] 12A
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170 . . 6A
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171 =26 =26 =18
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172 2.F [2f 12c
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samer@0
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173 . . 12c
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174 . . 12c
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175 . . 12d
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176 . . 12c
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177 . . 12B
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178 . 6f] 4c
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179 . 12e .
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180 =27 =27 =19
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181 2.G [2d 2d
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182 . 4d] 4r
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183 =28 =28 =20
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184 2.r 2.r 12e
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samer@0
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185 . . 6e
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186 . . 4g
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187 . . 20g
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188 . . 20f
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189 . . 20g
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190 . . 20f
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191 . . 20g
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192 =29 =29 =21
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193 2.A 2e 6a
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194 . . 12b
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195 . . 6a
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196 . . 12g
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197 . 4f 12f
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198 . . 12e
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199 . . 12f
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200 =30 =30 =
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201 2.G 2g 4d
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202 . . 4c
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203 . 4f 4d
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204 =31 =31 =
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205 2.A 2e 12e
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206 . . 6A
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207 . . 4e
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208 . 4d 4f
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209 =32 =32 =
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210 2.r 12e 12f
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211 . 6d 12e
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212 . . 12d
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213 . 4e 4e
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214 . 12e 4f
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215 . 12d .
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216 . 12c .
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217 =33 =33 =
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218 2.G [2d 2g
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219 . 4d] 4r
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220 =34 =34 =
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221 2.G [2B 12c
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222 . . 6c
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223 . . 4d
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224 . 4B] 4e
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225 =35 =35 =
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226 2.F [2c 4f
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227 . . 12e
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228 . . 12d
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229 . . 12c
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230 . 4c] 12f
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231 . . 6f
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232 =36 =36 =24
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233 2.r 2.r 12f
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samer@0
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234 . . 6f
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235 . . 4e
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236 . . 12f
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237 . . 12e
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238 . . 12d
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239 =37 =37 =25
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240 2.F [2f 2c
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241 . 4f] 4r
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242 =38 =38 =26
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243 2.A 2e 12a
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samer@0
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244 . . 6a
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245 . . 4e
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246 . 12e 12f#
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247 . 12d 6f#
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248 . 12c .
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249 =39 =39 =27
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250 2.G [2d 12g
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251 . . 6g
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252 . . 4g
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253 . 4d] 4f#
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254 =40 =40 =28
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255 2.c [2c 4g
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256 . . 12a
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257 . . 12b
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258 . . 12a
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259 . 4c] 4g
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260 =41 =41 =29
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261 2.B [2d 12f#
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262 . . 6f#
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263 . . 4e
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264 . 4d] 4f#
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265 =42 =42 =30
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266 2.c 2c 2g
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267 . 4d 4r
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268 =43 =43 =31
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269 2.A 2e 4e
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270 . . 12c
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271 . . 12B
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272 . . 12c
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273 . 12d 12A
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274 . 6e 6B
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275 =44 =44 =32
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276 2.F 2f 4c
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277 . . 4B
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278 . 4e 4c
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279 =45 =45 =33
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280 2.G 2d 4d
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samer@0
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281 . . 12c
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samer@0
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282 . . 12B
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283 . . 12A
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samer@0
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284 . 12e 4B
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samer@0
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285 . 12d .
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286 . 12e .
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287 =46 =46 =34
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288 2.F [2c 4c
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289 . . 4f
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290 . 4c] 4e
|
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291 =47 =47 =35
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292 2.G [2B 4d
|
samer@0
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293 . . 4c
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294 . 4B] 4d
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295 =48 =48 =36
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296 2.A [2A 2e
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297 . 4A] 4r
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298 =49 =49 =37
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299 2.G 2.r 12g
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samer@0
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300 . . 6a
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301 . . 4g
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302 . . 4f
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303 =50 =50 =38
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304 2.A 2e 4e
|
samer@0
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305 . . 4e
|
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306 . 4d 4f
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307 =51 =51 =39
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308 2.c [2c 2g
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309 . 4c] 4r
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310 =52 =52 =40
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311 2.d [2B 4f#
|
samer@0
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312 . . 4e
|
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313 . 4B] 4f#
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314 =53 =53 =41
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315 2.c 2c 12g
|
samer@0
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316 . . 6g
|
samer@0
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317 . . 4g
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samer@0
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318 . 4c 4e
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319 =54 =54 =42
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320 2.c 2g 4c
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321 . . 4c
|
samer@0
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322 . 4g 4d
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323 =55 =55 =43
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324 2.A 2a 4e
|
samer@0
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325 . . 20c
|
samer@0
|
326 . . 20B
|
samer@0
|
327 . . 20c
|
samer@0
|
328 . . 20B
|
samer@0
|
329 . . 20c
|
samer@0
|
330 . 4g 4A
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samer@0
|
331 =56 =56 =44
|
samer@0
|
332 2.F 2f 12c
|
samer@0
|
333 . . 6c
|
samer@0
|
334 . . 12d
|
samer@0
|
335 . . 12c
|
samer@0
|
336 . . 12B
|
samer@0
|
337 . 4e 4c
|
samer@0
|
338 =57 =57 =
|
samer@0
|
339 2.G [2d 2d
|
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340 . 4d] 4r
|
samer@0
|
341 =58 =58 =45
|
samer@0
|
342 2.A 2c# 12e
|
samer@0
|
343 . . 6e
|
samer@0
|
344 . . 2f#
|
samer@0
|
345 . 4r .
|
samer@0
|
346 =59 =59 =46
|
samer@0
|
347 2.G 4d 12g
|
samer@0
|
348 . . 6g
|
samer@0
|
349 . 4e 12fn
|
samer@0
|
350 . . 12e
|
samer@0
|
351 . . 12f
|
samer@0
|
352 . 4f 4d
|
samer@0
|
353 =60 =60 =47
|
samer@0
|
354 2.A [4e 12e
|
samer@0
|
355 . . 12d
|
samer@0
|
356 . . 12e
|
samer@0
|
357 . 6e] 4c
|
samer@0
|
358 . 12f .
|
samer@0
|
359 . 12e 12e
|
samer@0
|
360 . 12d 6e
|
samer@0
|
361 . 12c .
|
samer@0
|
362 =61 =61 =48
|
samer@0
|
363 2.G [2d 12g
|
samer@0
|
364 . . 6g
|
samer@0
|
365 . . 6g
|
samer@0
|
366 . . 12f
|
samer@0
|
367 . 6d] 4e
|
samer@0
|
368 . 12c .
|
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|
369 =62 =62 =49
|
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|
370 2.G [2B 12d
|
samer@0
|
371 . . 6c
|
samer@0
|
372 . . 4d
|
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|
373 . 4B] 4e
|
samer@0
|
374 =63 =63 =50
|
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|
375 2.F [2c [2f
|
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|
376 . 4c] 4f]
|
samer@0
|
377 == = ==
|
samer@0
|
378 *- *- *-
|
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|
379 !!!ONB1: This motet is in Petronian or late 13th-century style (although it may
|
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380 !!!ONB2: not be by Petrus de Cruce), but it is the style that came AFTER the
|
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381 !!!ONB3: second or Franconian style of the mid-13th century
|
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382 !!!ONB4: The Tenor repeats it melody, mm. 1-20 = mm. 21-40, providing a
|
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383 !!!ONB5: structure or underlying form.
|
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384 !!!ONB6: The Triplum, similar to a patter song, and the Motetus are quite
|
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385 !!!ONB7: contrasting in rhythmic movement and do not often begin or end phrases
|
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386 !!!ONB8: together, in the constant movement that is motet typical texture.
|
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387 !!!ONB9: The final cadence has to consider the Tenor's small e, the Motetus'
|
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388 !!!ONB10: small g, and, take you pick, the Triplum' small b (probably) to arrive
|
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389 !!!ONB11: at a chord, c-g-b, on the second degree of the mode, going to the
|
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390 !!!ONB12: usual open final chord with no third. Of course one could consider
|
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391 !!!ONB13: the last note in the Triplum, one-line c, making the chord of
|
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392 !!!ONB14: c-e-g in first inversion, and thus the more normal VII6 to I
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393 !!!ONB15: (no 3rd). Take your choice. The mode has to be Dorian (Tenor and
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394 !!!ONB16: Motetus) and Hypodorian (Triplum). The g# in m. 31 is accidental
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395 !!!ONB17: (?) and the f# is an editorial suggestion of what the singers might
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396 !!!ONB18: have sung according to some rule of Musica ficta.
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397 !!!ONB19: --Robert D. Reynolds
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