annotate classical/petrus/annun.krn @ 2:1e94d64e1d9e tip

Many fixes to remove spurious notes, correct time signatures and clefs. Still some problems remain.
author samer
date Fri, 24 Apr 2015 18:19:47 +0100
parents 968db103ad92
children
rev   line source
samer@0 1 !!!COA: Petrus de Cruce; Pierre de la Croix
samer@0 2 !!!OTL: Motet: Aucun - Lonc tans - Aunnuntiantes
samer@0 3 !!!CDT: <1270///->1300///
samer@0 4 !!!CNT: France
samer@0 5 !!!AGN: "Petronian" motet
samer@0 6 **kern **kern **kern
samer@0 7 *Ivox *Ivox *Ivox
samer@0 8 *k[] *k[] *k[]
samer@0 9 *M3/4 *M3/4 *M3/4
samer@0 10 *MM80 *MM80 *MM80
samer@0 11 2.F 2c 12f
samer@0 12 . . 6f
samer@0 13 . . 12e
samer@0 14 . . 12d
samer@0 15 . . 12c
samer@0 16 . 12c 12f
samer@0 17 . 12B 12f
samer@0 18 . 12c 12f
samer@0 19 =2 =2 =2
samer@0 20 2.A 2A 12e
samer@0 21 . . 6c
samer@0 22 . . 20e
samer@0 23 . . 20d
samer@0 24 . . 20e
samer@0 25 . . 20d
samer@0 26 . . 20e
samer@0 27 . 4c 12e
samer@0 28 . . 6f
samer@0 29 =3 =3 =3
samer@0 30 2.G 2d 2g
samer@0 31 . 4e 4r
samer@0 32 =4 =4 =
samer@0 33 2.r 2f 12f
samer@0 34 . . 6d
samer@0 35 . . 4f
samer@0 36 . 12f 24g
samer@0 37 . . 24f
samer@0 38 . 12e 24g
samer@0 39 . . 24f
samer@0 40 . 12d 24e
samer@0 41 . . 24f
samer@0 42 =5 =5 =
samer@0 43 2.c [2c 12g
samer@0 44 . . 6g
samer@0 45 . . 4g
samer@0 46 . 4c] 4e
samer@0 47 =6 =6 =4
samer@0 48 2.B 2.r 12f#
samer@0 49 . . 6d
samer@0 50 . . 12f#
samer@0 51 . . 6g
samer@0 52 . . 12f
samer@0 53 . . 12e
samer@0 54 . . 12d
samer@0 55 =7 =7 =
samer@0 56 2.c 4g 2c
samer@0 57 . 4g .
samer@0 58 . 12g 4r
samer@0 59 . 12f .
samer@0 60 . 12e .
samer@0 61 =8 =8 =5
samer@0 62 2.r 2d 12d
samer@0 63 . . 6f
samer@0 64 . . 4a
samer@0 65 . 12c 4g
samer@0 66 . 6d .
samer@0 67 =9 =9 =6
samer@0 68 2.A 2e 12e
samer@0 69 . . 6c
samer@0 70 . . 4e
samer@0 71 . 12d 12c
samer@0 72 . 6e 12B
samer@0 73 . . 12A
samer@0 74 =10 =10 =7
samer@0 75 2.F 2f 12c
samer@0 76 . . 6c
samer@0 77 . . 12d
samer@0 78 . . 12c
samer@0 79 . . 12B
samer@0 80 . 4e 4c
samer@0 81 =11 =11 =8
samer@0 82 2.G [2d 2d
samer@0 83 . 4d] 4r
samer@0 84 =12 =12 =9
samer@0 85 2.r 2.r 12e
samer@0 86 . . 6f
samer@0 87 . . 4e
samer@0 88 . . 28f
samer@0 89 . . 28e
samer@0 90 . . 28f
samer@0 91 . . 28g
samer@0 92 . . 28f
samer@0 93 . . 28e
samer@0 94 . . 28d
samer@0 95 =13 =13 =
samer@0 96 2.F 2c 12f
samer@0 97 . . 12f
samer@0 98 . . 12f
samer@0 99 . . 4f
samer@0 100 . 4c 4e
samer@0 101 =14 =14 =10
samer@0 102 2.G 2B 12f
samer@0 103 . . 12e
samer@0 104 . . 12d
samer@0 105 . . 4c
samer@0 106 . 4B 12d
samer@0 107 . . 12c
samer@0 108 . . 12d
samer@0 109 =15 =15 =
samer@0 110 2.A 2A 4e
samer@0 111 . . 4e
samer@0 112 . 4B 4f
samer@0 113 =16 =16 =
samer@0 114 2.r 4c 12g
samer@0 115 . . 6f
samer@0 116 . 4B 4g
samer@0 117 . 4c 12f
samer@0 118 . . 12e
samer@0 119 . . 12d
samer@0 120 =17 =17 =
samer@0 121 2.G 2d 2d
samer@0 122 . 4r 4r
samer@0 123 =18 =18 =
samer@0 124 2.A 2.r 12a
samer@0 125 . . 6a
samer@0 126 . . 4e
samer@0 127 . . 12a
samer@0 128 . . 12b
samer@0 129 . . 12a
samer@0 130 =19 =19 =
samer@0 131 2.c 2c 4g
samer@0 132 . . 20g
samer@0 133 . . 20f
samer@0 134 . . 20g
samer@0 135 . . 20f
samer@0 136 . . 20g
samer@0 137 . 4d 12e
samer@0 138 . . 6f
samer@0 139 =20 =20 =13
samer@0 140 2.r 2B 12e
samer@0 141 . . 12d
samer@0 142 . . 12c
samer@0 143 . . 4d
samer@0 144 . 4A 12e
samer@0 145 . . 6e
samer@0 146 =21 =21 =
samer@0 147 2.d [2G 12g
samer@0 148 . . 6a
samer@0 149 . . 4g
samer@0 150 . 4G] 4f
samer@0 151 =22 =22 =14
samer@0 152 2.c 2c 2g
samer@0 153 . 4e 4r
samer@0 154 =23 =23 =15
samer@0 155 2.c 2g 12c
samer@0 156 . . 6c
samer@0 157 . . 4c
samer@0 158 . 4f 12d
samer@0 159 . . 6d
samer@0 160 =24 =24 =16
samer@0 161 2.r 2e 4e
samer@0 162 . . 4A
samer@0 163 . 4d 12d
samer@0 164 . . 12c
samer@0 165 . . 12B
samer@0 166 =25 =25 =17
samer@0 167 2.A [2e 4A
samer@0 168 . . 4e
samer@0 169 . 4e] 12A
samer@0 170 . . 6A
samer@0 171 =26 =26 =18
samer@0 172 2.F [2f 12c
samer@0 173 . . 12c
samer@0 174 . . 12c
samer@0 175 . . 12d
samer@0 176 . . 12c
samer@0 177 . . 12B
samer@0 178 . 6f] 4c
samer@0 179 . 12e .
samer@0 180 =27 =27 =19
samer@0 181 2.G [2d 2d
samer@0 182 . 4d] 4r
samer@0 183 =28 =28 =20
samer@0 184 2.r 2.r 12e
samer@0 185 . . 6e
samer@0 186 . . 4g
samer@0 187 . . 20g
samer@0 188 . . 20f
samer@0 189 . . 20g
samer@0 190 . . 20f
samer@0 191 . . 20g
samer@0 192 =29 =29 =21
samer@0 193 2.A 2e 6a
samer@0 194 . . 12b
samer@0 195 . . 6a
samer@0 196 . . 12g
samer@0 197 . 4f 12f
samer@0 198 . . 12e
samer@0 199 . . 12f
samer@0 200 =30 =30 =
samer@0 201 2.G 2g 4d
samer@0 202 . . 4c
samer@0 203 . 4f 4d
samer@0 204 =31 =31 =
samer@0 205 2.A 2e 12e
samer@0 206 . . 6A
samer@0 207 . . 4e
samer@0 208 . 4d 4f
samer@0 209 =32 =32 =
samer@0 210 2.r 12e 12f
samer@0 211 . 6d 12e
samer@0 212 . . 12d
samer@0 213 . 4e 4e
samer@0 214 . 12e 4f
samer@0 215 . 12d .
samer@0 216 . 12c .
samer@0 217 =33 =33 =
samer@0 218 2.G [2d 2g
samer@0 219 . 4d] 4r
samer@0 220 =34 =34 =
samer@0 221 2.G [2B 12c
samer@0 222 . . 6c
samer@0 223 . . 4d
samer@0 224 . 4B] 4e
samer@0 225 =35 =35 =
samer@0 226 2.F [2c 4f
samer@0 227 . . 12e
samer@0 228 . . 12d
samer@0 229 . . 12c
samer@0 230 . 4c] 12f
samer@0 231 . . 6f
samer@0 232 =36 =36 =24
samer@0 233 2.r 2.r 12f
samer@0 234 . . 6f
samer@0 235 . . 4e
samer@0 236 . . 12f
samer@0 237 . . 12e
samer@0 238 . . 12d
samer@0 239 =37 =37 =25
samer@0 240 2.F [2f 2c
samer@0 241 . 4f] 4r
samer@0 242 =38 =38 =26
samer@0 243 2.A 2e 12a
samer@0 244 . . 6a
samer@0 245 . . 4e
samer@0 246 . 12e 12f#
samer@0 247 . 12d 6f#
samer@0 248 . 12c .
samer@0 249 =39 =39 =27
samer@0 250 2.G [2d 12g
samer@0 251 . . 6g
samer@0 252 . . 4g
samer@0 253 . 4d] 4f#
samer@0 254 =40 =40 =28
samer@0 255 2.c [2c 4g
samer@0 256 . . 12a
samer@0 257 . . 12b
samer@0 258 . . 12a
samer@0 259 . 4c] 4g
samer@0 260 =41 =41 =29
samer@0 261 2.B [2d 12f#
samer@0 262 . . 6f#
samer@0 263 . . 4e
samer@0 264 . 4d] 4f#
samer@0 265 =42 =42 =30
samer@0 266 2.c 2c 2g
samer@0 267 . 4d 4r
samer@0 268 =43 =43 =31
samer@0 269 2.A 2e 4e
samer@0 270 . . 12c
samer@0 271 . . 12B
samer@0 272 . . 12c
samer@0 273 . 12d 12A
samer@0 274 . 6e 6B
samer@0 275 =44 =44 =32
samer@0 276 2.F 2f 4c
samer@0 277 . . 4B
samer@0 278 . 4e 4c
samer@0 279 =45 =45 =33
samer@0 280 2.G 2d 4d
samer@0 281 . . 12c
samer@0 282 . . 12B
samer@0 283 . . 12A
samer@0 284 . 12e 4B
samer@0 285 . 12d .
samer@0 286 . 12e .
samer@0 287 =46 =46 =34
samer@0 288 2.F [2c 4c
samer@0 289 . . 4f
samer@0 290 . 4c] 4e
samer@0 291 =47 =47 =35
samer@0 292 2.G [2B 4d
samer@0 293 . . 4c
samer@0 294 . 4B] 4d
samer@0 295 =48 =48 =36
samer@0 296 2.A [2A 2e
samer@0 297 . 4A] 4r
samer@0 298 =49 =49 =37
samer@0 299 2.G 2.r 12g
samer@0 300 . . 6a
samer@0 301 . . 4g
samer@0 302 . . 4f
samer@0 303 =50 =50 =38
samer@0 304 2.A 2e 4e
samer@0 305 . . 4e
samer@0 306 . 4d 4f
samer@0 307 =51 =51 =39
samer@0 308 2.c [2c 2g
samer@0 309 . 4c] 4r
samer@0 310 =52 =52 =40
samer@0 311 2.d [2B 4f#
samer@0 312 . . 4e
samer@0 313 . 4B] 4f#
samer@0 314 =53 =53 =41
samer@0 315 2.c 2c 12g
samer@0 316 . . 6g
samer@0 317 . . 4g
samer@0 318 . 4c 4e
samer@0 319 =54 =54 =42
samer@0 320 2.c 2g 4c
samer@0 321 . . 4c
samer@0 322 . 4g 4d
samer@0 323 =55 =55 =43
samer@0 324 2.A 2a 4e
samer@0 325 . . 20c
samer@0 326 . . 20B
samer@0 327 . . 20c
samer@0 328 . . 20B
samer@0 329 . . 20c
samer@0 330 . 4g 4A
samer@0 331 =56 =56 =44
samer@0 332 2.F 2f 12c
samer@0 333 . . 6c
samer@0 334 . . 12d
samer@0 335 . . 12c
samer@0 336 . . 12B
samer@0 337 . 4e 4c
samer@0 338 =57 =57 =
samer@0 339 2.G [2d 2d
samer@0 340 . 4d] 4r
samer@0 341 =58 =58 =45
samer@0 342 2.A 2c# 12e
samer@0 343 . . 6e
samer@0 344 . . 2f#
samer@0 345 . 4r .
samer@0 346 =59 =59 =46
samer@0 347 2.G 4d 12g
samer@0 348 . . 6g
samer@0 349 . 4e 12fn
samer@0 350 . . 12e
samer@0 351 . . 12f
samer@0 352 . 4f 4d
samer@0 353 =60 =60 =47
samer@0 354 2.A [4e 12e
samer@0 355 . . 12d
samer@0 356 . . 12e
samer@0 357 . 6e] 4c
samer@0 358 . 12f .
samer@0 359 . 12e 12e
samer@0 360 . 12d 6e
samer@0 361 . 12c .
samer@0 362 =61 =61 =48
samer@0 363 2.G [2d 12g
samer@0 364 . . 6g
samer@0 365 . . 6g
samer@0 366 . . 12f
samer@0 367 . 6d] 4e
samer@0 368 . 12c .
samer@0 369 =62 =62 =49
samer@0 370 2.G [2B 12d
samer@0 371 . . 6c
samer@0 372 . . 4d
samer@0 373 . 4B] 4e
samer@0 374 =63 =63 =50
samer@0 375 2.F [2c [2f
samer@0 376 . 4c] 4f]
samer@0 377 == = ==
samer@0 378 *- *- *-
samer@0 379 !!!ONB1: This motet is in Petronian or late 13th-century style (although it may
samer@0 380 !!!ONB2: not be by Petrus de Cruce), but it is the style that came AFTER the
samer@0 381 !!!ONB3: second or Franconian style of the mid-13th century
samer@0 382 !!!ONB4: The Tenor repeats it melody, mm. 1-20 = mm. 21-40, providing a
samer@0 383 !!!ONB5: structure or underlying form.
samer@0 384 !!!ONB6: The Triplum, similar to a patter song, and the Motetus are quite
samer@0 385 !!!ONB7: contrasting in rhythmic movement and do not often begin or end phrases
samer@0 386 !!!ONB8: together, in the constant movement that is motet typical texture.
samer@0 387 !!!ONB9: The final cadence has to consider the Tenor's small e, the Motetus'
samer@0 388 !!!ONB10: small g, and, take you pick, the Triplum' small b (probably) to arrive
samer@0 389 !!!ONB11: at a chord, c-g-b, on the second degree of the mode, going to the
samer@0 390 !!!ONB12: usual open final chord with no third. Of course one could consider
samer@0 391 !!!ONB13: the last note in the Triplum, one-line c, making the chord of
samer@0 392 !!!ONB14: c-e-g in first inversion, and thus the more normal VII6 to I
samer@0 393 !!!ONB15: (no 3rd). Take your choice. The mode has to be Dorian (Tenor and
samer@0 394 !!!ONB16: Motetus) and Hypodorian (Triplum). The g# in m. 31 is accidental
samer@0 395 !!!ONB17: (?) and the f# is an editorial suggestion of what the singers might
samer@0 396 !!!ONB18: have sung according to some rule of Musica ficta.
samer@0 397 !!!ONB19: --Robert D. Reynolds