samer@0: !!!COA: Petrus de Cruce; Pierre de la Croix
samer@0: !!!OTL: Motet: Aucun - Lonc tans - Aunnuntiantes
samer@0: !!!CDT: <1270///->1300///
samer@0: !!!CNT: France
samer@0: !!!AGN: "Petronian" motet
samer@0: **kern	**kern	**kern
samer@0: *Ivox	*Ivox	*Ivox
samer@0: *k[]	*k[]	*k[]
samer@0: *M3/4	*M3/4	*M3/4
samer@0: *MM80	*MM80	*MM80
samer@0: 2.F	2c	12f
samer@0: .	.	6f
samer@0: .	.	12e
samer@0: .	.	12d
samer@0: .	.	12c
samer@0: .	12c	12f
samer@0: .	12B	12f
samer@0: .	12c	12f
samer@0: =2	=2	=2
samer@0: 2.A	2A	12e
samer@0: .	.	6c
samer@0: .	.	20e
samer@0: .	.	20d
samer@0: .	.	20e
samer@0: .	.	20d
samer@0: .	.	20e
samer@0: .	4c	12e
samer@0: .	.	6f
samer@0: =3	=3	=3
samer@0: 2.G	2d	2g
samer@0: .	4e	4r
samer@0: =4	=4	=
samer@0: 2.r	2f	12f
samer@0: .	.	6d
samer@0: .	.	4f
samer@0: .	12f	24g
samer@0: .	.	24f
samer@0: .	12e	24g
samer@0: .	.	24f
samer@0: .	12d	24e
samer@0: .	.	24f
samer@0: =5	=5	=
samer@0: 2.c	[2c	12g
samer@0: .	.	6g
samer@0: .	.	4g
samer@0: .	4c]	4e
samer@0: =6	=6	=4
samer@0: 2.B	2.r	12f#
samer@0: .	.	6d
samer@0: .	.	12f#
samer@0: .	.	6g
samer@0: .	.	12f
samer@0: .	.	12e
samer@0: .	.	12d
samer@0: =7	=7	=
samer@0: 2.c	4g	2c
samer@0: .	4g	.
samer@0: .	12g	4r
samer@0: .	12f	.
samer@0: .	12e	.
samer@0: =8	=8	=5
samer@0: 2.r	2d	12d
samer@0: .	.	6f
samer@0: .	.	4a
samer@0: .	12c	4g
samer@0: .	6d	.
samer@0: =9	=9	=6
samer@0: 2.A	2e	12e
samer@0: .	.	6c
samer@0: .	.	4e
samer@0: .	12d	12c
samer@0: .	6e	12B
samer@0: .	.	12A
samer@0: =10	=10	=7
samer@0: 2.F	2f	12c
samer@0: .	.	6c
samer@0: .	.	12d
samer@0: .	.	12c
samer@0: .	.	12B
samer@0: .	4e	4c
samer@0: =11	=11	=8
samer@0: 2.G	[2d	2d
samer@0: .	4d]	4r
samer@0: =12	=12	=9
samer@0: 2.r	2.r	12e
samer@0: .	.	6f
samer@0: .	.	4e
samer@0: .	.	28f
samer@0: .	.	28e
samer@0: .	.	28f
samer@0: .	.	28g
samer@0: .	.	28f
samer@0: .	.	28e
samer@0: .	.	28d
samer@0: =13	=13	=
samer@0: 2.F	2c	12f
samer@0: .	.	12f
samer@0: .	.	12f
samer@0: .	.	4f
samer@0: .	4c	4e
samer@0: =14	=14	=10
samer@0: 2.G	2B	12f
samer@0: .	.	12e
samer@0: .	.	12d
samer@0: .	.	4c
samer@0: .	4B	12d
samer@0: .	.	12c
samer@0: .	.	12d
samer@0: =15	=15	=
samer@0: 2.A	2A	4e
samer@0: .	.	4e
samer@0: .	4B	4f
samer@0: =16	=16	=
samer@0: 2.r	4c	12g
samer@0: .	.	6f
samer@0: .	4B	4g
samer@0: .	4c	12f
samer@0: .	.	12e
samer@0: .	.	12d
samer@0: =17	=17	=
samer@0: 2.G	2d	2d
samer@0: .	4r	4r
samer@0: =18	=18	=
samer@0: 2.A	2.r	12a
samer@0: .	.	6a
samer@0: .	.	4e
samer@0: .	.	12a
samer@0: .	.	12b
samer@0: .	.	12a
samer@0: =19	=19	=
samer@0: 2.c	2c	4g
samer@0: .	.	20g
samer@0: .	.	20f
samer@0: .	.	20g
samer@0: .	.	20f
samer@0: .	.	20g
samer@0: .	4d	12e
samer@0: .	.	6f
samer@0: =20	=20	=13
samer@0: 2.r	2B	12e
samer@0: .	.	12d
samer@0: .	.	12c
samer@0: .	.	4d
samer@0: .	4A	12e
samer@0: .	.	6e
samer@0: =21	=21	=
samer@0: 2.d	[2G	12g
samer@0: .	.	6a
samer@0: .	.	4g
samer@0: .	4G]	4f
samer@0: =22	=22	=14
samer@0: 2.c	2c	2g
samer@0: .	4e	4r
samer@0: =23	=23	=15
samer@0: 2.c	2g	12c
samer@0: .	.	6c
samer@0: .	.	4c
samer@0: .	4f	12d
samer@0: .	.	6d
samer@0: =24	=24	=16
samer@0: 2.r	2e	4e
samer@0: .	.	4A
samer@0: .	4d	12d
samer@0: .	.	12c
samer@0: .	.	12B
samer@0: =25	=25	=17
samer@0: 2.A	[2e	4A
samer@0: .	.	4e
samer@0: .	4e]	12A
samer@0: .	.	6A
samer@0: =26	=26	=18
samer@0: 2.F	[2f	12c
samer@0: .	.	12c
samer@0: .	.	12c
samer@0: .	.	12d
samer@0: .	.	12c
samer@0: .	.	12B
samer@0: .	6f]	4c
samer@0: .	12e	.
samer@0: =27	=27	=19
samer@0: 2.G	[2d	2d
samer@0: .	4d]	4r
samer@0: =28	=28	=20
samer@0: 2.r	2.r	12e
samer@0: .	.	6e
samer@0: .	.	4g
samer@0: .	.	20g
samer@0: .	.	20f
samer@0: .	.	20g
samer@0: .	.	20f
samer@0: .	.	20g
samer@0: =29	=29	=21
samer@0: 2.A	2e	6a
samer@0: .	.	12b
samer@0: .	.	6a
samer@0: .	.	12g
samer@0: .	4f	12f
samer@0: .	.	12e
samer@0: .	.	12f
samer@0: =30	=30	=
samer@0: 2.G	2g	4d
samer@0: .	.	4c
samer@0: .	4f	4d
samer@0: =31	=31	=
samer@0: 2.A	2e	12e
samer@0: .	.	6A
samer@0: .	.	4e
samer@0: .	4d	4f
samer@0: =32	=32	=
samer@0: 2.r	12e	12f
samer@0: .	6d	12e
samer@0: .	.	12d
samer@0: .	4e	4e
samer@0: .	12e	4f
samer@0: .	12d	.
samer@0: .	12c	.
samer@0: =33	=33	=
samer@0: 2.G	[2d	2g
samer@0: .	4d]	4r
samer@0: =34	=34	=
samer@0: 2.G	[2B	12c
samer@0: .	.	6c
samer@0: .	.	4d
samer@0: .	4B]	4e
samer@0: =35	=35	=
samer@0: 2.F	[2c	4f
samer@0: .	.	12e
samer@0: .	.	12d
samer@0: .	.	12c
samer@0: .	4c]	12f
samer@0: .	.	6f
samer@0: =36	=36	=24
samer@0: 2.r	2.r	12f
samer@0: .	.	6f
samer@0: .	.	4e
samer@0: .	.	12f
samer@0: .	.	12e
samer@0: .	.	12d
samer@0: =37	=37	=25
samer@0: 2.F	[2f	2c
samer@0: .	4f]	4r
samer@0: =38	=38	=26
samer@0: 2.A	2e	12a
samer@0: .	.	6a
samer@0: .	.	4e
samer@0: .	12e	12f#
samer@0: .	12d	6f#
samer@0: .	12c	.
samer@0: =39	=39	=27
samer@0: 2.G	[2d	12g
samer@0: .	.	6g
samer@0: .	.	4g
samer@0: .	4d]	4f#
samer@0: =40	=40	=28
samer@0: 2.c	[2c	4g
samer@0: .	.	12a
samer@0: .	.	12b
samer@0: .	.	12a
samer@0: .	4c]	4g
samer@0: =41	=41	=29
samer@0: 2.B	[2d	12f#
samer@0: .	.	6f#
samer@0: .	.	4e
samer@0: .	4d]	4f#
samer@0: =42	=42	=30
samer@0: 2.c	2c	2g
samer@0: .	4d	4r
samer@0: =43	=43	=31
samer@0: 2.A	2e	4e
samer@0: .	.	12c
samer@0: .	.	12B
samer@0: .	.	12c
samer@0: .	12d	12A
samer@0: .	6e	6B
samer@0: =44	=44	=32
samer@0: 2.F	2f	4c
samer@0: .	.	4B
samer@0: .	4e	4c
samer@0: =45	=45	=33
samer@0: 2.G	2d	4d
samer@0: .	.	12c
samer@0: .	.	12B
samer@0: .	.	12A
samer@0: .	12e	4B
samer@0: .	12d	.
samer@0: .	12e	.
samer@0: =46	=46	=34
samer@0: 2.F	[2c	4c
samer@0: .	.	4f
samer@0: .	4c]	4e
samer@0: =47	=47	=35
samer@0: 2.G	[2B	4d
samer@0: .	.	4c
samer@0: .	4B]	4d
samer@0: =48	=48	=36
samer@0: 2.A	[2A	2e
samer@0: .	4A]	4r
samer@0: =49	=49	=37
samer@0: 2.G	2.r	12g
samer@0: .	.	6a
samer@0: .	.	4g
samer@0: .	.	4f
samer@0: =50	=50	=38
samer@0: 2.A	2e	4e
samer@0: .	.	4e
samer@0: .	4d	4f
samer@0: =51	=51	=39
samer@0: 2.c	[2c	2g
samer@0: .	4c]	4r
samer@0: =52	=52	=40
samer@0: 2.d	[2B	4f#
samer@0: .	.	4e
samer@0: .	4B]	4f#
samer@0: =53	=53	=41
samer@0: 2.c	2c	12g
samer@0: .	.	6g
samer@0: .	.	4g
samer@0: .	4c	4e
samer@0: =54	=54	=42
samer@0: 2.c	2g	4c
samer@0: .	.	4c
samer@0: .	4g	4d
samer@0: =55	=55	=43
samer@0: 2.A	2a	4e
samer@0: .	.	20c
samer@0: .	.	20B
samer@0: .	.	20c
samer@0: .	.	20B
samer@0: .	.	20c
samer@0: .	4g	4A
samer@0: =56	=56	=44
samer@0: 2.F	2f	12c
samer@0: .	.	6c
samer@0: .	.	12d
samer@0: .	.	12c
samer@0: .	.	12B
samer@0: .	4e	4c
samer@0: =57	=57	=
samer@0: 2.G	[2d	2d
samer@0: .	4d]	4r
samer@0: =58	=58	=45
samer@0: 2.A	2c#	12e
samer@0: .	.	6e
samer@0: .	.	2f#
samer@0: .	4r	.
samer@0: =59	=59	=46
samer@0: 2.G	4d	12g
samer@0: .	.	6g
samer@0: .	4e	12fn
samer@0: .	.	12e
samer@0: .	.	12f
samer@0: .	4f	4d
samer@0: =60	=60	=47
samer@0: 2.A	[4e	12e
samer@0: .	.	12d
samer@0: .	.	12e
samer@0: .	6e]	4c
samer@0: .	12f	.
samer@0: .	12e	12e
samer@0: .	12d	6e
samer@0: .	12c	.
samer@0: =61	=61	=48
samer@0: 2.G	[2d	12g
samer@0: .	.	6g
samer@0: .	.	6g
samer@0: .	.	12f
samer@0: .	6d]	4e
samer@0: .	12c	.
samer@0: =62	=62	=49
samer@0: 2.G	[2B	12d
samer@0: .	.	6c
samer@0: .	.	4d
samer@0: .	4B]	4e
samer@0: =63	=63	=50
samer@0: 2.F	[2c	[2f
samer@0: .	4c]	4f]
samer@0: ==	=	==
samer@0: *-	*-	*-
samer@0: !!!ONB1: This motet is in Petronian or late 13th-century style (although it may
samer@0: !!!ONB2: not be by Petrus de Cruce), but it is the style that came AFTER the 
samer@0: !!!ONB3: second or Franconian style of the mid-13th century 
samer@0: !!!ONB4: The Tenor repeats it melody, mm. 1-20 = mm. 21-40, providing a 
samer@0: !!!ONB5: structure or underlying form.
samer@0: !!!ONB6: The Triplum, similar to a patter song, and the Motetus are quite
samer@0: !!!ONB7: contrasting in rhythmic movement and do not often begin or end phrases
samer@0: !!!ONB8: together, in the constant movement that is motet typical texture.
samer@0: !!!ONB9: The final cadence has to consider the Tenor's small e, the Motetus'
samer@0: !!!ONB10: small g, and, take you pick, the Triplum' small b (probably) to arrive
samer@0: !!!ONB11: at a chord, c-g-b, on the second degree of the mode, going to the
samer@0: !!!ONB12: usual open final chord with no third. Of course one could consider
samer@0: !!!ONB13: the last note in the Triplum, one-line c, making the chord of
samer@0: !!!ONB14: c-e-g in first inversion, and thus the more normal VII6 to I
samer@0: !!!ONB15: (no 3rd). Take your choice. The mode has to be Dorian (Tenor and
samer@0: !!!ONB16: Motetus) and Hypodorian (Triplum). The g# in m. 31 is accidental
samer@0: !!!ONB17: (?) and the f# is an editorial suggestion of what the singers might
samer@0: !!!ONB18: have sung according to some rule of Musica ficta. 
samer@0: !!!ONB19: --Robert D. Reynolds