BrechtDeMan@719: \documentclass{sig-alternate} BrechtDeMan@719: BrechtDeMan@719: BrechtDeMan@719: \begin{document} BrechtDeMan@719: BrechtDeMan@719: % Copyright BrechtDeMan@719: \setcopyright{waclicense} BrechtDeMan@719: BrechtDeMan@719: BrechtDeMan@719: %% DOI BrechtDeMan@719: %\doi{10.475/123_4} BrechtDeMan@719: % BrechtDeMan@719: %% ISBN BrechtDeMan@719: %\isbn{123-4567-24-567/08/06} BrechtDeMan@719: % BrechtDeMan@719: %%Conference BrechtDeMan@719: %\conferenceinfo{PLDI '13}{June 16--19, 2013, Seattle, WA, USA} BrechtDeMan@719: % BrechtDeMan@719: %\acmPrice{\$15.00} BrechtDeMan@719: BrechtDeMan@719: % BrechtDeMan@719: % --- Author Metadata here --- BrechtDeMan@719: \conferenceinfo{Web Audio Conference WAC-2016,}{April 4--6, 2016, Atlanta, USA} BrechtDeMan@719: \CopyrightYear{2016} % Allows default copyright year (20XX) to be over-ridden - IF NEED BE. BrechtDeMan@719: %\crdata{0-12345-67-8/90/01} % Allows default copyright data (0-89791-88-6/97/05) to be over-ridden - IF NEED BE. BrechtDeMan@719: % --- End of Author Metadata --- BrechtDeMan@719: BrechtDeMan@719: \title{Latex Template for WAC 2016} BrechtDeMan@719: %\subtitle{[Extended Abstract] BrechtDeMan@719: %\titlenote{A full version of this paper is available as BrechtDeMan@719: %\textit{Author's Guide to Preparing ACM SIG Proceedings Using BrechtDeMan@719: %\LaTeX$2_\epsilon$\ and BibTeX} at BrechtDeMan@719: %\texttt{www.acm.org/eaddress.htm}}} BrechtDeMan@719: % BrechtDeMan@719: % You need the command \numberofauthors to handle the 'placement BrechtDeMan@719: % and alignment' of the authors beneath the title. BrechtDeMan@719: % BrechtDeMan@719: % For aesthetic reasons, we recommend 'three authors at a time' BrechtDeMan@719: % i.e. three 'name/affiliation blocks' be placed beneath the title. BrechtDeMan@719: % BrechtDeMan@719: % NOTE: You are NOT restricted in how many 'rows' of BrechtDeMan@719: % "name/affiliations" may appear. We just ask that you restrict BrechtDeMan@719: % the number of 'columns' to three. BrechtDeMan@719: % BrechtDeMan@719: % Because of the available 'opening page real-estate' BrechtDeMan@719: % we ask you to refrain from putting more than six authors BrechtDeMan@719: % (two rows with three columns) beneath the article title. BrechtDeMan@719: % More than six makes the first-page appear very cluttered indeed. BrechtDeMan@719: % BrechtDeMan@719: % Use the \alignauthor commands to handle the names BrechtDeMan@719: % and affiliations for an 'aesthetic maximum' of six authors. BrechtDeMan@719: % Add names, affiliations, addresses for BrechtDeMan@719: % the seventh etc. author(s) as the argument for the BrechtDeMan@719: % \additionalauthors command. BrechtDeMan@719: % These 'additional authors' will be output/set for you BrechtDeMan@719: % without further effort on your part as the last section in BrechtDeMan@719: % the body of your article BEFORE References or any Appendices. BrechtDeMan@719: BrechtDeMan@719: \numberofauthors{4} % in this sample file, there are a *total* BrechtDeMan@719: % of EIGHT authors. SIX appear on the 'first-page' (for formatting BrechtDeMan@719: % reasons) and the remaining two appear in the \additionalauthors section. BrechtDeMan@719: % BrechtDeMan@719: \author{ BrechtDeMan@719: % You can go ahead and credit any number of authors here, BrechtDeMan@719: % e.g. one 'row of three' or two rows (consisting of one row of three BrechtDeMan@719: % and a second row of one, two or three). BrechtDeMan@719: % BrechtDeMan@719: % The command \alignauthor (no curly braces needed) should BrechtDeMan@719: % precede each author name, affiliation/snail-mail address and BrechtDeMan@719: % e-mail address. Additionally, tag each line of BrechtDeMan@719: % affiliation/address with \affaddr, and tag the BrechtDeMan@719: % e-mail address with \email. BrechtDeMan@719: % BrechtDeMan@719: % 1st. author BrechtDeMan@719: \alignauthor Nicholas Jillings\\ BrechtDeMan@719: \email{n.g.r.jillings@se14.qmul.ac.uk} BrechtDeMan@719: \alignauthor % dummy author for nicer spacing BrechtDeMan@719: % 2nd. author BrechtDeMan@719: \alignauthor Brecht De Man\\ BrechtDeMan@719: \email{b.deman@qmul.ac.uk} BrechtDeMan@719: \and % use '\and' if you need 'another row' of author names BrechtDeMan@719: % 3rd. author BrechtDeMan@719: \alignauthor David Moffat\\ BrechtDeMan@719: \email{d.j.moffat@qmul.ac.uk} BrechtDeMan@719: % 4th. author BrechtDeMan@719: \alignauthor Joshua D. Reiss\\ BrechtDeMan@719: \email{joshua.reiss@qmul.ac.uk} BrechtDeMan@719: \and BrechtDeMan@719: \affaddr{Centre for Digital Music}\\ BrechtDeMan@719: \affaddr{School of Electronic Engineering and Computer Science}\\ BrechtDeMan@719: \affaddr{Queen Mary University of London}\\ BrechtDeMan@719: \affaddr{Mile End Road,} BrechtDeMan@719: \affaddr{London E1 4NS}\\ BrechtDeMan@719: \affaddr{United Kingdom}\\ BrechtDeMan@719: } BrechtDeMan@719: %Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London BrechtDeMan@719: %% 5th. author BrechtDeMan@719: %\alignauthor Sean Fogarty\\ BrechtDeMan@719: % \affaddr{NASA Ames Research Center}\\ BrechtDeMan@719: % \affaddr{Moffett Field}\\ BrechtDeMan@719: % \email{fogartys@amesres.org} BrechtDeMan@719: %% 6th. author BrechtDeMan@719: %\alignauthor Charles Palmer\\ BrechtDeMan@719: % \affaddr{Palmer Research Laboratories}\\ BrechtDeMan@719: % \affaddr{8600 Datapoint Drive}\\ BrechtDeMan@719: % \email{cpalmer@prl.com} BrechtDeMan@719: %} BrechtDeMan@719: % There's nothing stopping you putting the seventh, eighth, etc. BrechtDeMan@719: % author on the opening page (as the 'third row') but we ask, BrechtDeMan@719: % for aesthetic reasons that you place these 'additional authors' BrechtDeMan@719: % in the \additional authors block, viz. BrechtDeMan@719: %\additionalauthors{Additional authors: John Smith (The Th{\o}rv{\"a}ld Group, BrechtDeMan@719: %email: {\texttt{jsmith@affiliation.org}}) and Julius P.~Kumquat BrechtDeMan@719: %(The Kumquat Consortium, email: {\texttt{jpkumquat@consortium.net}}).} BrechtDeMan@719: \date{1 October 2015} BrechtDeMan@719: % Just remember to make sure that the TOTAL number of authors BrechtDeMan@719: % is the number that will appear on the first page PLUS the BrechtDeMan@719: % number that will appear in the \additionalauthors section. BrechtDeMan@719: BrechtDeMan@719: \maketitle BrechtDeMan@719: \begin{abstract} BrechtDeMan@719: Here comes the abstract. BrechtDeMan@719: \end{abstract} BrechtDeMan@719: BrechtDeMan@719: BrechtDeMan@719: \section{Introduction} BrechtDeMan@719: Introducing the paper. Referring to \cite{waet}. Talking about what we do in the various sections of this paper. Pointing out that the header of the paper kind of looks like the Bat-sign. BrechtDeMan@719: BrechtDeMan@719: \section{Architecture} BrechtDeMan@719: A slightly technical overview of the system. Talk about XML, JavaScript, Web Audio API, HTML5. BrechtDeMan@719: BrechtDeMan@719: \section{Interfaces} BrechtDeMan@719: We could add more interfaces, such as: BrechtDeMan@719: \begin{itemize} BrechtDeMan@719: \item Hedonic Scale BrechtDeMan@719: \item Multi attribute ratings djmoffat@720: \item MUSHRA (ITU-R BS. 1534) BrechtDeMan@719: BrechtDeMan@719: \item Interval Scale BrechtDeMan@719: \item Rank Scale BrechtDeMan@719: BrechtDeMan@719: \item 2D Plane rating - e.g. Valence vs. Arousal BrechtDeMan@719: \item Likert scale djmoffat@720: djmoffat@720: \item {\bf All the following are the interfaces available in HULTI-GEN~\cite{gribben2015toward} } djmoffat@720: \item ABC/HR (ITU-R BS. 1116) djmoffat@720: \begin{itemize} djmoffat@720: \item Continuous Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?) djmoffat@720: \end{itemize} djmoffat@720: \item -50 to 50 Bipolar with Ref djmoffat@720: \begin{itemize} djmoffat@720: \item Scale -50 to 50 on Mushra with default values as 0 in middle and a comparison ``Reference'' to compare to 0 value djmoffat@720: \end{itemize} djmoffat@720: \item Absolute Category Rating (ACR) Scale djmoffat@720: \begin{itemize} djmoffat@720: \item 5 point Scale - Bad, Poor, Fair, Good, Excellent (Default fair?) djmoffat@720: \end{itemize} djmoffat@720: \item Degredation Category Rating (DCR) Scale djmoffat@720: \begin{itemize} djmoffat@720: \item 5 point Scale - Inaudible, Audible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?) - {\it Basically just quantised ABC/HR?} djmoffat@720: \end{itemize} djmoffat@720: \item Comparison Category Rating (CCR) Scale djmoffat@720: \begin{itemize} djmoffat@720: \item 7 point scale: Much Better, Better, Slightly Better, About the same, slightly worse, worse, much worse - Default about the same with reference to compare to djmoffat@720: \end{itemize} djmoffat@720: \item 9 Point Hedonic Category Rating Scale djmoffat@720: \begin{itemize} djmoffat@720: \item 9 point scale: Like Extremely, Like Very Much, Like Moderate, Like Slightly, Neither Like nor Dislike, dislike Extremely, dislike Very Much, dislike Moderate, dislike Slightly - Default Neither Like nor Dislike with reference to compare to djmoffat@720: \end{itemize} djmoffat@720: \item ITU-R 5 Point Continuous Impairment Scale djmoffat@720: \begin{itemize} djmoffat@720: \item 5 point Scale (5-1) Imperceptible, Perceptible but not annoying, slightly annoying, annoying, very annoying. (default Inaudible?)- {\it Basically just quantised ABC/HR, or Different named DCR} djmoffat@720: \end{itemize} djmoffat@720: \item Pairwise Comparison (Better/Worse) djmoffat@720: \begin{itemize} djmoffat@720: \item 2 point Scale - Better or Worse - (not sure how to default this - they default everything to better, which is an interesting choice) djmoffat@720: \end{itemize} BrechtDeMan@719: \end{itemize} BrechtDeMan@719: BrechtDeMan@719: There are also the following interfaces, which would require a slightly different `engine' underneath, e.g. loading a different page for every possible pair. BrechtDeMan@719: \begin{itemize} BrechtDeMan@719: \item AB Test BrechtDeMan@719: \item ABX Test BrechtDeMan@719: \item JND BrechtDeMan@719: \end{itemize} BrechtDeMan@719: BrechtDeMan@719: A screenshot would be nice. BrechtDeMan@719: BrechtDeMan@719: \section{Analysis and diagnostics} BrechtDeMan@719: It would be great to have easy-to-use analysis tools to visualise the collected data and even do science with it. Even better would be to have all this in the browser. Complete perfection would be achieved if and when only limited setup, installation time, and expertise are required for the average non-CS researcher to use this. BrechtDeMan@719: BrechtDeMan@719: Some pictures here please. BrechtDeMan@719: BrechtDeMan@719: \section{Concluding remarks} BrechtDeMan@719: Perhaps an `engineering brief' such as this one doesn't really have a lot of conclusion, except `We made this'. BrechtDeMan@719: BrechtDeMan@719: You can check it out at \url{code.soundsoftware.ac.uk/projects/webaudioevaluationtool}. BrechtDeMan@719: BrechtDeMan@719: \section{Future work} BrechtDeMan@719: Perhaps here, perhaps not. Talking a little bit about what else might happen. Unless we really want to wrap this up. BrechtDeMan@719: BrechtDeMan@719: % BrechtDeMan@719: % The following two commands are all you need in the BrechtDeMan@719: % initial runs of your .tex file to BrechtDeMan@719: % produce the bibliography for the citations in your paper. BrechtDeMan@719: \bibliographystyle{abbrv} BrechtDeMan@719: \bibliography{WAC2016} % sigproc.bib is the name of the Bibliography in this case BrechtDeMan@719: % You must have a proper ".bib" file BrechtDeMan@719: % and remember to run: BrechtDeMan@719: % latex bibtex latex latex BrechtDeMan@719: % to resolve all references BrechtDeMan@719: % BrechtDeMan@719: % ACM needs 'a single self-contained file'! BrechtDeMan@719: % BrechtDeMan@719: \end{document}