b@1732: % Generated by IEEEtran.bst, version: 1.12 (2007/01/11) b@1732: \begin{thebibliography}{10} b@1732: \providecommand{\url}[1]{#1} b@1732: \csname url@samestyle\endcsname b@1732: \providecommand{\newblock}{\relax} b@1732: \providecommand{\bibinfo}[2]{#2} b@1732: \providecommand{\BIBentrySTDinterwordspacing}{\spaceskip=0pt\relax} b@1732: \providecommand{\BIBentryALTinterwordstretchfactor}{4} b@1732: \providecommand{\BIBentryALTinterwordspacing}{\spaceskip=\fontdimen2\font plus b@1732: \BIBentryALTinterwordstretchfactor\fontdimen3\font minus b@1732: \fontdimen4\font\relax} b@1732: \providecommand{\BIBforeignlanguage}[2]{{% b@1732: \expandafter\ifx\csname l@#1\endcsname\relax b@1732: \typeout{** WARNING: IEEEtran.bst: No hyphenation pattern has been}% b@1732: \typeout{** loaded for the language `#1'. Using the pattern for}% b@1732: \typeout{** the default language instead.}% b@1732: \else b@1732: \language=\csname l@#1\endcsname b@1732: \fi b@1732: #2}} b@1732: \providecommand{\BIBdecl}{\relax} b@1732: \BIBdecl b@1732: b@1732: \bibitem{schoeffler2013impact} b@1732: M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall b@1732: listening experience,'' in \emph{Proceedings of the 10th Sound and Music b@1732: Computing Conference}, 2013, pp. 48--53. b@1732: b@1732: \bibitem{repp} b@1732: R.~Repp, ``Recording quality ratings by music professionals,'' in b@1732: \emph{Proceedings of the 2006 International Computer Music Conference}, 2006, b@1732: pp. 468--474. b@1732: b@1732: \bibitem{de2013real} b@1732: A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or b@1732: synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings b@1732: of SMC 2013 : 10th Sound and Music Computing Conference}, 2013. b@1732: b@1732: \bibitem{durr2015implementation} b@1732: G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and b@1732: evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering b@1732: Society Conference: 56th International Conference: Audio for Games}, 2015. b@1732: b@1732: \bibitem{deman2014a} b@1732: B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion b@1732: effects,'' in \emph{Audio Engineering Society Conference: 53rd International b@1732: Conference: Semantic Audio}, 2014. b@1732: b@1732: \bibitem{mushram} b@1732: E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for b@1732: subjective evalutation of audio source separation algorithms,'' in \emph{UK b@1732: ICA Research Network Workshop}, 2006. b@1732: b@1732: \bibitem{uhlereiss} b@1732: J.~D. Reiss and C.~Uhle, ``Determined source separation for microphone b@1732: recordings using {IIR} filters,'' in \emph{129th Convention of the Audio b@1732: Engineering Society}, 2010. b@1732: b@1732: \bibitem{song2013a} b@1732: Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli b@1732: in the study of music and emotion,'' \emph{Proceedings of the 3rd b@1732: International Conference on Music \& Emotion (ICME)}, 2013. b@1732: b@1733: \bibitem{eerola2009prediction} b@1733: T.~Eerola, O.~Lartillot, and P.~Toiviainen, ``Prediction of multidimensional b@1733: emotional ratings in music from audio using multivariate regression models,'' b@1733: in \emph{Proceedings of the 10th International Society for Music Information b@1733: Retrieval (ISMIR2009)}, 2009, pp. 621--626. b@1733: b@1732: \bibitem{friberg2011comparison} b@1732: A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed b@1732: audio features,'' in \emph{Proceedings of the 8th Sound and Music Computing b@1732: Conference}, 2011, pp. 122--127. b@1732: b@1732: \bibitem{deman2014b} b@1732: B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox b@1732: for {MATLAB},'' in \emph{136th Convention of the Audio Engineering Society}, b@1732: 2014. b@1732: b@1732: \bibitem{beaqlejs} b@1732: S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based b@1732: framework for the subjective evaluation of audio quality,'' in \emph{Linux b@1732: Audio Conference, Karlsruhe, DE}, 2014. b@1732: b@1732: \bibitem{hulti-gen} b@1732: C.~Gribben and H.~Lee, ``Toward the development of a universal listening test b@1732: interface generator in {Max},'' in \emph{138th Convention of the Audio b@1732: Engineering Society}, 2015. b@1732: b@1732: \bibitem{scale} b@1732: A.~V. Giner, ``Scale - a software tool for listening experiments,'' in b@1732: \emph{AIA/DAGA Conference on Acoustics, Merano (Italy)}, 2013. b@1732: b@1732: \bibitem{whisper} b@1732: S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for b@1732: performing listening tests,'' in \emph{126th Convention of the Audio b@1732: Engineering Society}, 2009. b@1732: b@1732: \bibitem{opaque} b@1732: J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio b@1732: quality attributes,'' in \emph{118th Convention of the Audio Engineering b@1732: Society}, 2005. b@1732: b@1732: \bibitem{guineapig} b@1732: J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system b@1732: for multichannel audio,'' in \emph{106th Convention of the Audio Engineering b@1732: Society}, 1999. b@1732: b@1732: \bibitem{mushra} b@1732: \emph{Method for the subjective assessment of intermediate quality level of b@1732: coding systems}.\hskip 1em plus 0.5em minus 0.4em\relax Recommendation {ITU-R b@1732: BS.1534-1}, 2003. b@1732: b@1732: \bibitem{mason2015compression} b@1732: A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio b@1732: reproduction using personalized compression,'' in \emph{Audio Engineering b@1732: Society Conference: 57th International Conference: The Future of Audio b@1732: Entertainment Technology -- Cinema, Television and the Internet}, 2015. b@1732: b@1732: \bibitem{bech} b@1732: S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and b@1732: Application}.\hskip 1em plus 0.5em minus 0.4em\relax John Wiley \& Sons, b@1732: 2007. b@1732: b@1732: \bibitem{deman2015a} b@1732: B.~De~Man, M.~Boerum, B.~Leonard, G.~Massenburg, R.~King, and J.~D. Reiss, b@1732: ``Perceptual evaluation of music mixing practices,'' in \emph{138th b@1732: Convention of the Audio Engineering Society}, 2015. b@1732: b@1732: \end{thebibliography}