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nickjillings@1528: \begin{thebibliography}{10}
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nickjillings@1528: 
nickjillings@1528: \bibitem{schoeffler2013impact}
nickjillings@1528: M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall
nickjillings@1528:   listening experience,'' in \emph{Proceedings of the 10th Sound and Music
nickjillings@1528:   Computing Conference}, 2013, pp. 48--53.
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nickjillings@1528: \bibitem{repp}
nickjillings@1528: R.~Repp, ``Recording quality ratings by music professionals,'' in
nickjillings@1528:   \emph{Proceedings of the 2006 International Computer Music Conference}, 2006,
nickjillings@1528:   pp. 468--474.
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nickjillings@1528: \bibitem{de2013real}
nickjillings@1528: A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or
nickjillings@1528:   synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings
nickjillings@1528:   of SMC 2013 : 10th Sound and Music Computing Conference}, 2013.
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nickjillings@1528: \bibitem{durr2015implementation}
nickjillings@1528: G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and
nickjillings@1528:   evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering
nickjillings@1528:   Society Conference: 56th International Conference: Audio for Games}, 2015.
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nickjillings@1528: B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion
nickjillings@1528:   effects,'' in \emph{Audio Engineering Society Conference: 53rd International
nickjillings@1528:   Conference: Semantic Audio}, 2014.
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nickjillings@1528: E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for
nickjillings@1528:   subjective evalutation of audio source separation algorithms,'' in \emph{UK
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nickjillings@1528: J.~D. Reiss and C.~Uhle, ``Determined source separation for microphone
nickjillings@1528:   recordings using {IIR} filters,'' in \emph{129th Convention of the Audio
nickjillings@1528:   Engineering Society}, 2010.
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nickjillings@1528: Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli
nickjillings@1528:   in the study of music and emotion,'' \emph{Proceedings of the 3rd
nickjillings@1528:   International Conference on Music \& Emotion (ICME)}, 2013.
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nickjillings@1528: \bibitem{eerola2009prediction}
nickjillings@1528: T.~Eerola, O.~Lartillot, and P.~Toiviainen, ``Prediction of multidimensional
nickjillings@1528:   emotional ratings in music from audio using multivariate regression models,''
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nickjillings@1528:   Retrieval (ISMIR2009)}, 2009, pp. 621--626.
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nickjillings@1528: A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed
nickjillings@1528:   audio features,'' in \emph{Proceedings of the 8th Sound and Music Computing
nickjillings@1528:   Conference}, 2011, pp. 122--127.
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nickjillings@1528: B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox
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nickjillings@1528:   2014.
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nickjillings@1528: S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based
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nickjillings@1528:   Audio Conference, Karlsruhe, DE}, 2014.
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nickjillings@1528: C.~Gribben and H.~Lee, ``Toward the development of a universal listening test
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nickjillings@1528:   Engineering Society}, 2015.
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nickjillings@1528: A.~V. Giner, ``Scale - a software tool for listening experiments,'' in
nickjillings@1528:   \emph{AIA/DAGA Conference on Acoustics, Merano (Italy)}, 2013.
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nickjillings@1528: S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for
nickjillings@1528:   performing listening tests,'' in \emph{126th Convention of the Audio
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nickjillings@1528: J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio
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nickjillings@1528: J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system
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nickjillings@1528: \emph{Method for the subjective assessment of intermediate quality level of
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nickjillings@1528: \bibitem{mason2015compression}
nickjillings@1528: A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio
nickjillings@1528:   reproduction using personalized compression,'' in \emph{Audio Engineering
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nickjillings@1528:   Entertainment Technology -- Cinema, Television and the Internet}, 2015.
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nickjillings@1528: S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and
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nickjillings@1528: \end{thebibliography}