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me@1942: \begin{thebibliography}{10}
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me@1942: \BIBdecl
me@1942: 
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me@1942: M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall
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me@1942:   Computing Conference}, 2013, pp. 48--53.
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me@1942: R.~Repp, ``Recording quality ratings by music professionals,'' in
me@1942:   \emph{Proceedings of the 2006 International Computer Music Conference}, 2006,
me@1942:   pp. 468--474.
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me@1942: A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or
me@1942:   synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings
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me@1942: \bibitem{durr2015implementation}
me@1942: G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and
me@1942:   evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering
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me@1942: B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion
me@1942:   effects,'' in \emph{Audio Engineering Society Conference: 53rd International
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me@1942: E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for
me@1942:   subjective evalutation of audio source separation algorithms,'' in \emph{UK
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me@1942: Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli
me@1942:   in the study of music and emotion,'' \emph{Proceedings of the 3rd
me@1942:   International Conference on Music \& Emotion (ICME)}, 2013.
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me@1942: \bibitem{eerola2009prediction}
me@1942: T.~Eerola, O.~Lartillot, and P.~Toiviainen, ``Prediction of multidimensional
me@1942:   emotional ratings in music from audio using multivariate regression models,''
me@1942:   in \emph{Proceedings of the 10th International Society for Music Information
me@1942:   Retrieval (ISMIR2009)}, 2009, pp. 621--626.
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me@1942: \bibitem{friberg2011comparison}
me@1942: A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed
me@1942:   audio features,'' in \emph{Proceedings of the 8th Sound and Music Computing
me@1942:   Conference}, 2011, pp. 122--127.
me@1942: 
me@1942: \bibitem{deman2014b}
me@1942: B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox
me@1942:   for {MATLAB},'' in \emph{136th Convention of the Audio Engineering Society},
me@1942:   2014.
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me@1942: \bibitem{beaqlejs}
me@1942: S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based
me@1942:   framework for the subjective evaluation of audio quality,'' in \emph{Linux
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me@1942: 
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me@1942: C.~Gribben and H.~Lee, ``Toward the development of a universal listening test
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me@1942:   Engineering Society}, 2015.
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me@1942: A.~V. Giner, ``Scale - a software tool for listening experiments,'' in
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me@1942: S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for
me@1942:   performing listening tests,'' in \emph{126th Convention of the Audio
me@1942:   Engineering Society}, 2009.
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me@1942: J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio
me@1942:   quality attributes,'' in \emph{118th Convention of the Audio Engineering
me@1942:   Society}, 2005.
me@1942: 
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me@1942: J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system
me@1942:   for multichannel audio,'' in \emph{106th Convention of the Audio Engineering
me@1942:   Society}, 1999.
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me@1942: \emph{Method for the subjective assessment of intermediate quality level of
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me@1942: A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio
me@1942:   reproduction using personalized compression,'' in \emph{Audio Engineering
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me@1942: S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and
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me@1942: B.~De~Man, M.~Boerum, B.~Leonard, G.~Massenburg, R.~King, and J.~D. Reiss,
me@1942:   ``Perceptual evaluation of music mixing practices,'' in \emph{138th
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me@1942: \end{thebibliography}