annotate docs/SMC15/smc2015template.bbl @ 1121:595511282fa7

Removed Schema document and xmllint for validation. Schema not possible for <survey> ordering of any element any order any number type.
author Nicholas Jillings <n.g.r.jillings@se14.qmul.ac.uk>
date Tue, 29 Dec 2015 11:39:46 +0000
parents 3edcbbea168b
children ffeef0ac7a5f
rev   line source
n@1118 1 % Generated by IEEEtran.bst, version: 1.12 (2007/01/11)
n@1118 2 \begin{thebibliography}{10}
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n@1118 21 \providecommand{\BIBdecl}{\relax}
n@1118 22 \BIBdecl
n@1118 23
n@1118 24 \bibitem{schoeffler2013impact}
n@1118 25 M.~Schoeffler and J.~Herre, ``About the impact of audio quality on overall
n@1118 26 listening experience,'' in \emph{Proceedings of the 10th Sound and Music
n@1118 27 Computing Conference}, 2013, pp. 48--53.
n@1118 28
n@1118 29 \bibitem{repp}
n@1118 30 R.~Repp, ``Recording quality ratings by music professionals,'' in
n@1118 31 \emph{Proceedings of the 2006 International Computer Music Conference}, 2006,
n@1118 32 pp. 468--474.
n@1118 33
n@1118 34 \bibitem{de2013real}
n@1118 35 A.~de~G{\"o}tzen, E.~Sikstr{\"o}m, F.~Grani, and S.~Serafin, ``Real, foley or
n@1118 36 synthetic? {A}n evaluation of everyday walking sounds,'' in \emph{Proceedings
n@1118 37 of SMC 2013 : 10th Sound and Music Computing Conference}, 2013.
n@1118 38
n@1118 39 \bibitem{durr2015implementation}
n@1118 40 G.~Durr, L.~Peixoto, M.~Souza, R.~Tanoue, and J.~D. Reiss, ``Implementation and
n@1118 41 evaluation of dynamic level of audio detail,'' in \emph{Audio Engineering
n@1118 42 Society Conference: 56th International Conference: Audio for Games}, 2015.
n@1118 43
n@1118 44 \bibitem{deman2014a}
n@1118 45 B.~De~Man and J.~D. Reiss, ``Adaptive control of amplitude distortion
n@1118 46 effects,'' in \emph{Audio Engineering Society Conference: 53rd International
n@1118 47 Conference: Semantic Audio}, 2014.
n@1118 48
n@1118 49 \bibitem{mushram}
n@1118 50 E.~Vincent, M.~G. Jafari, and M.~D. Plumbley, ``Preliminary guidelines for
n@1118 51 subjective evalutation of audio source separation algorithms,'' in \emph{UK
n@1118 52 ICA Research Network Workshop}, 2006.
n@1118 53
n@1118 54 \bibitem{uhlereiss}
n@1118 55 J.~D. Reiss and C.~Uhle, ``Determined source separation for microphone
n@1118 56 recordings using {IIR} filters,'' in \emph{129th Convention of the Audio
n@1118 57 Engineering Society}, 2010.
n@1118 58
n@1118 59 \bibitem{song2013a}
n@1118 60 Y.~Song, S.~Dixon, M.~T. Pearce, and G.~Fazekas, ``Using tags to select stimuli
n@1118 61 in the study of music and emotion,'' \emph{Proceedings of the 3rd
n@1118 62 International Conference on Music \& Emotion (ICME)}, 2013.
n@1118 63
n@1118 64 \bibitem{eerola2009prediction}
n@1118 65 T.~Eerola, O.~Lartillot, and P.~Toiviainen, ``Prediction of multidimensional
n@1118 66 emotional ratings in music from audio using multivariate regression models,''
n@1118 67 in \emph{Proceedings of the 10th International Society for Music Information
n@1118 68 Retrieval (ISMIR2009)}, 2009, pp. 621--626.
n@1118 69
n@1118 70 \bibitem{friberg2011comparison}
n@1118 71 A.~Friberg and A.~Hedblad, ``A comparison of perceptual ratings and computed
n@1118 72 audio features,'' in \emph{Proceedings of the 8th Sound and Music Computing
n@1118 73 Conference}, 2011, pp. 122--127.
n@1118 74
n@1118 75 \bibitem{deman2014b}
n@1118 76 B.~De~Man and J.~D. Reiss, ``{APE}: {A}udio {P}erceptual {E}valuation toolbox
n@1118 77 for {MATLAB},'' in \emph{136th Convention of the Audio Engineering Society},
n@1118 78 2014.
n@1118 79
n@1118 80 \bibitem{beaqlejs}
n@1118 81 S.~Kraft and U.~Z{\"o}lzer, ``{BeaqleJS}: {HTML5} and {JavaScript} based
n@1118 82 framework for the subjective evaluation of audio quality,'' in \emph{Linux
n@1118 83 Audio Conference, Karlsruhe, DE}, 2014.
n@1118 84
n@1118 85 \bibitem{hulti-gen}
n@1118 86 C.~Gribben and H.~Lee, ``Toward the development of a universal listening test
n@1118 87 interface generator in {Max},'' in \emph{138th Convention of the Audio
n@1118 88 Engineering Society}, 2015.
n@1118 89
n@1118 90 \bibitem{scale}
n@1118 91 A.~V. Giner, ``Scale - a software tool for listening experiments,'' in
n@1118 92 \emph{AIA/DAGA Conference on Acoustics, Merano (Italy)}, 2013.
n@1118 93
n@1118 94 \bibitem{whisper}
n@1118 95 S.~Ciba, A.~Wlodarski, and H.-J. Maempel, ``Whis{PER} -- {A} new tool for
n@1118 96 performing listening tests,'' in \emph{126th Convention of the Audio
n@1118 97 Engineering Society}, 2009.
n@1118 98
n@1118 99 \bibitem{opaque}
n@1118 100 J.~Berg, ``{OPAQUE} -- {A} tool for the elicitation and grading of audio
n@1118 101 quality attributes,'' in \emph{118th Convention of the Audio Engineering
n@1118 102 Society}, 2005.
n@1118 103
n@1118 104 \bibitem{guineapig}
n@1118 105 J.~Hynninen and N.~Zacharov, ``{GuineaPig} - {A} generic subjective test system
n@1118 106 for multichannel audio,'' in \emph{106th Convention of the Audio Engineering
n@1118 107 Society}, 1999.
n@1118 108
n@1118 109 \bibitem{mushra}
n@1118 110 \emph{Method for the subjective assessment of intermediate quality level of
n@1118 111 coding systems}.\hskip 1em plus 0.5em minus 0.4em\relax Recommendation {ITU-R
n@1118 112 BS.1534-1}, 2003.
n@1118 113
n@1118 114 \bibitem{mason2015compression}
n@1118 115 A.~Mason, N.~Jillings, Z.~Ma, J.~D. Reiss, and F.~Melchior, ``Adaptive audio
n@1118 116 reproduction using personalized compression,'' in \emph{Audio Engineering
n@1118 117 Society Conference: 57th International Conference: The Future of Audio
n@1118 118 Entertainment Technology -- Cinema, Television and the Internet}, 2015.
n@1118 119
n@1118 120 \bibitem{bech}
n@1118 121 S.~Bech and N.~Zacharov, \emph{Perceptual Audio Evaluation - Theory, Method and
n@1118 122 Application}.\hskip 1em plus 0.5em minus 0.4em\relax John Wiley \& Sons,
n@1118 123 2007.
n@1118 124
n@1118 125 \bibitem{deman2015a}
n@1118 126 B.~De~Man, M.~Boerum, B.~Leonard, G.~Massenburg, R.~King, and J.~D. Reiss,
n@1118 127 ``Perceptual evaluation of music mixing practices,'' in \emph{138th
n@1118 128 Convention of the Audio Engineering Society}, 2015.
n@1118 129
n@1118 130 \end{thebibliography}