christopher@31: %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
christopher@31: % music theory
christopher@31: % Rhythm/Meter
christopher@31: 
christopher@31: @Book{Taylor89MusicTheory,
christopher@31: author = {Eric Taylor},
christopher@31: title = {The AB Guide to Music Theory, Part I},
christopher@31: publisher = {Associated Board of the Royal Schools of Music},
christopher@31: year = {1989},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Book{Lerdahl_Jackendoff83GTTM,
christopher@31: author = {Fred Lerdahl and Ray Jackendoff},
christopher@31: title = {A Generative Theory of Tonal Music},
christopher@31: publisher = {Cambridge, Mass: MIT Press},
christopher@31: year = {1983},
christopher@31: }
christopher@31: 
christopher@31: @Article{Higgins78,
christopher@31: author = {Hugh C. Longuet-Higgins},
christopher@31: title = {The perception of music},
christopher@31: journal = {Interdisciplinary Science Review},
christopher@31: volume = {3},
christopher@31: pages = {148-156},
christopher@31: year = {1978},
christopher@31: }
christopher@31: 
christopher@31: @Book{Yeston76,
christopher@31: author = {Maury Yeston},
christopher@31: title = {The stratification of musical rhythm},
christopher@31: publisher = {New Haven, Conn: Yale University Press},
christopher@31: year = {1976},
christopher@31: }
christopher@31: 
christopher@31: @Book{London04Meter,
christopher@31: author = {Justin London},
christopher@31: title = {Hearing in Time: Psychological Aspects of Musical Meter},
christopher@31: publisher = {Oxford University Press},
christopher@31: year = {2004},
christopher@31: }
christopher@31: 
christopher@31: @Book{Cooper_Meyer60,
christopher@31: author = {Grosvenor Cooper and Leonard B. Meyer},
christopher@31: title = {The Rhythmic Structure of Music},
christopher@31: publisher = {University of Chicago Press},
christopher@31: year = {1960},
christopher@31: }
christopher@31: 
christopher@31: @PhdThesis{Gouyon05,
christopher@31: author = {Fabien Gouyon},
christopher@31: title = {A computational approach to rhythm description},
christopher@31: school = {Department of Technology of the University Pompeu Fabra},
christopher@31: year = {2005},
christopher@31: }
christopher@31: 
christopher@31: @MastersThesis{Bilmes93,
christopher@31: author = {Jeffrey A. Bilmes},
christopher@31: title = {Timing is of the essence: perceptual and computational techniques for representing, learning, and reproducing expressive timing in percussive rhythm},
christopher@31: school = {MIT Masters Thesis},
christopher@31: year = {1993},
christopher@31: }
christopher@31: 
christopher@31: @InCollection{Clarke99,
christopher@31: author = {Eric F. Clarke},
christopher@31: title = {Rhythm and timing in music},
christopher@31: booktitle = {The psychology of music (2nd edition)},
christopher@31: pages = {437-500},
christopher@31: publisher = {New York: Academic Press},
christopher@31: year = {1999},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: % Syncopation theory
christopher@31: 
christopher@31: @Book{Randel86Harvard,
christopher@31: author = {Don Randel},
christopher@31: title = {The Harvard Dictionary of Music},
christopher@31: publisher = {Harvard University Press},
christopher@31: year = {1986},
christopher@31: }
christopher@31: 
christopher@31: @Book{Kennedy94Oxford,
christopher@31: author = {Michael Kennedy},
christopher@31: title = {The Oxford Dictionary of Music},
christopher@31: publisher = {Oxford University Press},
christopher@31: edition = {Second Edition},
christopher@31: year = {1994},
christopher@31: }
christopher@31: 
christopher@31: @Book{Huron06Anticipation,
christopher@31: author = {David Huron},
christopher@31: title = {Sweet anticipation: music and the psychology of expectation},
christopher@31: publisher = {Cambridge, MA: MIT. Press},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: @Article{Huron_Ommen06,
christopher@31: author = {David Huron and Ann Ommen},
christopher@31: title = { An Empirical Study of Syncopation in American Popular Music, 1890–1939},
christopher@31: journal = {Music Theory Spectrum},
christopher@31: volume = {28},
christopher@31: number = {2},
christopher@31: pages = {211-231},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: @Book{Krebs99,
christopher@31: author = {Harald Krebs},
christopher@31: title = {Fantasy pieces: metrical dissonance in the music of robert schumann},
christopher@31: publisher = {New York: Oxford University Press},
christopher@31: year = {1999},
christopher@31: }
christopher@31: 
christopher@31: @Article{Temperley99,
christopher@31: author = {David Temperley},
christopher@31: title = {Syncopation in rock: a perceptual perspective},
christopher@31: journal = {Popular Music},
christopher@31: volume = {18},
christopher@31: number = {1},
christopher@31: pages = {19-40},
christopher@31: year = {1999},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Book{Temperley01,
christopher@31: author = {David Temperley},
christopher@31: title = {The cognition of basic musical structures},
christopher@31: publisher = {The MIT Press},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: % syncopation and meter/beat induction, rhythm perception, similary
christopher@31: @InProceedings{Velasco_Large11,
christopher@31: author = {Marc J. Velasco and Edward W. Large},
christopher@31: title = {Pulse detection in syncopated rhythms using neural oscillators},
christopher@31: booktitle = {Proceedings of the 12th International Society for Music Information Retrieval Conference},
christopher@31: pages = {185-190},
christopher@31: year = {2011},
christopher@31: }
christopher@31: 
christopher@31: @Article{Eck01,
christopher@31: author = {Douglas Eck},
christopher@31: title = {A positive-evidence model for rhythmical beat induction},
christopher@31: journal = {Journal of New Music Research},
christopher@31: volume = {30},
christopher@31: number = {2},
christopher@31: pages = {187-200},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: @Article{Keller_Repp05,
christopher@31: author = {Peter E. Keller and Bruno H. Repp},
christopher@31: title = {Staying offbeat: sensorimotor syncopation with structured and unstructured auditory sequences},
christopher@31: journal = {Psychological Research},
christopher@31: volume = {69},
christopher@31: number = {4},
christopher@31: pages = {292-309},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Moelants12,
christopher@31: author = {Dirk Moelants},
christopher@31: title = {Conveying syncopation in music performance},
christopher@31: booktitle = {Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music},
christopher@31: pages = {686-691},
christopher@31: year = {2012},
christopher@31: }
christopher@31: 
christopher@31: % syncopation and broad music perception
christopher@31: @Article{Keller_Schubert11,
christopher@31: author = {Peter E. Keller and Emery Schubert},
christopher@31: title = {Cognitive and affective judgements of syncopated musical themes},
christopher@31: journal = {Advances in Cognitive Psychology},
christopher@31: volume = {7},
christopher@31: pages = {142-156},
christopher@31: year = {2011},
christopher@31: }
christopher@31: 
christopher@31: @Article{Madison06,
christopher@31: author = {Guy Madison},
christopher@31: title = {Experiencing groove induced by music: consistency and phenomenology},
christopher@31: journal = {Music Perception: An Interdisciplinary Journal},
christopher@31: volume = {24},
christopher@31: number = {2},
christopher@31: pages = {201-208},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: @Article{Witek14,
christopher@31: author = {Maria A. G. Witek and Eric F. Clarke and Mikkel Wallentin and Morten L. Kringelbach and Peter Vuust},
christopher@31: title = {Syncopation, body-movement and pleasure in groove music},
christopher@31: journal = {PloS ONE},
christopher@31: volume = {9},
christopher@31: number = {4},
christopher@31: pages = {e94446},
christopher@31: year = {2014},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Madison13,
christopher@31: author = {Guy Madison and George Sioros and Matthew Davis and Marius Miron and Diogo Cocharro and Fabien Gouyon},
christopher@31: title = {Adding syncopation to simple melodies increases the perception of groove},
christopher@31: booktitle = {Proceedings of: Conference of Society for Music Perception and Cognition},
christopher@31: year = {2013},
christopher@31: }
christopher@31: 
christopher@31:  @Article{Sloboda91,
christopher@31: author = {John A. Sloboda},
christopher@31: title = {Musical structure and emotional responses: some empirical fundings},
christopher@31: journal = {Psychology of music},
christopher@31: volume = {19},
christopher@31: pages = {110-120},
christopher@31: year = {1991},
christopher@31: }
christopher@31: 
christopher@31: @Article{Mayville01,
christopher@31: author = {Justine M. Mayville and Armin Fuchs and Mingzhou Ding and Douglas Cheyne and Lüder Deecke and J.A. Scott Kelso},
christopher@31: title = {Event-related changes in neuromagnetic activity associated with syncopation and synchronization timing tasks},
christopher@31: journal = {Human Brain Mapping},
christopher@31: volume = {113},
christopher@31: number = {2},
christopher@31: pages = {65-80},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Honning09Baby,
christopher@31: author = {Henkjan Honing and Olivia Ladinig and G\'{a}bor P H\'{a}den and Istv\'{a}n Winkler},
christopher@31: title = {Is beat induction innate or learned? Probing emergent meter perception in adults and newborns using event-related brain potentials},
christopher@31: journal = {Annals of the New York Academy of Sciences},
christopher@31: volume = {1169},
christopher@31: pages = {93-96},
christopher@31: year = {2009}
christopher@31: }
christopher@31: 
christopher@31: @Article{Winkler09,
christopher@31: author = {Istv\'{a}n Winkler and G\'{a}bor P H\'{a}den and Olivia Ladinig and Istv\'{a}n Sziller and Henkjan Honing},
christopher@31: title = {Newborn infants detect the beat in music},
christopher@31: journal = {Proceedings of the National Academy of Sciences of the United States of America},
christopher@31: volume = {106},
christopher@31: number = {7},
christopher@31: pages = {2468-2471},
christopher@31: year = {2009}
christopher@31: }
christopher@31: 
christopher@31: @Article{Ladinig09,
christopher@31: author = {Olivia Ladinig and Henkjan Honing},
christopher@31: title = {Probing attentive and preattentive emergent meter in adult listners without extensive music training},
christopher@31: journal = {Music Perception},
christopher@31: volume = {26},
christopher@31: number = {4},
christopher@31: pages = {377-386},
christopher@31: year = {2009},
christopher@31: }
christopher@31: 
christopher@31: @Article{Thaut_Kenyon03,
christopher@31: author = {Michael H. Thaut and Gary P. Kenyon},
christopher@31: title = {Rapid motor adaptations to subliminal frequency shifts during syncopated rhythmic sensorimotor synchronization},
christopher@31: journal = {Human Movement Science},
christopher@31: volume = {22},
christopher@31: number = {3},
christopher@31: pages = {321-338},
christopher@31: year = {2003},
christopher@31: }
christopher@31: 
christopher@31: @Article{Simpson_Huron93,
christopher@31: author = {Jasba Simpson and David Huron},
christopher@31: title = { The perception of rhythmic similarity: A test of a modified version of Johnson-Laird’s theory},
christopher@31: journal = {Canadian Acoustics},
christopher@31: volume = {21},
christopher@31: pages = {89-90},
christopher@31: year = {1993},
christopher@31: }
christopher@31: 
christopher@31: @PhdThesis{Streich06,
christopher@31: author = {Sebastian Streich},
christopher@31: title = {Music complexity: a multifaceted description of audio content},
christopher@31: school = {Music Technology Group, The Universitat Pompeu Fabra},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: @PhdThesis{Ladinig09thesis,
christopher@31: author = {Olivia Ladinig},
christopher@31: title = {Temporal expectations and their violations},
christopher@31: school = {Institute for Logic, Language and Computation, Universiteit van Amsterdam, The Netherlands},
christopher@31: year = {2009},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Smith10,
christopher@31: author = {Leigh M. Smith},
christopher@31: title = {Rhythmic similarity using metrical profile matching},
christopher@31: booktitle = {Proceedings of the 2010 International Computer Music Conference},
christopher@31: year = {2010},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Panteli14,
christopher@31: author = {Maria Panteli and Bruno Rocha and Niels Bogaards and Aline Honingh},
christopher@31: title = {Development of a rhythm similarity model for electronic dance music},
christopher@31: booktitle = {AES 53rd International Conference, London, UK},
christopher@31: year = {2014},
christopher@31: }
christopher@31: 
christopher@31: @Article{Post_Toussaint11,
christopher@31: author = {Olaf Post and Godfried Toussaint},
christopher@31: title = {The edit distance as a measure of perceived rhythmic similarity},
christopher@31: journal = {Empirical Musicology Review},
christopher@31: volume = {6},
christopher@31: number = {3},
christopher@31: pages = {164-179},
christopher@31: year = {2011},
christopher@31: }
christopher@31: 
christopher@31: %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
christopher@31: % Perceptual/Neurological studies - meter, rhythm, syncopation
christopher@31: 
christopher@31: @Article{Palmer_Krumhansl90,
christopher@31: author = {Caroline Palmer and Carol L. Krumhansl},
christopher@31: title = { Mental Representations for Musical Meter},
christopher@31: journal = {Journal of Experimental Psychology: Human Perception and Performance},
christopher@31: volume = {16},
christopher@31: number = {4},
christopher@31: pages = {728-741},
christopher@31: year = {1990},
christopher@31: }
christopher@31: 
christopher@31: @Article{Chen08,
christopher@31: author = {Joyce L. Chen and Virginia B. Penhune and Robert J. Zatorre},
christopher@31: title = {Moving on time: brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training},
christopher@31: journal = {Journal of Cognitive Neuroscience},
christopher@31: volume = {20},
christopher@31: number = {2},
christopher@31: pages = {226-239},
christopher@31: year = {2008},
christopher@31: }
christopher@31: 
christopher@31: @Article{Repp_Doggett07,
christopher@31: author = {Bruno H. Repp and Rebecca Doggett},
christopher@31: title = {Tapping to a very slow beat: a comparison of musicians and nonmusicians },
christopher@31: journal = {Music Perception},
christopher@31: volume = {24},
christopher@31: number = {4},
christopher@31: pages = {367-376},
christopher@31: year = {2007},
christopher@31: }
christopher@31: 
christopher@31: @Article{Snyder_Krumhansl01,
christopher@31: author = {Joel Snyder and Carol L. Krumhansl},
christopher@31: title = {Tapping to Ragtime: Cue to Pulse Finding},
christopher@31: journal = {Music Perception},
christopher@31: volume = {18},
christopher@31: number = {4},
christopher@31: pages = {445-489},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: @Article{Toivianinen_Snyder03,
christopher@31: author = {Petri Toivianinen and Joel S. Snyder},
christopher@31: title = {Tapping to Bach: Resonance-based Modelling of Pulse},
christopher@31: journal = {Music Perception},
christopher@31: volume = {21},
christopher@31: number = {1},
christopher@31: pages = {43-80},
christopher@31: year = {2003},
christopher@31: }
christopher@31: 
christopher@31: @Article{Handel_Oshinsky81,
christopher@31: author = {Stephen Handel and James S. Oshinsky},
christopher@31: title = {The meter of syncopated auditory polyrhythms},
christopher@31: journal = {Perception \& Psychophysics },
christopher@31: volume = {30},
christopher@31: number = {1},
christopher@31: pages = {1-9},
christopher@31: year = {1981},
christopher@31: }
christopher@31: 
christopher@31: @Article{Repp02,
christopher@31: author = {Bruno H. Repp and W. Luke Windsor and Peter Desain},
christopher@31: title = {Effects of tempo on the timing of simple musical rhythms},
christopher@31: journal = {Music Perception},
christopher@31: volume = {19},
christopher@31: number = {4},
christopher@31: pages = {565-593},
christopher@31: year = {2002},
christopher@31: }
christopher@31: 
christopher@31: @Article{Desain_Honing94,
christopher@31: author = {Peter Desain and Henkjan Honing},
christopher@31: title = {Does expressive timing in music performance scale proportionally with tempo?},
christopher@31: journal = {Psychological Research},
christopher@31: volume = {56},
christopher@31: number = {4},
christopher@31: pages = {285-292},
christopher@31: year = {1994},
christopher@31: }
christopher@31: 
christopher@31: @Article{Drake93,
christopher@31: author = {Carolyn Drake},
christopher@31: title = {Reproduction of musical rhythms by children, adult musicians, and adult nonmusicians},
christopher@31: journal = {Perception \& Psychophysics},
christopher@31: volume = {53},
christopher@31: number = {1},
christopher@31: pages = {25-33},
christopher@31: year = {1993},
christopher@31: }
christopher@31: 
christopher@31: @Article{Smith_Cuddy89,
christopher@31: author = {Karen C. Smith and Lola L. Cuddy},
christopher@31: title = {Effects of metric and harmonic rhythm on the detection of pitch alterations in melodic sequences},
christopher@31: journal = {Journal of Experimental Psychology: Human Perception and Performance},
christopher@31: volume = {15},
christopher@31: number = {3},
christopher@31: pages = {457-471},
christopher@31: year = {1989},
christopher@31: }
christopher@31: 
christopher@31: @Article{Hannon04,
christopher@31: author = {Erin E. Hannon and Joel S. Snyder and Tuomas Eerola and Carol L. Krumhansl},
christopher@31: title = {The Role of Melodic and Temporal Cues in Perceiving Musical Meter},
christopher@31: journal = {Journal of Experimental Psychology: Human Perception and Performance},
christopher@31: volume = {30},
christopher@31: number = {5},
christopher@31: pages = {956-974},
christopher@31: year = {2004},
christopher@31: }
christopher@31: 
christopher@31: @Article{Vuust09,
christopher@31: author = {Peter Vuust and Leif Ostergaard and Karen Johanne Pallesen and Christopher Bailey and Andreas Roepstorff},
christopher@31: title = {Predictive coding of music – brain responses to rhythmic incongruity},
christopher@31: journal = {Cortex},
christopher@31: volume = {45},
christopher@31: pages = {80-92},
christopher@31: year = {2009},
christopher@31: }
christopher@31: 
christopher@31: @Article{Vuust11,
christopher@31: author = {Peter Vuust and Mikkel Wallentin and Leif Ostergaard and Andreas Roepstorff},
christopher@31: title = {Tapping polyrhythms in music activates language areas},
christopher@31: journal = {Neuroscience Letters},
christopher@31: volume = {494},
christopher@31: pages = {211-216},
christopher@31: year = {2011},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: % particularly on tempo
christopher@31: 
christopher@31: @Article{Meyer_Palmer01,
christopher@31: author = {Rosalee K. Meyer and Caroline Palmer},
christopher@31: title = {Rate and tactus effects in music performance},
christopher@31: journal = {Manuscript submitted for publication},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: @Article{Duke89,
christopher@31: author = {Robert A. Duke},
christopher@31: title = {Musicians' perception of beat in monotonic stimuli},
christopher@31: journal = {Journal of Research in Music Education},
christopher@31: volume = {37},
christopher@31: number = {1},
christopher@31: pages = {61-71},
christopher@31: year = {1989},
christopher@31: }
christopher@31: 
christopher@31: @Article{McAuley_Semple99,
christopher@31: author = {J. Devin McAuley and Peter Semple},
christopher@31: title = {The effect of tempo and musical experience on perceived beat},
christopher@31: journal = {Australian Journal of Psychology},
christopher@31: volume = {51},
christopher@31: number = {3},
christopher@31: pages = {176-187},
christopher@31: year = {1999},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Moelants_McKinney04,
christopher@31: author = {Dirk Moelants and M McKinney},
christopher@31: title = {Tempo percepton and musical content: what makes a piece fast, slow or temporally ambiguous?},
christopher@31: booktitle = {Proceedings of the 8th International Conference on Music Perception and Cognition},
christopher@31: pages = {558-562},
christopher@31: year = {2004},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Wohlschlager_Koch00,
christopher@31: author = {Andreas Wohlschl\"{a}ger and Robert Koch},
christopher@31: title = {Syncronization error: an error in time perception},
christopher@31: journal = {Rhythm perception and production},
christopher@31: pages = {115-127},
christopher@31: year = {2000},
christopher@31: }
christopher@31: 
christopher@31: @Article{Repp08,
christopher@31: author = {Bruno H. Repp},
christopher@31: title = {Metrical sbudivision results in subjective slowing of the beat},
christopher@31: journal = {Music Perception},
christopher@31: volume = {26},
christopher@31: issue = {1},
christopher@31: pages = {19-39},
christopher@31: year = {2008},
christopher@31: }
christopher@31: 
christopher@31: @Article{Repp03,
christopher@31: author = {Bruno H. Repp},
christopher@31: title = {Rate limits in sensorimotor synchronization with auditory and visual sequences: The synchronization threshold and the benefits and costs of interval subdivision},
christopher@31: journal = {Journal of Motor Behavior},
christopher@31: volume = {35},
christopher@31: issue = {4},
christopher@31: pages = {355-370},
christopher@31: year = {2003},
christopher@31: }
christopher@31: 
christopher@31: @Article{Handel92,
christopher@31: author = {Stephen Handel},
christopher@31: title = {The differentiation of rhythmic structure},
christopher@31: journal = {Perception \& Psychophysics},
christopher@31: volume = {52},
christopher@31: pages = {497-507},
christopher@31: year = {1992},
christopher@31: }
christopher@31: 
christopher@31: @Article{Handel93,
christopher@31: author = {Stephen Handel},
christopher@31: title = {The effect of tempo and tone duration on rhythm discrimination},
christopher@31: journal = {Percept Psychophys},
christopher@31: volume = {54},
christopher@31: number = {3},
christopher@31: pages = {370-382},
christopher@31: year = {1993},
christopher@31: }
christopher@31: 
christopher@31: @Article{Duke88,
christopher@31: author = {Robert A. Duke and John M. Geringer and Clifford K. Madsen},
christopher@31: title = {The effect of tempo on pitch perception},
christopher@31: journal = {Journal of Research in Music Education},
christopher@31: volume = {36},
christopher@31: number = {2},
christopher@31: pages = {108-125},
christopher@31: year = {1988},
christopher@31: }
christopher@31: 
christopher@31: @Article{LeBlanc81,
christopher@31: author = {Albert LeBlanc},
christopher@31: title = {Effects of style, tempo and performing medium on children's music preference},
christopher@31: journal = {Journal of Research in Music Education},
christopher@31: volume = {29},
christopher@31: number = {2},
christopher@31: pages = {143-156},
christopher@31: year = {1981},
christopher@31: }
christopher@31: 
christopher@31: % This was cited in plos one paper, but they actually didn't show tempo effects on emotion
christopher@31: @Article{Kamenetsky97,
christopher@31: author = {Stuart B. Kamenetsky and David S. Hill and Sandra E. Trehub},
christopher@31: title = {Effect of tempo and dynamics on perception of emotion in music},
christopher@31: journal = {Psychology of Music},
christopher@31: volume = {25},
christopher@31: number = {2},
christopher@31: pages = {149-160},
christopher@31: year = {1997},
christopher@31: }
christopher@31: 
christopher@31: @Article{Zwaag11,
christopher@31: author = {Marjolein D. vander Zwaag and Joyce H.D.M. Westerink and Egon L. van den Broek},
christopher@31: title = {Emotional and psychophysiological responses to tempo, mode and perceussiveness},
christopher@31: journal = {Musicae Scientiae},
christopher@31: volume = {15},
christopher@31: number = {2},
christopher@31: pages = {250-269},
christopher@31: year = {2011},
christopher@31: }
christopher@31: 
christopher@31: @Article{Collier_Hubbard01,
christopher@31: author = {William G. Collier and Timothy L. Hubbard},
christopher@31: title = {Judgements of happiness, brightness, speed and tempo change of auditory stimuli varying in pitch and tempo},
christopher@31: journal = {Psychomusicology},
christopher@31: volume = {17},
christopher@31: pages = {36-55},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: @Book{Gabrielsson10,
christopher@31: author = {Aalf Gabrielsson and Erik Lindstr\"{o}m},
christopher@31: title = {The role of structure in the musical expression of emotions},
christopher@31: journal = {Music and emotion: Theory, research, and applications},
christopher@31: pages = {367-400},
christopher@31: publisher = {Oxford University Press},
christopher@31: year = {2010},
christopher@31: }
christopher@31: 
christopher@31: @Article{Caldwell_Hibbert99,
christopher@31: author = {Clare Caldwell and Sally A. Hibbert},
christopher@31: title = {Play that one again: the effect of music tempo on consumer behaviour in a restaurant},
christopher@31: journal = {European Advances in Comsumer Research},
christopher@31: volume = {4},
christopher@31: pages = {58-62},
christopher@31: year = {1999},
christopher@31: }
christopher@31: 
christopher@31: @Article{Brodsky02,
christopher@31: author = {Warren Brodsky},
christopher@31: title = {The effects of music tempo on simulted driving performance and vehicular control},
christopher@31: journal = {Transportation Research Part F},
christopher@31: volume = {4},
christopher@31: pages = {219-241},
christopher@31: year = {2002},
christopher@31: }
christopher@31: 
christopher@31: @Book{Fraisse63,
christopher@31: author = {Paul Fraisse},
christopher@31: title = {Psycbology of time},
christopher@31: publisher = {New York: Harper},
christopher@31: pages = {13-14},
christopher@31: year = {1963},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Book{Fraisse82,
christopher@31: author = {Paul Fraisse},
christopher@31: title = {The Psychology of Music, ``Rhythm and Tempo''},
christopher@31: publisher = {Academic Press, New York},
christopher@31: pages = {149-180},
christopher@31: year = {1982},
christopher@31: }
christopher@31: 
christopher@31: @Article{Bolton1894,
christopher@31: author = {Thaddeus L. Bolton},
christopher@31: title = {Rhythm},
christopher@31: journal = {American Journal of Psychology},
christopher@31: volume = {6},
christopher@31: pages = {145-238},
christopher@31: year = {1894},
christopher@31: }
christopher@31: 
christopher@31: @Article{Hirsh_Monohan90,
christopher@31: author = {Ira J. Hirsh and Caroline B. Monohan},
christopher@31: title = {Studies in auditory timing: 1. simple patterns},
christopher@31: journal = {Perception and psychophysics},
christopher@31: volume = {47},
christopher@31: number = {3},
christopher@31: pages = {215-226},
christopher@31: year = {1990},
christopher@31: }
christopher@31: 
christopher@31: @Article{Mates93,
christopher@31: author = {Ji\v{r}\'{i} Mates and U. M\"{u}ller and E. P\"{o}ppel and Tom\'{a}\v{s} Radil},
christopher@31: title = {Stimulus anticipation disappears when following slow tonal sequences by finger tapping},
christopher@31: journal = {Homeostatis in Health and Disease},
christopher@31: volume = {34},
christopher@31: pages = {185-187},
christopher@31: year = {1993},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{London06,
christopher@31: author = {Justin London and Ian Cross and Tommi Himberg},
christopher@31: title = {The effect of tempo on the perception of anacruses},
christopher@31: booktitle = {The 9th International Conference on Music Perception and Cognition},
christopher@31: address = {Alma Mater Studiorum University of Bologna},
christopher@31: pages = {1641-1647},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Parncutt94,
christopher@31: author = {Richard Parncutt},
christopher@31: title = {A perceptual model of pulse salience and metrical accent in musical rhythms},
christopher@31: journal = {Music Perception},
christopher@31: volume = {11},
christopher@31: number = {4},
christopher@31: pages = {409-464},
christopher@31: year = {1994},
christopher@31: }
christopher@31: 
christopher@31: @Article{Oshinsky_Handel78,
christopher@31: author = {James S. Oshinsky and Stephen Handel},
christopher@31: title = {Syncopated auditory polyrhtyhms: discontinuous reversals in meter interpretation},
christopher@31: journal = {The Journal of Acoustical Society of America},
christopher@31: volume = {63},
christopher@31: number = {3},
christopher@31: pages = {936-939},
christopher@31: year = {1978},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Handel_Lawson83,
christopher@31: author = {Stephen Handel and Gregory R. Lawson},
christopher@31: title = {The contextual nature of rhythmic interpretation},
christopher@31: journal = {Percept \& Psychophys},
christopher@31: volume = {34},
christopher@31: number = {2},
christopher@31: pages = {103-120},
christopher@31: year = {1983},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Bergeson_Trehub06,
christopher@31: author = {Tonya R. Bergeson and Sandra E. Trehub},
christopher@31: title = {Infants perception of rhythmic patterns},
christopher@31: journal = {Music Perception},
christopher@31: volume = {23},
christopher@31: number = {4},
christopher@31: pages = {345-360},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: @Article{Drake97,
christopher@31: author = {Carolyn Drake},
christopher@31: title = { Motor and perceptually preferred synchronisation by children and adults: binary and ternary ratios},
christopher@31: journal = {Polish Quarterly of Developmental Psychology},
christopher@31: volume = {3},
christopher@31: pages = {41-59},
christopher@31: year = {1997},
christopher@31: }
christopher@31: 
christopher@31: @Article{VanNoorden_Moelants99,
christopher@31: author = {Leon van Noorden and Dirk Moelants},
christopher@31: title = {Resonance in the perception of musical pulse},
christopher@31: journal = {Journal of New Music Research},
christopher@31: volume = {28},
christopher@31: pages = {43-66},
christopher@31: year = {1999},
christopher@31: }
christopher@31: 
christopher@31: @Article{Quinn_Watt06,
christopher@31: author = {Sandra Quinn and Roger Watt},
christopher@31: title = {The perception of tempo in music},
christopher@31: journal = {Perception},
christopher@31: volume = {35},
christopher@31: pages = {267-280},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: @Article{McAuley06,
christopher@31: author = {J. Devin McAuley and Mari Riess Jones and Shayla Holub and Heather M. Johnston and Nathaniel S. Miller},
christopher@31: title = {The time of our lives: lifespan development of timing and event tracking},
christopher@31: journal = {Journal of Experimental Psychology: General},
christopher@31: volume = {135},
christopher@31: number = {3},
christopher@31: pages = {348-367},
christopher@31: year = {2006},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{McAuley10,
christopher@31: author = {J. Devin McAuley},
christopher@31: title = {Tempo and rhythm},
christopher@31: journal = {Music perception},
christopher@31: publisher = {Springer New York},
christopher@31: pages = {165-199},
christopher@31: year = {2010}
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Lapidaki00,
christopher@31: author = {Eleni Lapidaki},
christopher@31: title = {Stability of tempo perception in music listening},
christopher@31: journal = {Music Education Research},
christopher@31: volume = {2},
christopher@31: pages = {25-44},
christopher@31: year = {2000},
christopher@31: }
christopher@31: 
christopher@31: @Article{MacDougall_Moore05,
christopher@31: author = {Hamish G. MacDougall and Steven T. Moore},
christopher@31: title = {Marching to the beat of the same drummer: the spontaneous tempo of human locomotion},
christopher@31: journal = {Journal of Applied Physiology},
christopher@31: volume = {99},
christopher@31: number = {3},
christopher@31: pages = {1164-1173},
christopher@31: year = {2005},
christopher@31: }
christopher@31: 
christopher@31: @Article{Barton13,
christopher@31: author = {Scott Barton and Laura Getz and Michael Kubovy},
christopher@31: title = {Rhythmic identity, syncopation and tempo},
christopher@31: journal = {Submitted for publication},
christopher@31: year = {2013},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Moelants02,
christopher@31: author = {Dirk Moelants},
christopher@31: title = {Preferred tempo reconsidered},
christopher@31: booktitle = {Proceedings of the 7th International Conference on Music Perception and Cognition},
christopher@31: address = {Sydney},
christopher@31: pages = {580-583},
christopher@31: year = {2002},
christopher@31: }
christopher@31: 
christopher@31: %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
christopher@31: % Syncopation models
christopher@31: 
christopher@31: @Article{LHL84,
christopher@31: author = {Hugh C. Longuet-Higgins and Christopher S. Lee},
christopher@31: title = {The rhythmic interpretation of monophonic music},
christopher@31: journal = {Music Perception},
christopher@31: volume = {1},
christopher@31: number = {4},
christopher@31: pages = {424-441},
christopher@31: year = {1984},
christopher@31: }
christopher@31: 
christopher@31: @Book{Keith91,
christopher@31: author = {Michael Keith},
christopher@31: title = {From Polychords to P\'olya: Adventures in Music Combinatiorics},
christopher@31: publisher = {Vinculum Press}, 
christopher@31: year = {1991}
christopher@31: }
christopher@31: %address={Princeton},
christopher@31: 
christopher@31: @InProceedings{Toussaint02Metrical,
christopher@31: author = {Godfried T. Toussaint},
christopher@31: title = {A mathematical analysis of African, Brazilian, and Cuban clave rhythms},
christopher@31: booktitle = {Proceedings of BRIDGES: Mathematical Connections in Art, Music and Science},
christopher@31: pages = {157-168},
christopher@31: year = {2002},
christopher@31: }
christopher@31: %address = {Townson University, Towson, MD}
christopher@31: 
christopher@31: @InProceedings{Toussaint05Offbeatness,
christopher@31: author = {Godfried T. Toussaint},
christopher@31: title = {Mathematical features for recognizing preference in Sub-Saharan African traditional rhythm timelines},
christopher@31: booktitle = {3rd International Conference on Advances in Pattern Recognition},
christopher@31: pages = {18-27},
christopher@31: year = {2005},
christopher@31: }
christopher@31: %address = {University of Bath, Bath, United Kingdom},
christopher@31: 
christopher@31: @InProceedings{Gomez05,
christopher@31: author = {F. G\'omez and A. Melvin and D. Rappaport and Godfried T. Toussaint},
christopher@31: title = {Mathematical measures of syncopation},
christopher@31: booktitle = {BRIDGES: Mathematical Connections in Art, Music and Science},
christopher@31: pages = {73-84},
christopher@31: year = {2005},
christopher@31: }
christopher@31: %address = {Banff, Alberta, Canada},
christopher@31: 
christopher@31: @InProceedings{Sioros11,
christopher@31: author = {George Sioros and Carlos Guedes},
christopher@31: title = {Complexity Driven Recombination of MIDI Loops},
christopher@31: booktitle = {Proceedings of the 12th International Society for Music Information Retrieval Conference},
christopher@31: pages = {381-386},
christopher@31: year = {2011},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Sioros12,
christopher@31: author = {George Sioros and Andr\'e Holzapfel and Carlos Guedes},
christopher@31: title = {On measuring syncopation to drive an interactive music system},
christopher@31: booktitle = {Proceedings of the 13th International Society for Music Information Retrieval Conference},
christopher@31: pages = {283-288},
christopher@31: year = {2012},
christopher@31: }
christopher@31: 
christopher@31: @Inproceedings {Sioros13,
christopher@31: 	author = {George Sioros and Marius Miron and Diogo Cocharro and Carlos Guedes and Fabien Gouyon},
christopher@31: 	title = {Syncopalooza: Manipulating the Syncopation in Rhythmic Performances},
christopher@31: 	booktitle = {International Symposium on Computer Music Multidisciplinary Research},
christopher@31: 	year = {2013},
christopher@31: }
christopher@31: 
christopher@31: @misc {Sioros11URL,
christopher@31: 	author = {George Sioros},
christopher@31: 	title = {Kinetic. Gestural controller-driven, adaptive, and dynamic music composition systems},
christopher@31: 	year = {2011},
christopher@31: 	howpublished = {{{https://http://smc.inescporto.pt/kinetic/?page\_id=9}}}
christopher@31: }
christopher@31: 
christopher@31: @misc {Sioros14Comms,
christopher@31: 	author = {George Sioros},
christopher@31: 	year = {2014},
christopher@31: 	month = {January},
christopher@31: 	howpublished = "Personal communication"
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @InProceedings{Pressing93,
christopher@31: author = {Jeffrey Pressing and Peter Lawrence},
christopher@31: title = {Transcribe: a comprehensive autotranscription program.},
christopher@31: booktitle = {Proceedings of the 1993 International Computer Music Conference},
christopher@31: pages = {343-345},
christopher@31: year = {1993},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Pressing97,
christopher@31: author = {Jeffrey Pressing},
christopher@31: title = {Cognitive complexity and the structure of musical patterns},
christopher@31: booktitle = {Proceedings of the 4th Conference of the Australian Cognitive Science Society},
christopher@31: year = {1997},
christopher@31: }
christopher@31: %address = {Newcastle, Australia},
christopher@31: 
christopher@31: @Book{Arom91Oddity,
christopher@31: author = {Simha Arom},
christopher@31: title = {African Polyphony and Polyrhythm: Musical Structure and Methodology},
christopher@31: publisher = {Cambridge University Press},
christopher@31: year = {1991},
christopher@31: }
christopher@31: 
christopher@31: %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
christopher@31: % Data
christopher@31: 
christopher@31: @Article{Povel_Essens85,
christopher@31: author = {Dirk-Jan Povel and Peter Essens},
christopher@31: title = {Perception of temporal patterns},
christopher@31: journal = {Music Perception},
christopher@31: volume = {2},
christopher@31: number = {4},
christopher@31: pages = {411-440},
christopher@31: year = {1985},
christopher@31: }
christopher@31: 
christopher@31: @Article{Essens95,
christopher@31: author = {Peter Essens},
christopher@31: title = {Structuring temporal sequences: comparison of models and factors of complexity},
christopher@31: journal = {Perception and Psychophysics},
christopher@31: volume = {57},
christopher@31: number = {4},
christopher@31: pages = {519-532},
christopher@31: year = {1995},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Shmulevich_Povel00,
christopher@31: author = {Ilya Shmulevich and Dirk-Jan Povel},
christopher@31: title = {Measures of temporal pattern complexity},
christopher@31: journal = {Journal of New Music Research},
christopher@31: volume = {29},
christopher@31: number = {1},
christopher@31: pages = {61-69},
christopher@31: year = {2000},
christopher@31: }
christopher@31: 
christopher@31: @Article{Fitch_Rosenfeld07,
christopher@31: author = {W. Tecumseh Fitch and Andrew J. Rosenfeld},
christopher@31: title = {Perception and production of syncopated rhythms},
christopher@31: journal = {Music Perception},
christopher@31: volume = {25},
christopher@31: number = {1},
christopher@31: pages = {43-58},
christopher@31: year = {2007}
christopher@31: }
christopher@31: 
christopher@31: @Article{Song13,
christopher@31: author = {Chunyang Song and Andrew J.R. Simpson and Christopher A. Harte and Marcus T. Pearce and Mark B. Sandler},
christopher@31: title = { Syncopation and the score},
christopher@31: journal = {PloS ONE},
christopher@31: volume = {8},
christopher@31: number = {9},
christopher@31: pages = {e74692. doi:10.1371/journal.pone.0074692},
christopher@31: year = {2013},
christopher@31: }
christopher@31: 
christopher@31: @misc {Song14URL,
christopher@62: 	author = {Chunyang Song and Christopher Harte and Marcus Pearce},
christopher@31: 	title = {C4{DM} Syncopation Dataset and Toolkit},
christopher@31: 	year = {2014},
christopher@31: 	howpublished = {{{https://code.soundsoftware.ac.uk/projects/syncopation-dataset}}}
christopher@31: }
christopher@31: 
christopher@62: @PhdThesis{Song15thesis,
christopher@62: author = {Chunyang Song},
christopher@62: title = {Syncopation: Unifying Music Theory and Preception},
christopher@62: school = {School of Electronic Engineering and Computer Science, Queen Mary, University of London},
christopher@62: year = {2015},
christopher@62: }
christopher@62: 
christopher@31: %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
christopher@31: %Evaluations
christopher@31: @InProceedings{Gomez07,
christopher@31: author={Francisco G\'omez and Eric Thul and Godfried T. Toussaint},
christopher@31: title={An experimental comparison of formal measures of rhythmic
christopher@31: syncopation},
christopher@31: booktitle={Proceedings of the International Computer Music Conference},
christopher@31: pages={101-104},
christopher@31: year= {2007}
christopher@31: }
christopher@31: %address={Copenhagen, Denmark},
christopher@31: 
christopher@31: @MastersThesis{Thul08,
christopher@31: author = {Eric Thul},
christopher@31: title = {Measuring the complexity of musical rhythm. (MSc Thesis)},
christopher@31: school = {McGill University},
christopher@31: year = {2008},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @InProceedings{Smith_Honing07,
christopher@31: author = {Leigh M. Smith and Henkjan Honing},
christopher@31: title = {Evaluating and Extending Computational Models of Rhythmic Syncopation in Music},
christopher@31: booktitle = {Proceedings of the 2006 International Computer Music Conference},
christopher@31: pages = {688-91},
christopher@31: year =  {2007}
christopher@31: }
christopher@31: %address= {New Orleans},
christopher@31: 
christopher@31: 
christopher@31: 
christopher@31: % Something not too relavent but have to cite
christopher@31: @Book{Stevens75Psychophysics,
christopher@31:   Author         = {Stanley Smith Stevens},
christopher@31:   Title          = {Psychophysics: Introduction to its perceptual, neural, and social prospects. Chap. 1},
christopher@31:   Publisher      = {Wiley},
christopher@31:   Address        = {New York},
christopher@31:   year           = 1975
christopher@31: }
christopher@31: 
christopher@31: @Book{Bech_Zacharov06,
christopher@31:   Author         = {S{\o}ren Bech and Nick Zacharov},
christopher@31:   Title          = {Perceptual Audio Evaluation: Theory, Method and Application. Chap. 4},
christopher@31:   Publisher      = {John Wiley \& Son},
christopher@31:   year           = 2006
christopher@31: }
christopher@31: 
christopher@31: @Book{Poulton89Bias,
christopher@31:   Author         = {E. Christopher Poulton},
christopher@31:   Title          = {Bias in Quantifying Judgement},
christopher@31:   Publisher      = {Lawrence Erlbaum Associates Ltd.},
christopher@31:   Address        = {East Sussex, U.K.},
christopher@31:   year           = 1989
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Book{Hrbacek99Set_theory,
christopher@31: author = {Karel Hrbacek and Thomas Jech},
christopher@31: title = {Introduction to Set Theory},
christopher@31: publisher = {Marcel Dekker, Inc., New York},
christopher@31: year = {1999},
christopher@31: }
christopher@31: 
christopher@31: @book{Lewin72,
christopher@31:   title={Theory and design of digital computers},
christopher@31:   author={Lewin, D.},
christopher@31:   isbn={9780470531594},
christopher@31:   lccn={72002462},
christopher@31:   year={1972},
christopher@31:   publisher={J. Wiley, Press}
christopher@31: }
christopher@31: 
christopher@31: @Book{Miller90,
christopher@31: author = {Alan J. Miller},
christopher@31: title = {Subset Selection in Regression},
christopher@31: publisher = {Chapman and Hall, London},
christopher@31: year = {1990},
christopher@31: }
christopher@31: 
christopher@31: @Book{Akaike77,
christopher@31: author = {Hirotugu Akaike},
christopher@31: title = {On entropy maximization principle},
christopher@31: publisher = {Applications of Statistics, North-Holland, Amsterdam},
christopher@31: pages = {27-41},
christopher@31: year = {1977},
christopher@31: }
christopher@31: 
christopher@31: %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
christopher@31: % Unclassified
christopher@31: 
christopher@31: @Article{Pressnitzer11,
christopher@31: author = {Daniel Pressnitzer, Clara Suied and Shihab A. Shamma},
christopher@31: title = {Auditory scene analysis: the sweet music of ambiguity},
christopher@31: journal = {Front Hum Neurosci},
christopher@31: volume = {5},
christopher@31: pages = {158},
christopher@31: year = {2011},
christopher@31: }
christopher@31: 
christopher@31: @InProceedings{Guoyon04,
christopher@31: author = {Fabien Gouyon and Simon Dixon and Elia Pampalk and Gerhard Widmer},
christopher@31: title = {Evaluating rhythmic descriptors for musical genre classification},
christopher@31: booktitle = {Proceedings of the AES 25th International Conference},
christopher@31: pages = {196-204},
christopher@31: year =  {2004},
christopher@31: }
christopher@31: %address= {New Orleans},
christopher@31: 
christopher@31: @Article{Thomassen82,
christopher@31: author = {Joseph M. Thomassen},
christopher@31: title = {Melodic accent: experiments and a tentative model},
christopher@31: journal = {The Journal of the Acoustical Society of America},
christopher@31: volume = {71},
christopher@31: number = {6},
christopher@31: pages = {1596-1605},
christopher@31: year = {1982},
christopher@31: }
christopher@31: 
christopher@31: @Article{Dixon01,
christopher@31: author = {Simon Dixon},
christopher@31: title = {Automatic extraction of tempo and beat from expressive performances},
christopher@31: journal = {Journal of New Music Research},
christopher@31: volume = {30},
christopher@31: number = {1},
christopher@31: pages = {39-58},
christopher@31: year = {2001},
christopher@31: }
christopher@31: 
christopher@31: @Article{Mullensiefen09,
christopher@31: author = {Daniel M\"{u}llensiefen and Martin Pfleiderer and Klaus Frieler },
christopher@31: title = {The perception of accents in pop music melodies},
christopher@31: journal = {Journal of New Music Research},
christopher@31: volume = {38},
christopher@31: number = {1},
christopher@31: pages = {19-44},
christopher@31: year = {2009},
christopher@31: }
christopher@31: 
christopher@31: 
christopher@31: @Article{Trainor07,
christopher@31: author = {Laurel J. Trainor},
christopher@31: title = {Do preferred beat rate and entrainment to the beat have a common origin in movement?},
christopher@31: journal = {Empirical Musicology Review},
christopher@31: volume = {2},
christopher@31: pages = {17-21},
christopher@31: year = {2007},
christopher@31: }