Mercurial > hg > syncopation-dataset
diff SMC2015latex/section/background.tex @ 58:61fc8c2ca15b
update background
| author | csong <csong@eecs.qmul.ac.uk> |
|---|---|
| date | Mon, 27 Apr 2015 12:27:12 +0100 |
| parents | 1376d0f32c65 |
| children | e2b9ccb92973 |
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--- a/SMC2015latex/section/background.tex Mon Apr 27 11:55:33 2015 +0100 +++ b/SMC2015latex/section/background.tex Mon Apr 27 12:27:12 2015 +0100 @@ -85,7 +85,7 @@ \subsubsection{Toussaint 2002 `Metric Complexity' (\metrical)} \label{sec:background:models:tmc} -Toussaint's \emph{metric complexity} measure \cite{Toussaint02Metrical} defines the metrical weights as $\metricweight_\metriclevel = \metriclevel_{\textrm{max}} - \metriclevel +1$, thus stronger metrical position is associated with higher weight and the weakest position will be $\metricweight_{\metriclevel_{\textrm{max}}}=1$. +Toussaint's \emph{metric complexity} measure \cite{Toussaint02Metrical} defines the metrical weights as $\metricweight_\metriclevel = \metriclevel_{\textrm{max}} - \metriclevel +1$, thus stronger metrical position is associated with higher weight and the weakest position will be $\metricweight_{\metriclevel_{\textrm{max}}}=1$. The hypothesis of the model is that the level of syncopation is the difference between the metrical simplicity of the rhythm (i.e. the sum of the metrical weights for each note) and the maximum possible metrical simplicity (i.e. the sum of metrical weights for a rhythm containing the same number of notes but placed at strongest possible metrical positions). \subsubsection{Sioros and Guedes 2011 (\sioros)} \label{sec:background:models:sg}