annotate SMC2015latex/csong.bib @ 63:61b15f32b470

Updated all model figure

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
% music theory
% Rhythm/Meter

@Book{Taylor89MusicTheory,
author = {Eric Taylor},
title = {The AB Guide to Music Theory, Part I},
publisher = {Associated Board of the Royal Schools of Music},
year = {1989},
}


@Book{Lerdahl_Jackendoff83GTTM,
author = {Fred Lerdahl and Ray Jackendoff},
title = {A Generative Theory of Tonal Music},
publisher = {Cambridge, Mass: MIT Press},
year = {1983},
}

@Article{Higgins78,
author = {Hugh C. Longuet-Higgins},
title = {The perception of music},
journal = {Interdisciplinary Science Review},
volume = {3},
pages = {148-156},
year = {1978},
}

@Book{Yeston76,
author = {Maury Yeston},
title = {The stratification of musical rhythm},
publisher = {New Haven, Conn: Yale University Press},
year = {1976},
}

@Book{London04Meter,
author = {Justin London},
title = {Hearing in Time: Psychological Aspects of Musical Meter},
publisher = {Oxford University Press},
year = {2004},
}

@Book{Cooper_Meyer60,
author = {Grosvenor Cooper and Leonard B. Meyer},
title = {The Rhythmic Structure of Music},
publisher = {University of Chicago Press},
year = {1960},
}

@PhdThesis{Gouyon05,
author = {Fabien Gouyon},
title = {A computational approach to rhythm description},
school = {Department of Technology of the University Pompeu Fabra},
year = {2005},
}

@MastersThesis{Bilmes93,
author = {Jeffrey A. Bilmes},
title = {Timing is of the essence: perceptual and computational techniques for representing, learning, and reproducing expressive timing in percussive rhythm},
school = {MIT Masters Thesis},
year = {1993},
}

@InCollection{Clarke99,
author = {Eric F. Clarke},
title = {Rhythm and timing in music},
booktitle = {The psychology of music (2nd edition)},
pages = {437-500},
publisher = {New York: Academic Press},
year = {1999},
}


% Syncopation theory

@Book{Randel86Harvard,
author = {Don Randel},
title = {The Harvard Dictionary of Music},
publisher = {Harvard University Press},
year = {1986},
}

@Book{Kennedy94Oxford,
author = {Michael Kennedy},
title = {The Oxford Dictionary of Music},
publisher = {Oxford University Press},
edition = {Second Edition},
year = {1994},
}

@Book{Huron06Anticipation,
author = {David Huron},
title = {Sweet anticipation: music and the psychology of expectation},
publisher = {Cambridge, MA: MIT. Press},
year = {2006},
}

@Article{Huron_Ommen06,
author = {David Huron and Ann Ommen},
title = { An Empirical Study of Syncopation in American Popular Music, 1890–1939},
journal = {Music Theory Spectrum},
volume = {28},
number = {2},
pages = {211-231},
year = {2006},
}

@Book{Krebs99,
author = {Harald Krebs},
title = {Fantasy pieces: metrical dissonance in the music of robert schumann},
publisher = {New York: Oxford University Press},
year = {1999},
}

@Article{Temperley99,
author = {David Temperley},
title = {Syncopation in rock: a perceptual perspective},
journal = {Popular Music},
volume = {18},
number = {1},
pages = {19-40},
year = {1999},
}


@Book{Temperley01,
author = {David Temperley},
title = {The cognition of basic musical structures},
publisher = {The MIT Press},
year = {2001},
}

% syncopation and meter/beat induction, rhythm perception, similary
@InProceedings{Velasco_Large11,
author = {Marc J. Velasco and Edward W. Large},
title = {Pulse detection in syncopated rhythms using neural oscillators},
booktitle = {Proceedings of the 12th International Society for Music Information Retrieval Conference},
pages = {185-190},
year = {2011},
}

@Article{Eck01,
author = {Douglas Eck},
title = {A positive-evidence model for rhythmical beat induction},
journal = {Journal of New Music Research},
volume = {30},
number = {2},
pages = {187-200},
year = {2001},
}

@Article{Keller_Repp05,
author = {Peter E. Keller and Bruno H. Repp},
title = {Staying offbeat: sensorimotor syncopation with structured and unstructured auditory sequences},
journal = {Psychological Research},
volume = {69},
number = {4},
pages = {292-309},
year = {2001},
}

@InProceedings{Moelants12,
author = {Dirk Moelants},
title = {Conveying syncopation in music performance},
booktitle = {Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music},
pages = {686-691},
year = {2012},
}

% syncopation and broad music perception
@Article{Keller_Schubert11,
author = {Peter E. Keller and Emery Schubert},
title = {Cognitive and affective judgements of syncopated musical themes},
journal = {Advances in Cognitive Psychology},
volume = {7},
pages = {142-156},
year = {2011},
}

@Article{Madison06,
author = {Guy Madison},
title = {Experiencing groove induced by music: consistency and phenomenology},
journal = {Music Perception: An Interdisciplinary Journal},
volume = {24},
number = {2},
pages = {201-208},
year = {2006},
}

@Article{Witek14,
author = {Maria A. G. Witek and Eric F. Clarke and Mikkel Wallentin and Morten L. Kringelbach and Peter Vuust},
title = {Syncopation, body-movement and pleasure in groove music},
journal = {PloS ONE},
volume = {9},
number = {4},
pages = {e94446},
year = {2014},
}

@InProceedings{Madison13,
author = {Guy Madison and George Sioros and Matthew Davis and Marius Miron and Diogo Cocharro and Fabien Gouyon},
title = {Adding syncopation to simple melodies increases the perception of groove},
booktitle = {Proceedings of: Conference of Society for Music Perception and Cognition},
year = {2013},
}

 @Article{Sloboda91,
author = {John A. Sloboda},
title = {Musical structure and emotional responses: some empirical fundings},
journal = {Psychology of music},
volume = {19},
pages = {110-120},
year = {1991},
}

@Article{Mayville01,
author = {Justine M. Mayville and Armin Fuchs and Mingzhou Ding and Douglas Cheyne and Lüder Deecke and J.A. Scott Kelso},
title = {Event-related changes in neuromagnetic activity associated with syncopation and synchronization timing tasks},
journal = {Human Brain Mapping},
volume = {113},
number = {2},
pages = {65-80},
year = {2001},
}


@Article{Honning09Baby,
author = {Henkjan Honing and Olivia Ladinig and G\'{a}bor P H\'{a}den and Istv\'{a}n Winkler},
title = {Is beat induction innate or learned? Probing emergent meter perception in adults and newborns using event-related brain potentials},
journal = {Annals of the New York Academy of Sciences},
volume = {1169},
pages = {93-96},
year = {2009}
}

@Article{Winkler09,
author = {Istv\'{a}n Winkler and G\'{a}bor P H\'{a}den and Olivia Ladinig and Istv\'{a}n Sziller and Henkjan Honing},
title = {Newborn infants detect the beat in music},
journal = {Proceedings of the National Academy of Sciences of the United States of America},
volume = {106},
number = {7},
pages = {2468-2471},
year = {2009}
}

@Article{Ladinig09,
author = {Olivia Ladinig and Henkjan Honing},
title = {Probing attentive and preattentive emergent meter in adult listners without extensive music training},
journal = {Music Perception},
volume = {26},
number = {4},
pages = {377-386},
year = {2009},
}

@Article{Thaut_Kenyon03,
author = {Michael H. Thaut and Gary P. Kenyon},
title = {Rapid motor adaptations to subliminal frequency shifts during syncopated rhythmic sensorimotor synchronization},
journal = {Human Movement Science},
volume = {22},
number = {3},
pages = {321-338},
year = {2003},
}

@Article{Simpson_Huron93,
author = {Jasba Simpson and David Huron},
title = { The perception of rhythmic similarity: A test of a modified version of Johnson-Laird’s theory},
journal = {Canadian Acoustics},
volume = {21},
pages = {89-90},
year = {1993},
}

@PhdThesis{Streich06,
author = {Sebastian Streich},
title = {Music complexity: a multifaceted description of audio content},
school = {Music Technology Group, The Universitat Pompeu Fabra},
year = {2006},
}

@PhdThesis{Ladinig09thesis,
author = {Olivia Ladinig},
title = {Temporal expectations and their violations},
school = {Institute for Logic, Language and Computation, Universiteit van Amsterdam, The Netherlands},
year = {2009},
}

@InProceedings{Smith10,
author = {Leigh M. Smith},
title = {Rhythmic similarity using metrical profile matching},
booktitle = {Proceedings of the 2010 International Computer Music Conference},
year = {2010},
}

@InProceedings{Panteli14,
author = {Maria Panteli and Bruno Rocha and Niels Bogaards and Aline Honingh},
title = {Development of a rhythm similarity model for electronic dance music},
booktitle = {AES 53rd International Conference, London, UK},
year = {2014},
}

@Article{Post_Toussaint11,
author = {Olaf Post and Godfried Toussaint},
title = {The edit distance as a measure of perceived rhythmic similarity},
journal = {Empirical Musicology Review},
volume = {6},
number = {3},
pages = {164-179},
year = {2011},
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
% Perceptual/Neurological studies - meter, rhythm, syncopation

@Article{Palmer_Krumhansl90,
author = {Caroline Palmer and Carol L. Krumhansl},
title = { Mental Representations for Musical Meter},
journal = {Journal of Experimental Psychology: Human Perception and Performance},
volume = {16},
number = {4},
pages = {728-741},
year = {1990},
}

@Article{Chen08,
author = {Joyce L. Chen and Virginia B. Penhune and Robert J. Zatorre},
title = {Moving on time: brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training},
journal = {Journal of Cognitive Neuroscience},
volume = {20},
number = {2},
pages = {226-239},
year = {2008},
}

@Article{Repp_Doggett07,
author = {Bruno H. Repp and Rebecca Doggett},
title = {Tapping to a very slow beat: a comparison of musicians and nonmusicians },
journal = {Music Perception},
volume = {24},
number = {4},
pages = {367-376},
year = {2007},
}

@Article{Snyder_Krumhansl01,
author = {Joel Snyder and Carol L. Krumhansl},
title = {Tapping to Ragtime: Cue to Pulse Finding},
journal = {Music Perception},
volume = {18},
number = {4},
pages = {445-489},
year = {2001},
}

@Article{Toivianinen_Snyder03,
author = {Petri Toivianinen and Joel S. Snyder},
title = {Tapping to Bach: Resonance-based Modelling of Pulse},
journal = {Music Perception},
volume = {21},
number = {1},
pages = {43-80},
year = {2003},
}

@Article{Handel_Oshinsky81,
author = {Stephen Handel and James S. Oshinsky},
title = {The meter of syncopated auditory polyrhythms},
journal = {Perception \& Psychophysics },
volume = {30},
number = {1},
pages = {1-9},
year = {1981},
}

@Article{Repp02,
author = {Bruno H. Repp and W. Luke Windsor and Peter Desain},
title = {Effects of tempo on the timing of simple musical rhythms},
journal = {Music Perception},
volume = {19},
number = {4},
pages = {565-593},
year = {2002},
}

@Article{Desain_Honing94,
author = {Peter Desain and Henkjan Honing},
title = {Does expressive timing in music performance scale proportionally with tempo?},
journal = {Psychological Research},
volume = {56},
number = {4},
pages = {285-292},
year = {1994},
}

@Article{Drake93,
author = {Carolyn Drake},
title = {Reproduction of musical rhythms by children, adult musicians, and adult nonmusicians},
journal = {Perception \& Psychophysics},
volume = {53},
number = {1},
pages = {25-33},
year = {1993},
}

@Article{Smith_Cuddy89,
author = {Karen C. Smith and Lola L. Cuddy},
title = {Effects of metric and harmonic rhythm on the detection of pitch alterations in melodic sequences},
journal = {Journal of Experimental Psychology: Human Perception and Performance},
volume = {15},
number = {3},
pages = {457-471},
year = {1989},
}

@Article{Hannon04,
author = {Erin E. Hannon and Joel S. Snyder and Tuomas Eerola and Carol L. Krumhansl},
title = {The Role of Melodic and Temporal Cues in Perceiving Musical Meter},
journal = {Journal of Experimental Psychology: Human Perception and Performance},
volume = {30},
number = {5},
pages = {956-974},
year = {2004},
}

@Article{Vuust09,
author = {Peter Vuust and Leif Ostergaard and Karen Johanne Pallesen and Christopher Bailey and Andreas Roepstorff},
title = {Predictive coding of music – brain responses to rhythmic incongruity},
journal = {Cortex},
volume = {45},
pages = {80-92},
year = {2009},
}

@Article{Vuust11,
author = {Peter Vuust and Mikkel Wallentin and Leif Ostergaard and Andreas Roepstorff},
title = {Tapping polyrhythms in music activates language areas},
journal = {Neuroscience Letters},
volume = {494},
pages = {211-216},
year = {2011},
}


% particularly on tempo

@Article{Meyer_Palmer01,
author = {Rosalee K. Meyer and Caroline Palmer},
title = {Rate and tactus effects in music performance},
journal = {Manuscript submitted for publication},
year = {2001},
}

@Article{Duke89,
author = {Robert A. Duke},
title = {Musicians' perception of beat in monotonic stimuli},
journal = {Journal of Research in Music Education},
volume = {37},
number = {1},
pages = {61-71},
year = {1989},
}

@Article{McAuley_Semple99,
author = {J. Devin McAuley and Peter Semple},
title = {The effect of tempo and musical experience on perceived beat},
journal = {Australian Journal of Psychology},
volume = {51},
number = {3},
pages = {176-187},
year = {1999},
}

@InProceedings{Moelants_McKinney04,
author = {Dirk Moelants and M McKinney},
title = {Tempo percepton and musical content: what makes a piece fast, slow or temporally ambiguous?},
booktitle = {Proceedings of the 8th International Conference on Music Perception and Cognition},
pages = {558-562},
year = {2004},
}


@Article{Wohlschlager_Koch00,
author = {Andreas Wohlschl\"{a}ger and Robert Koch},
title = {Syncronization error: an error in time perception},
journal = {Rhythm perception and production},
pages = {115-127},
year = {2000},
}

@Article{Repp08,
author = {Bruno H. Repp},
title = {Metrical sbudivision results in subjective slowing of the beat},
journal = {Music Perception},
volume = {26},
issue = {1},
pages = {19-39},
year = {2008},
}

@Article{Repp03,
author = {Bruno H. Repp},
title = {Rate limits in sensorimotor synchronization with auditory and visual sequences: The synchronization threshold and the benefits and costs of interval subdivision},
journal = {Journal of Motor Behavior},
volume = {35},
issue = {4},
pages = {355-370},
year = {2003},
}

@Article{Handel92,
author = {Stephen Handel},
title = {The differentiation of rhythmic structure},
journal = {Perception \& Psychophysics},
volume = {52},
pages = {497-507},
year = {1992},
}

@Article{Handel93,
author = {Stephen Handel},
title = {The effect of tempo and tone duration on rhythm discrimination},
journal = {Percept Psychophys},
volume = {54},
number = {3},
pages = {370-382},
year = {1993},
}

@Article{Duke88,
author = {Robert A. Duke and John M. Geringer and Clifford K. Madsen},
title = {The effect of tempo on pitch perception},
journal = {Journal of Research in Music Education},
volume = {36},
number = {2},
pages = {108-125},
year = {1988},
}

@Article{LeBlanc81,
author = {Albert LeBlanc},
title = {Effects of style, tempo and performing medium on children's music preference},
journal = {Journal of Research in Music Education},
volume = {29},
number = {2},
pages = {143-156},
year = {1981},
}

% This was cited in plos one paper, but they actually didn't show tempo effects on emotion
@Article{Kamenetsky97,
author = {Stuart B. Kamenetsky and David S. Hill and Sandra E. Trehub},
title = {Effect of tempo and dynamics on perception of emotion in music},
journal = {Psychology of Music},
volume = {25},
number = {2},
pages = {149-160},
year = {1997},
}

@Article{Zwaag11,
author = {Marjolein D. vander Zwaag and Joyce H.D.M. Westerink and Egon L. van den Broek},
title = {Emotional and psychophysiological responses to tempo, mode and perceussiveness},
journal = {Musicae Scientiae},
volume = {15},
number = {2},
pages = {250-269},
year = {2011},
}

@Article{Collier_Hubbard01,
author = {William G. Collier and Timothy L. Hubbard},
title = {Judgements of happiness, brightness, speed and tempo change of auditory stimuli varying in pitch and tempo},
journal = {Psychomusicology},
volume = {17},
pages = {36-55},
year = {2001},
}

@Book{Gabrielsson10,
author = {Aalf Gabrielsson and Erik Lindstr\"{o}m},
title = {The role of structure in the musical expression of emotions},
journal = {Music and emotion: Theory, research, and applications},
pages = {367-400},
publisher = {Oxford University Press},
year = {2010},
}

@Article{Caldwell_Hibbert99,
author = {Clare Caldwell and Sally A. Hibbert},
title = {Play that one again: the effect of music tempo on consumer behaviour in a restaurant},
journal = {European Advances in Comsumer Research},
volume = {4},
pages = {58-62},
year = {1999},
}

@Article{Brodsky02,
author = {Warren Brodsky},
title = {The effects of music tempo on simulted driving performance and vehicular control},
journal = {Transportation Research Part F},
volume = {4},
pages = {219-241},
year = {2002},
}

@Book{Fraisse63,
author = {Paul Fraisse},
title = {Psycbology of time},
publisher = {New York: Harper},
pages = {13-14},
year = {1963},
}


@Book{Fraisse82,
author = {Paul Fraisse},
title = {The Psychology of Music, ``Rhythm and Tempo''},
publisher = {Academic Press, New York},
pages = {149-180},
year = {1982},
}

@Article{Bolton1894,
author = {Thaddeus L. Bolton},
title = {Rhythm},
journal = {American Journal of Psychology},
volume = {6},
pages = {145-238},
year = {1894},
}

@Article{Hirsh_Monohan90,
author = {Ira J. Hirsh and Caroline B. Monohan},
title = {Studies in auditory timing: 1. simple patterns},
journal = {Perception and psychophysics},
volume = {47},
number = {3},
pages = {215-226},
year = {1990},
}

@Article{Mates93,
author = {Ji\v{r}\'{i} Mates and U. M\"{u}ller and E. P\"{o}ppel and Tom\'{a}\v{s} Radil},
title = {Stimulus anticipation disappears when following slow tonal sequences by finger tapping},
journal = {Homeostatis in Health and Disease},
volume = {34},
pages = {185-187},
year = {1993},
}

@InProceedings{London06,
author = {Justin London and Ian Cross and Tommi Himberg},
title = {The effect of tempo on the perception of anacruses},
booktitle = {The 9th International Conference on Music Perception and Cognition},
address = {Alma Mater Studiorum University of Bologna},
pages = {1641-1647},
year = {2006},
}


@Article{Parncutt94,
author = {Richard Parncutt},
title = {A perceptual model of pulse salience and metrical accent in musical rhythms},
journal = {Music Perception},
volume = {11},
number = {4},
pages = {409-464},
year = {1994},
}

@Article{Oshinsky_Handel78,
author = {James S. Oshinsky and Stephen Handel},
title = {Syncopated auditory polyrhtyhms: discontinuous reversals in meter interpretation},
journal = {The Journal of Acoustical Society of America},
volume = {63},
number = {3},
pages = {936-939},
year = {1978},
}


@Article{Handel_Lawson83,
author = {Stephen Handel and Gregory R. Lawson},
title = {The contextual nature of rhythmic interpretation},
journal = {Percept \& Psychophys},
volume = {34},
number = {2},
pages = {103-120},
year = {1983},
}


@Article{Bergeson_Trehub06,
author = {Tonya R. Bergeson and Sandra E. Trehub},
title = {Infants perception of rhythmic patterns},
journal = {Music Perception},
volume = {23},
number = {4},
pages = {345-360},
year = {2006},
}

@Article{Drake97,
author = {Carolyn Drake},
title = { Motor and perceptually preferred synchronisation by children and adults: binary and ternary ratios},
journal = {Polish Quarterly of Developmental Psychology},
volume = {3},
pages = {41-59},
year = {1997},
}

@Article{VanNoorden_Moelants99,
author = {Leon van Noorden and Dirk Moelants},
title = {Resonance in the perception of musical pulse},
journal = {Journal of New Music Research},
volume = {28},
pages = {43-66},
year = {1999},
}

@Article{Quinn_Watt06,
author = {Sandra Quinn and Roger Watt},
title = {The perception of tempo in music},
journal = {Perception},
volume = {35},
pages = {267-280},
year = {2006},
}

@Article{McAuley06,
author = {J. Devin McAuley and Mari Riess Jones and Shayla Holub and Heather M. Johnston and Nathaniel S. Miller},
title = {The time of our lives: lifespan development of timing and event tracking},
journal = {Journal of Experimental Psychology: General},
volume = {135},
number = {3},
pages = {348-367},
year = {2006},
}


@Article{McAuley10,
author = {J. Devin McAuley},
title = {Tempo and rhythm},
journal = {Music perception},
publisher = {Springer New York},
pages = {165-199},
year = {2010}
}


@Article{Lapidaki00,
author = {Eleni Lapidaki},
title = {Stability of tempo perception in music listening},
journal = {Music Education Research},
volume = {2},
pages = {25-44},
year = {2000},
}

@Article{MacDougall_Moore05,
author = {Hamish G. MacDougall and Steven T. Moore},
title = {Marching to the beat of the same drummer: the spontaneous tempo of human locomotion},
journal = {Journal of Applied Physiology},
volume = {99},
number = {3},
pages = {1164-1173},
year = {2005},
}

@Article{Barton13,
author = {Scott Barton and Laura Getz and Michael Kubovy},
title = {Rhythmic identity, syncopation and tempo},
journal = {Submitted for publication},
year = {2013},
}

@InProceedings{Moelants02,
author = {Dirk Moelants},
title = {Preferred tempo reconsidered},
booktitle = {Proceedings of the 7th International Conference on Music Perception and Cognition},
address = {Sydney},
pages = {580-583},
year = {2002},
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
% Syncopation models

@Article{LHL84,
author = {Hugh C. Longuet-Higgins and Christopher S. Lee},
title = {The rhythmic interpretation of monophonic music},
journal = {Music Perception},
volume = {1},
number = {4},
pages = {424-441},
year = {1984},
}

@Book{Keith91,
author = {Michael Keith},
title = {From Polychords to P\'olya: Adventures in Music Combinatiorics},
publisher = {Vinculum Press}, 
year = {1991}
}
%address={Princeton},

@InProceedings{Toussaint02Metrical,
author = {Godfried T. Toussaint},
title = {A mathematical analysis of African, Brazilian, and Cuban clave rhythms},
booktitle = {Proceedings of BRIDGES: Mathematical Connections in Art, Music and Science},
pages = {157-168},
year = {2002},
}
%address = {Townson University, Towson, MD}

@InProceedings{Toussaint05Offbeatness,
author = {Godfried T. Toussaint},
title = {Mathematical features for recognizing preference in Sub-Saharan African traditional rhythm timelines},
booktitle = {3rd International Conference on Advances in Pattern Recognition},
pages = {18-27},
year = {2005},
}
%address = {University of Bath, Bath, United Kingdom},

@InProceedings{Gomez05,
author = {F. G\'omez and A. Melvin and D. Rappaport and Godfried T. Toussaint},
title = {Mathematical measures of syncopation},
booktitle = {BRIDGES: Mathematical Connections in Art, Music and Science},
pages = {73-84},
year = {2005},
}
%address = {Banff, Alberta, Canada},

@InProceedings{Sioros11,
author = {George Sioros and Carlos Guedes},
title = {Complexity Driven Recombination of MIDI Loops},
booktitle = {Proceedings of the 12th International Society for Music Information Retrieval Conference},
pages = {381-386},
year = {2011},
}

@InProceedings{Sioros12,
author = {George Sioros and Andr\'e Holzapfel and Carlos Guedes},
title = {On measuring syncopation to drive an interactive music system},
booktitle = {Proceedings of the 13th International Society for Music Information Retrieval Conference},
pages = {283-288},
year = {2012},
}

@Inproceedings {Sioros13,
	author = {George Sioros and Marius Miron and Diogo Cocharro and Carlos Guedes and Fabien Gouyon},
	title = {Syncopalooza: Manipulating the Syncopation in Rhythmic Performances},
	booktitle = {International Symposium on Computer Music Multidisciplinary Research},
	year = {2013},
}

@misc {Sioros11URL,
	author = {George Sioros},
	title = {Kinetic. Gestural controller-driven, adaptive, and dynamic music composition systems},
	year = {2011},
	howpublished = {{{https://http://smc.inescporto.pt/kinetic/?page\_id=9}}}
}

@misc {Sioros14Comms,
	author = {George Sioros},
	year = {2014},
	month = {January},
	howpublished = "Personal communication"
}


@InProceedings{Pressing93,
author = {Jeffrey Pressing and Peter Lawrence},
title = {Transcribe: a comprehensive autotranscription program.},
booktitle = {Proceedings of the 1993 International Computer Music Conference},
pages = {343-345},
year = {1993},
}

@InProceedings{Pressing97,
author = {Jeffrey Pressing},
title = {Cognitive complexity and the structure of musical patterns},
booktitle = {Proceedings of the 4th Conference of the Australian Cognitive Science Society},
year = {1997},
}
%address = {Newcastle, Australia},

@Book{Arom91Oddity,
author = {Simha Arom},
title = {African Polyphony and Polyrhythm: Musical Structure and Methodology},
publisher = {Cambridge University Press},
year = {1991},
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
% Data

@Article{Povel_Essens85,
author = {Dirk-Jan Povel and Peter Essens},
title = {Perception of temporal patterns},
journal = {Music Perception},
volume = {2},
number = {4},
pages = {411-440},
year = {1985},
}

@Article{Essens95,
author = {Peter Essens},
title = {Structuring temporal sequences: comparison of models and factors of complexity},
journal = {Perception and Psychophysics},
volume = {57},
number = {4},
pages = {519-532},
year = {1995},
}


@Article{Shmulevich_Povel00,
author = {Ilya Shmulevich and Dirk-Jan Povel},
title = {Measures of temporal pattern complexity},
journal = {Journal of New Music Research},
volume = {29},
number = {1},
pages = {61-69},
year = {2000},
}

@Article{Fitch_Rosenfeld07,
author = {W. Tecumseh Fitch and Andrew J. Rosenfeld},
title = {Perception and production of syncopated rhythms},
journal = {Music Perception},
volume = {25},
number = {1},
pages = {43-58},
year = {2007}
}

@Article{Song13,
author = {Chunyang Song and Andrew J.R. Simpson and Christopher A. Harte and Marcus T. Pearce and Mark B. Sandler},
title = { Syncopation and the score},
journal = {PloS ONE},
volume = {8},
number = {9},
pages = {e74692. doi:10.1371/journal.pone.0074692},
year = {2013},
}

@misc {Song14URL,
	author = {Chunyang Song},
	title = {C4{DM} Syncopation Dataset and Toolkit},
	year = {2014},
	howpublished = {{{https://code.soundsoftware.ac.uk/projects/syncopation-dataset}}}
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 
%Evaluations
@InProceedings{Gomez07,
author={Francisco G\'omez and Eric Thul and Godfried T. Toussaint},
title={An experimental comparison of formal measures of rhythmic
syncopation},
booktitle={Proceedings of the International Computer Music Conference},
pages={101-104},
year= {2007}
}
%address={Copenhagen, Denmark},

@MastersThesis{Thul08,
author = {Eric Thul},
title = {Measuring the complexity of musical rhythm. (MSc Thesis)},
school = {McGill University},
year = {2008},
}


@InProceedings{Smith_Honing07,
author = {Leigh M. Smith and Henkjan Honing},
title = {Evaluating and Extending Computational Models of Rhythmic Syncopation in Music},
booktitle = {Proceedings of the 2006 International Computer Music Conference},
pages = {688-91},
year =  {2007}
}
%address= {New Orleans},



% Something not too relavent but have to cite
@Book{Stevens75Psychophysics,
  Author         = {Stanley Smith Stevens},
  Title          = {Psychophysics: Introduction to its perceptual, neural, and social prospects. Chap. 1},
  Publisher      = {Wiley},
  Address        = {New York},
  year           = 1975
}

@Book{Bech_Zacharov06,
  Author         = {S{\o}ren Bech and Nick Zacharov},
  Title          = {Perceptual Audio Evaluation: Theory, Method and Application. Chap. 4},
  Publisher      = {John Wiley \& Son},
  year           = 2006
}

@Book{Poulton89Bias,
  Author         = {E. Christopher Poulton},
  Title          = {Bias in Quantifying Judgement},
  Publisher      = {Lawrence Erlbaum Associates Ltd.},
  Address        = {East Sussex, U.K.},
  year           = 1989
}


@Book{Hrbacek99Set_theory,
author = {Karel Hrbacek and Thomas Jech},
title = {Introduction to Set Theory},
publisher = {Marcel Dekker, Inc., New York},
year = {1999},
}

@book{Lewin72,
  title={Theory and design of digital computers},
  author={Lewin, D.},
  isbn={9780470531594},
  lccn={72002462},
  year={1972},
  publisher={J. Wiley, Press}
}

@Book{Miller90,
author = {Alan J. Miller},
title = {Subset Selection in Regression},
publisher = {Chapman and Hall, London},
year = {1990},
}

@Book{Akaike77,
author = {Hirotugu Akaike},
title = {On entropy maximization principle},
publisher = {Applications of Statistics, North-Holland, Amsterdam},
pages = {27-41},
year = {1977},
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% Unclassified

@Article{Pressnitzer11,
author = {Daniel Pressnitzer, Clara Suied and Shihab A. Shamma},
title = {Auditory scene analysis: the sweet music of ambiguity},
journal = {Front Hum Neurosci},
volume = {5},
pages = {158},
year = {2011},
}

@InProceedings{Guoyon04,
author = {Fabien Gouyon and Simon Dixon and Elia Pampalk and Gerhard Widmer},
title = {Evaluating rhythmic descriptors for musical genre classification},
booktitle = {Proceedings of the AES 25th International Conference},
pages = {196-204},
year =  {2004},
}
%address= {New Orleans},

@Article{Thomassen82,
author = {Joseph M. Thomassen},
title = {Melodic accent: experiments and a tentative model},
journal = {The Journal of the Acoustical Society of America},
volume = {71},
number = {6},
pages = {1596-1605},
year = {1982},
}

@Article{Dixon01,
author = {Simon Dixon},
title = {Automatic extraction of tempo and beat from expressive performances},
journal = {Journal of New Music Research},
volume = {30},
number = {1},
pages = {39-58},
year = {2001},
}

@Article{Mullensiefen09,
author = {Daniel M\"{u}llensiefen and Martin Pfleiderer and Klaus Frieler },
title = {The perception of accents in pop music melodies},
journal = {Journal of New Music Research},
volume = {38},
number = {1},
pages = {19-44},
year = {2009},
}


@Article{Trainor07,
author = {Laurel J. Trainor},
title = {Do preferred beat rate and entrainment to the beat have a common origin in movement?},
journal = {Empirical Musicology Review},
volume = {2},
pages = {17-21},
year = {2007},
}