comparison README @ 848:9f82fa990cbd

Update README and CHANGELOG
author Chris Cannam
date Wed, 10 Sep 2014 09:52:25 +0100
parents 209c442fdb34
children 72daacb203a6
comparison
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847:4ed262a012fc 848:9f82fa990cbd
16 * Annotate audio data by adding labelled time points and defining 16 * Annotate audio data by adding labelled time points and defining
17 segments, point values and curves 17 segments, point values and curves
18 18
19 * Run feature-extraction plugins to calculate annotations 19 * Run feature-extraction plugins to calculate annotations
20 automatically, using algorithms such as beat trackers, pitch 20 automatically, using algorithms such as beat trackers, pitch
21 detectors and so on 21 detectors and so on (see http://vamp-plugins.org/)
22 22
23 * Import annotation data from various text formats and MIDI files 23 * Import annotation data from various text formats and MIDI files
24 24
25 * Play back the original audio with synthesised annotations, taking 25 * Play back the original audio with synthesised annotations, taking
26 care to synchronise playback with the display position 26 care to synchronise playback with the display position
38 ------- 38 -------
39 39
40 Sonic Visualiser was developed at the Centre for Digital Music, 40 Sonic Visualiser was developed at the Centre for Digital Music,
41 Queen Mary, University of London. 41 Queen Mary, University of London.
42 42
43 http://www.elec.qmul.ac.uk/digitalmusic/ 43 http://c4dm.eecs.qmul.ac.uk/
44 44
45 The main program is by Chris Cannam, with additional DSP and program 45 Sonic Visualiser was written by Chris Cannam with contributions from
46 design work by Christian Landone. Thanks also to Craig Sapp for his 46 Christian Landone, Mathieu Barthet, Dan Stowell, Jesus Corral Garcia,
47 suggestions and useful feedback. 47 Matthias Mauch, and Craig Sapp.
48 48
49 Code copyright 2005-2007 Chris Cannam and copyright 2006-2013 Queen 49 Code copyright 2005-2007 Chris Cannam and copyright 2006-2014 Queen
50 Mary, University of London, except where indicated in the individual 50 Mary, University of London, except where indicated in the individual
51 source files. 51 source files.
52 52
53 This work was partially funded by the European Commission through the 53 This work was partially funded by the European Commission through the
54 SIMAC project IST-FP6-507142 and the EASAIER project IST-FP6-033902. 54 SIMAC project IST-FP6-507142 and the EASAIER project IST-FP6-033902.
56 This work was partially funded by the Arts and Humanities Research 56 This work was partially funded by the Arts and Humanities Research
57 Council through its Research Centre for the History and Analysis of 57 Council through its Research Centre for the History and Analysis of
58 Recorded Music (CHARM). 58 Recorded Music (CHARM).
59 59
60 This work was partially funded by the Engineering and Physical 60 This work was partially funded by the Engineering and Physical
61 Sciences Research Council through the OMRAS2 project EP/E017614/1. 61 Sciences Research Council through the OMRAS2 project EP/E017614/1, the
62 62 Musicology for the Masses project EP/I001832/1, and the Sound Software
63 This work was partially funded by the Engineering and Physical 63 project EP/H043101/1.
64 Sciences Research Council through the Musicology for the Masses
65 project EP/I001832/1.
66 64
67 Sonic Visualiser is free software; you can redistribute it and/or modify 65 Sonic Visualiser is free software; you can redistribute it and/or modify
68 it under the terms of the GNU General Public License as published by 66 it under the terms of the GNU General Public License as published by
69 the Free Software Foundation; either version 2 of the License, or (at 67 the Free Software Foundation; either version 2 of the License, or (at
70 your option) any later version. See the file COPYING included with 68 your option) any later version. See the file COPYING included with