annotate README @ 271:7b3a80021b7c piper-nopiper

Add MAD_BUFFER_GUARD padding at end of mp3 buffer, in order to ensure last frame is decoded successfully (otherwise the decoded audio is truncated). Another thing learned from madplay.
author Chris Cannam
date Thu, 24 Nov 2016 17:06:31 +0000
parents 766268a32378
children c1862b8712ca
rev   line source
Chris@0 1
Chris@0 2 Sonic Annotator
Chris@0 3 ===============
Chris@0 4
Chris@0 5 Sonic Annotator is a utility program for batch feature extraction from
Chris@0 6 audio files. It runs Vamp audio analysis plugins on audio files, and
Chris@0 7 can write the result features in a selection of formats.
Chris@0 8
Chris@2 9 For more information, see
Chris@2 10
Chris@179 11 http://vamp-plugins.org/sonic-annotator
Chris@2 12
Chris@2 13 More documentation follows further down this README file, after the
Chris@2 14 credits.
Chris@2 15
Chris@2 16
Chris@2 17 Credits
Chris@2 18 -------
Chris@2 19
Chris@2 20 Sonic Annotator was developed at the Centre for Digital Music,
Chris@2 21 Queen Mary, University of London.
Chris@2 22
Chris@87 23 http://c4dm.eecs.qmul.ac.uk/
Chris@2 24
Chris@2 25 The main program is by Mark Levy, Chris Cannam, and Chris Sutton.
Chris@2 26 Sonic Annotator incorporates library code from the Sonic Visualiser
Chris@2 27 application by Chris Cannam. Code copyright 2005-2007 Chris Cannam,
Chris@95 28 copyright 2006-2014 Queen Mary, University of London, except where
Chris@2 29 indicated in the individual source files.
Chris@2 30
Chris@2 31 This work was funded by the Engineering and Physical Sciences Research
Chris@2 32 Council through the OMRAS2 project EP/E017614/1.
Chris@2 33
Chris@2 34 Sonic Annotator is free software; you can redistribute it and/or
Chris@2 35 modify it under the terms of the GNU General Public License as
Chris@2 36 published by the Free Software Foundation; either version 2 of the
Chris@2 37 License, or (at your option) any later version. See the file COPYING
Chris@2 38 included with this distribution for more information.
Chris@2 39
Chris@2 40 Sonic Annotator may also make use of the following libraries:
Chris@2 41
Chris@87 42 * Qt5 -- Copyright Digia Oyj, distributed under the LGPL
Chris@2 43 * Ogg decoder -- Copyright CSIRO Australia, BSD license
Chris@2 44 * MAD mp3 decoder -- Copyright Underbit Technologies Inc, GPL
Chris@2 45 * libsamplerate -- Copyright Erik de Castro Lopo, GPL
Chris@2 46 * libsndfile -- Copyright Erik de Castro Lopo, LGPL
Chris@2 47 * FFTW3 -- Copyright Matteo Frigo and MIT, GPL
Chris@87 48 * Vamp plugin SDK -- Copyright Chris Cannam and QMUL, BSD license
Chris@87 49 * Dataquay -- Copyright Breakfast Quay, BSD license
Chris@87 50 * Sord and Serd -- Copyright David Robillard, BSD license
Chris@2 51
Chris@2 52 (Some distributions of Sonic Annotator may have one or more of these
Chris@2 53 libraries statically linked.) Many thanks to their authors.
Chris@2 54
Chris@0 55
Chris@0 56 A Quick Tutorial
Chris@2 57 ================
Chris@0 58
Chris@0 59 To use Sonic Annotator, you need to tell it three things: what audio
Chris@0 60 files to extract features from; what features to extract; and how and
Chris@0 61 where to write the results. You can also optionally tell it to
Chris@0 62 summarise the features.
Chris@0 63
Chris@0 64
Chris@0 65 1. What audio files to extract features from
Chris@0 66
Chris@0 67 Sonic Annotator accepts a list of audio files on the command line.
Chris@0 68 Any argument that is not understood as a supported command-line option
Chris@0 69 will be taken to be the name of an audio file. Any number of files
Chris@0 70 may be listed.
Chris@0 71
Chris@0 72 Several common audio file formats are supported, including MP3, Ogg,
Chris@0 73 and a number of PCM formats such as WAV and AIFF. AAC is supported on
Chris@0 74 OS/X only, and only if not DRM protected. WMA is not supported.
Chris@0 75
Chris@0 76 File paths do not have to be local; you can also provide remote HTTP
Chris@0 77 or FTP URLs for Sonic Annotator to retrieve.
Chris@0 78
Chris@0 79 Sonic Annotator also accepts the names of playlist files (.m3u
Chris@0 80 extension) and will process every file found in the playlist.
Chris@0 81
Chris@0 82 Finally, you can provide a local directory path instead of a file,
Chris@0 83 together with the -r (recursive) option, for Sonic Annotator to
Chris@0 84 process every audio file found in that directory or any of its
Chris@0 85 subdirectories.
Chris@0 86
Chris@0 87
Chris@0 88 2. What features to extract
Chris@0 89
Chris@0 90 Sonic Annotator applies "transforms" to its input audio files, where a
Chris@0 91 transform (in this terminology) consists of a Vamp plugin together
Chris@0 92 with a certain set of parameters and a specified execution context:
Chris@0 93 step and block size, sample rate, etc.
Chris@0 94
Chris@0 95 (See http://www.vamp-plugins.org/ for more information about Vamp
Chris@0 96 plugins.)
Chris@0 97
Chris@0 98 To use a particular transform, specify its filename on the command
Chris@0 99 line with the -t option.
Chris@0 100
Chris@0 101 Transforms are usually described in RDF, following the transform part
Chris@0 102 of the Vamp plugin ontology (http://purl.org/ontology/vamp/). A
Chris@0 103 Transform may use any Vamp plugin that is currently installed and
Chris@0 104 available on the system. You can obtain a list of available plugin
Chris@0 105 outputs by running Sonic Annotator with the -l option, and you can
Chris@0 106 obtain a skeleton transform description for one of these plugins with
Chris@0 107 the -s option.
Chris@0 108
Chris@0 109 For example, if the example plugins from the Vamp plugin SDK are
Chris@0 110 available and no other plugins are installed, you might have an
Chris@0 111 exchange like this:
Chris@0 112
Chris@0 113 $ sonic-annotator -l
Chris@0 114 vamp:vamp-example-plugins:amplitudefollower:amplitude
Chris@0 115 vamp:vamp-example-plugins:fixedtempo:acf
Chris@0 116 vamp:vamp-example-plugins:fixedtempo:detectionfunction
Chris@0 117 vamp:vamp-example-plugins:fixedtempo:filtered_acf
Chris@0 118 vamp:vamp-example-plugins:fixedtempo:tempo
Chris@0 119 vamp:vamp-example-plugins:fixedtempo:candidates
Chris@0 120 vamp:vamp-example-plugins:percussiononsets:detectionfunction
Chris@0 121 vamp:vamp-example-plugins:percussiononsets:onsets
Chris@0 122 vamp:vamp-example-plugins:powerspectrum:powerspectrum
Chris@0 123 vamp:vamp-example-plugins:spectralcentroid:linearcentroid
Chris@0 124 vamp:vamp-example-plugins:spectralcentroid:logcentroid
Chris@0 125 vamp:vamp-example-plugins:zerocrossing:counts
Chris@0 126 vamp:vamp-example-plugins:zerocrossing:zerocrossings
Chris@0 127 $ sonic-annotator -s vamp:vamp-example-plugins:fixedtempo:tempo
Chris@0 128 @prefix xsd: <http://www.w3.org/2001/XMLSchema#> .
Chris@0 129 @prefix vamp: <http://purl.org/ontology/vamp/> .
Chris@0 130 @prefix : <#> .
Chris@0 131
Chris@0 132 :transform a vamp:Transform ;
Chris@0 133 vamp:plugin <http://vamp-plugins.org/rdf/plugins/vamp-example-plugins#fixedtempo> ;
Chris@0 134 vamp:step_size "64"^^xsd:int ;
Chris@0 135 vamp:block_size "256"^^xsd:int ;
Chris@0 136 vamp:parameter_binding [
Chris@0 137 vamp:parameter [ vamp:identifier "maxbpm" ] ;
Chris@0 138 vamp:value "190"^^xsd:float ;
Chris@0 139 ] ;
Chris@0 140 vamp:parameter_binding [
Chris@0 141 vamp:parameter [ vamp:identifier "maxdflen" ] ;
Chris@0 142 vamp:value "10"^^xsd:float ;
Chris@0 143 ] ;
Chris@0 144 vamp:parameter_binding [
Chris@0 145 vamp:parameter [ vamp:identifier "minbpm" ] ;
Chris@0 146 vamp:value "50"^^xsd:float ;
Chris@0 147 ] ;
Chris@0 148 vamp:output <http://vamp-plugins.org/rdf/plugins/vamp-example-plugins#fixedtempo_output_tempo> .
Chris@0 149 $
Chris@0 150
Chris@0 151 The output of -s is an RDF/Turtle document describing the default
Chris@0 152 settings for the Tempo output of the Fixed Tempo Estimator plugin in
Chris@0 153 the Vamp plugin SDK.
Chris@0 154
Chris@0 155 (The exact format of the RDF printed may differ -- e.g. if the
Chris@0 156 plugin's RDF description is not installed and so its "home" URI is not
Chris@0 157 known -- but the result should be functionally equivalent to this.)
Chris@0 158
Chris@0 159 You could run this transform by saving the RDF to a file and
Chris@0 160 specifying that file with -t:
Chris@0 161
Chris@0 162 $ sonic-annotator -s vamp:vamp-example-plugins:fixedtempo:tempo > test.n3
Chris@0 163 $ sonic-annotator -t test.n3 audio.wav -w csv --csv-stdout
Chris@0 164 (... logging output on stderr, then ...)
Chris@0 165 "audio.wav",0.002902494,5.196916099,68.7916,"68.8 bpm"
Chris@0 166 $
Chris@0 167
Chris@0 168 The single line of output above consists of the audio file name, the
Chris@0 169 timestamp and duration for a single feature, the value of that feature
Chris@0 170 (the estimated tempo of the given region of time from that file, in
Chris@0 171 bpm -- the plugin in question performs a single tempo estimation and
Chris@0 172 nothing else) and the feature's label.
Chris@0 173
Chris@0 174 A quicker way to achieve the above is to use the -d (default) option
Chris@0 175 to tell Sonic Annotator to use directly the default configuration for
Chris@0 176 a named transform:
Chris@0 177
Chris@0 178 $ sonic-annotator -d vamp:vamp-example-plugins:fixedtempo:tempo audio.wav -w csv --csv-stdout
Chris@0 179 (... some log output on stderr, then ...)
Chris@0 180 "audio.wav",0.002902494,5.196916099,68.7916,"68.8 bpm"
Chris@0 181 $
Chris@0 182
Chris@0 183 Although handy for experimentation, the -d option is inadvisable in
Chris@0 184 any "production" situation because the plugin configuration is not
Chris@0 185 guaranteed to be the same each time (for example if an updated version
Chris@0 186 of a plugin changes some of its defaults). It's better to save a
Chris@0 187 well-defined transform to file and refer to that, even if it is simply
Chris@0 188 the transform created by the skeleton option.
Chris@0 189
Chris@0 190 To run more than one transform on the same audio files, just put more
Chris@0 191 than one set of transform RDF descriptions in the same file, or give
Chris@0 192 the -t option more than once with separate transform description
Chris@0 193 files. Remember that if you want to specify more than one transform
Chris@0 194 in the same file, they will need to have distinct URIs (that is, the
Chris@0 195 ":transform" part of the example above, which may be any arbitrary
Chris@0 196 name, must be distinct for each described transform).
Chris@0 197
Chris@0 198
Chris@0 199 3. How and where to write the results
Chris@0 200
Chris@0 201 Sonic Annotator supports various different output modules (and it is
Chris@0 202 fairly easy for the developer to add new ones). You have to choose at
Chris@0 203 least one output module; use the -w (writer) option to do so. Each
Chris@0 204 module has its own set of parameters which can be adjusted on the
Chris@0 205 command line, as well as its own default rules about where to write
Chris@0 206 the results.
Chris@0 207
Chris@174 208 To get help on a specific writer, run Sonic Annotator with the -h
Chris@174 209 option followed by the writer name (e.g. "-h csv").
Chris@174 210
Chris@0 211 The following writers are currently supported. (Others exist, but are
Chris@0 212 not properly implemented or not supported.)
Chris@0 213
Chris@0 214 * csv
Chris@0 215
Chris@0 216 Writes the results into comma-separated data files.
Chris@0 217
Chris@0 218 One file is created for each transform applied to each input audio
Chris@0 219 file, named after the input audio file and transform name with .csv
Chris@0 220 suffix and ":" replaced by "_" throughout, placed in the same
Chris@0 221 directory as the audio file.
Chris@0 222
Chris@0 223 To instruct Sonic Annotator to place the output files in another
Chris@0 224 location, use --csv-basedir with a directory name.
Chris@0 225
Chris@0 226 To write a single file with all data in it, use --csv-one-file.
Chris@0 227
Chris@0 228 To write all data to stdout instead of to a file, use --csv-stdout.
Chris@0 229
Chris@0 230 Sonic Annotator will not write to an output file that already
Chris@0 231 exists. If you want to make it do this, use --csv-force to
Chris@0 232 overwrite or --csv-append to append to it.
Chris@0 233
Chris@0 234 The data generated consists of one line for each result feature,
Chris@0 235 containing the feature timestamp, feature duration if present, all
Chris@0 236 of the feature's bin values in order, followed by the feature's
Chris@0 237 label if present. If the --csv-one-file or --csv-stdout option is
Chris@0 238 specified, then an additional column will appear before any of the
Chris@0 239 above, containing the audio file name from which the feature was
Chris@174 240 extracted, if it differs from that of the previous row. To suppress
Chris@174 241 this additional column, use the --csv-omit-filenames option.
Chris@174 242
Chris@174 243 To make the CSV writer emit the end time instead of the duration
Chris@174 244 (for features with duration) use the --csv-end-times option.
Chris@174 245
Chris@174 246 To make the writer always emit end time or duration, even when the
Chris@174 247 feature lacks duration, by using the time of the following feature
Chris@174 248 as the end time, use the --csv-fill-ends option.
Chris@0 249
Chris@0 250 The default column separator is a comma; you can specify a
Chris@0 251 different one with the --csv-separator option.
Chris@0 252
Chris@174 253 * lab
Chris@174 254
Chris@174 255 Writes the results into a tab-separated label file (.lab).
Chris@174 256
Chris@174 257 This is equivalent to using the CSV writer with a tab separator and
Chris@174 258 the options --csv-end-times --csv-omit-filenames.
Chris@174 259
Chris@174 260 It supports the --lab-basedir, --lab-one-file, --lab-stdout,
Chris@174 261 --lab-force, --lab-append, and --lab-fill-ends options, which all
Chris@174 262 behave similarly to their CSV writer equivalents.
Chris@174 263
Chris@0 264 * rdf
Chris@0 265
Chris@0 266 Writes the results into RDF/Turtle documents following the Audio
Chris@0 267 Features ontology (http://purl.org/ontology/af/).
Chris@0 268
Chris@0 269 One file is created for each input audio file containing the
Chris@0 270 features extracted by all transforms applied to that file, named
Chris@0 271 after the input audio file with .n3 extension, placed in the same
Chris@0 272 directory as the audio file.
Chris@0 273
Chris@0 274 To instruct Sonic Annotator to place the output files in another
Chris@0 275 location, use --rdf-basedir with a directory name.
Chris@0 276
Chris@0 277 To write a single file with all data (from all input audio files)
Chris@0 278 in it, use --rdf-one-file.
Chris@0 279
Chris@0 280 To write one file for each transform applied to each input audio
Chris@0 281 file, named after the input audio file and transform name with .n3
Chris@0 282 suffix and ":" replaced by "_" throughout, use --rdf-many-files.
Chris@0 283
Chris@0 284 To write all data to stdout instead of to a file, use --rdf-stdout.
Chris@0 285
Chris@0 286 Sonic Annotator will not write to an output file that already
Chris@0 287 exists. If you want to make it do this, use --rdf-force to
Chris@0 288 overwrite or --rdf-append to append to it.
Chris@0 289
Chris@0 290 Sonic Annotator will use plugin description RDF if available to
Chris@0 291 enhance its output (for example identifying note onset times as
Chris@0 292 note onset times, if the plugin's RDF says that is what it
Chris@0 293 produces, rather than writing them as plain events). Best results
Chris@0 294 will be obtained if an RDF document is provided with your plugins
Chris@0 295 (for example, vamp-example-plugins.n3) and you have this installed
Chris@0 296 in the same location as the plugins. To override this enhanced
Chris@0 297 output and write plain events for all features, use --rdf-plain.
Chris@0 298
Chris@0 299 The output RDF will include an available_as property linking the
Chris@0 300 results to the original audio signal URI. By default, this will
Chris@0 301 point to the URI of the file or resource containing the audio that
Chris@0 302 Sonic Annotator processed, such as the file:/// location on disk.
Chris@0 303 To override this, for example to process a local copy of a file
Chris@0 304 while generating RDF that describes a copy of it available on a
Chris@0 305 network, you can use the --rdf-signal-uri option to specify an
Chris@0 306 alternative signal URI.
Chris@0 307
Chris@174 308 * json
Chris@174 309
Chris@174 310 Writes the results into JSON format following JAMS, the JSON
Chris@174 311 Annotated Music Specification. This writer is provisional as of
Chris@174 312 Sonic Annotator v1.1.
Chris@174 313
Chris@174 314 * midi
Chris@174 315
Chris@174 316 Writes the results to MIDI files. All features are written as MIDI
Chris@174 317 notes.
Chris@174 318
Chris@174 319 If a feature has at least one value, its first value will be used
Chris@174 320 as the note pitch, the second value (if present) for velocity. If a
Chris@174 321 feature has units of Hz, then its pitch will be converted from
Chris@174 322 frequency to an integer value in MIDI range, otherwise it will be
Chris@174 323 written directly.
Chris@174 324
Chris@174 325 Multiple (up to 16) transforms can be written to a single MIDI
Chris@174 326 file, where they will be given separate MIDI channel numbers.
Chris@174 327
Chris@0 328
Chris@0 329 4. Optionally, how to summarise the features
Chris@0 330
Chris@0 331 Sonic Annotator can also calculate and write summaries of features,
Chris@0 332 such as mean and median values.
Chris@0 333
Chris@0 334 To obtain a summary as well as the feature results, just use the -S
Chris@0 335 option, naming the type of summary you want (min, max, mean, median,
Chris@0 336 mode, sum, variance, sd or count). You can also tell it to produce
Chris@0 337 only the summary, not the individual features, with --summary-only.
Chris@0 338
Chris@0 339 Alternatively, you can specify a summary in a transform description.
Chris@0 340 The following example tells Sonic Annotator to write both the times of
Chris@0 341 note onsets estimated by the simple percussion onset detector example
Chris@0 342 plugin, and the variance of the plugin's onset detection function.
Chris@0 343 (It will only process the audio file and run the plugin once.)
Chris@0 344
Chris@0 345 @prefix rdf: <http://www.w3.org/1999/02/22-rdf-syntax-ns#>.
Chris@0 346 @prefix vamp: <http://purl.org/ontology/vamp/>.
Chris@0 347 @prefix examples: <http://vamp-plugins.org/rdf/plugins/vamp-example-plugins#>.
Chris@0 348 @prefix : <#>.
Chris@0 349
Chris@0 350 :transform1 a vamp:Transform;
Chris@0 351 vamp:plugin examples:percussiononsets ;
Chris@0 352 vamp:output examples:percussiononsets_output_onsets .
Chris@0 353
Chris@0 354 :transform0 a vamp:Transform;
Chris@0 355 vamp:plugin examples:percussiononsets ;
Chris@0 356 vamp:output examples:percussiononsets_output_detectionfunction ;
Chris@0 357 vamp:summary_type "variance" .
Chris@0 358
Chris@0 359 Sonic Annotator can also summarise in segments -- if you provide a
Chris@0 360 comma-separated list of times as an argument to the --segments option,
Chris@0 361 it will calculate one summary for each segment bounded by the times
Chris@0 362 you provided. For example,
Chris@0 363
Chris@0 364 $ sonic-annotator -d vamp:vamp-example-plugins:percussiononsets:detectionfunction -S variance --sumary-only --segments 1,2,3 -w csv --csv-stdout audio.wav
Chris@0 365 (... some log output on stderr, then ...)
Chris@0 366 ,0.000000000,1.000000000,variance,1723.99,"(variance, continuous-time average)"
Chris@0 367 ,1.000000000,1.000000000,variance,1981.75,"(variance, continuous-time average)"
Chris@0 368 ,2.000000000,1.000000000,variance,1248.79,"(variance, continuous-time average)"
Chris@0 369 ,3.000000000,7.031020407,variance,1030.06,"(variance, continuous-time average)"
Chris@0 370
Chris@0 371 Here the first row contains a summary covering the time period from 0
Chris@0 372 to 1 second, the second from 1 to 2 seconds, the third from 2 to 3
Chris@0 373 seconds and the fourth from 3 seconds to the end of the (short) audio
Chris@0 374 file.
Chris@0 375