| Mon, 06 Jul 2015 09:02:00 +0100 |
Chris Cannam |
Update thresholds for string quartets following evaluation
livemode
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| Tue, 30 Jun 2015 09:38:12 +0100 |
Chris Cannam |
Threshold of 5 is definitely better than threshold 6 for piano... but I'm still unpersuaded about the advantages of even lower thresholds -- need to go over this again
livemode
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| Mon, 29 Jun 2015 16:22:32 +0100 |
Chris Cannam |
Initialise pitch and shift vectors to 1.0 instead of randomly -- seems to produce at least no worse results, and has the advantage of producing deterministic output
livemode
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| Sat, 27 Jun 2015 14:37:13 +0100 |
Chris Cannam |
An abortive attempt at this (doesn't compile)
simultaneities
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| Fri, 26 Jun 2015 10:23:54 +0100 |
Chris Cannam |
Add onset+offset output; look up shift counts rather than passing them around
livemode
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| Thu, 25 Jun 2015 17:23:31 +0100 |
Chris Cannam |
Back out this reduction of duration threshold, I think it makes things too noisy
livemode
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| Thu, 25 Jun 2015 14:18:44 +0100 |
Chris Cannam |
Detect repeated notes
livemode
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| Thu, 25 Jun 2015 12:21:02 +0100 |
Chris Cannam |
Merge
livemode
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| Fri, 08 May 2015 17:17:08 +0100 |
Chris Cannam |
Update RDF
livemode
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| Wed, 29 Apr 2015 18:58:00 +0100 |
Chris Cannam |
Merge
livemode
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| Tue, 28 Apr 2015 18:56:54 +0100 |
Chris Cannam |
Merge
livemode
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| Tue, 28 Apr 2015 18:56:34 +0100 |
Chris Cannam |
Minor text fix
livemode
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| Tue, 19 May 2015 09:51:51 +0100 |
Chris Cannam |
A small improvement, but not enough
livemode-octave-higher
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| Tue, 19 May 2015 09:29:00 +0100 |
Chris Cannam |
Experiment with dropping the bottom octave off each template (since most of the information is in higher harmonics anyway!) -- this is about 15% faster again and has half the latency, but per
livemode-octave-higher
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| Mon, 18 May 2015 16:33:36 +0100 |
Chris Cannam |
Update output for current code
livemode
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| Mon, 18 May 2015 13:58:27 +0100 |
Chris Cannam |
Always use q=0.8 and accept the hit on speed -- the templates are made for that configuration and it does work better. Also some adjustments to thresholding and peak picking for live mode in particular.
livemode
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| Mon, 18 May 2015 11:06:14 +0100 |
Chris Cannam |
Update .lab outputs to reflect current code
livemode
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| Wed, 29 Apr 2015 10:56:30 +0100 |
Chris Cannam |
Fix oversight which saw note tracking use pre-filtered pitches (resulting in many short notes)
livemode
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| Wed, 29 Apr 2015 10:34:44 +0100 |
Chris Cannam |
For piano instrument in live mode, merge the templates rather than only using one (seems to give better results)
livemode
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| Wed, 29 Apr 2015 10:12:02 +0100 |
Chris Cannam |
Shorten duration threshold for live mode; return non-peak-picked pitch distribution from pitch distribution output
livemode
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| Wed, 29 Apr 2015 09:51:09 +0100 |
Chris Cannam |
Refactor velocity calculations
livemode
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| Wed, 29 Apr 2015 09:27:38 +0100 |
Chris Cannam |
Add onsets output (lower-latency than the notes output)
livemode
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| Tue, 28 Apr 2015 16:54:12 +0100 |
Chris Cannam |
Minor tidy
livemode
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| Tue, 28 Apr 2015 13:55:32 +0100 |
Chris Cannam |
Some small speed improvements for live mode (+ don't use async for it when there's only one template in the EM process: the overhead isn't worth it)
livemode
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| Tue, 28 Apr 2015 12:21:40 +0100 |
Chris Cannam |
Live mode enhancements: Adjust processing parameters (for speed) and peak-pick pitch activations across frequency (to avoid neighbouring-semitone clusters)
livemode
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| Tue, 28 Apr 2015 12:20:39 +0100 |
Chris Cannam |
Use only a single piano template in live mode, for speed
livemode
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| Tue, 28 Apr 2015 11:24:23 +0100 |
Chris Cannam |
Merge from default branch
livemode
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| Tue, 28 Apr 2015 11:09:31 +0100 |
Chris Cannam |
Don't rely on column count to determine whether we've set the start time or not -- it could theoretically be 0 even after some input has appeared
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