changeset 58:a63c438b3f65 tip

Squeezed it into the 6 page limit
author Henrik Ekeus <hekeus@eecs.qmul.ac.uk>
date Tue, 11 Jun 2013 15:17:21 +0100
parents 64631f786097
children
files smc2013_cameraReady/all.bib smc2013_cameraReady/smc2013.aux smc2013_cameraReady/smc2013.bbl smc2013_cameraReady/smc2013.log smc2013_cameraReady/smc2013.synctex.gz smc2013_cameraReady/smc2013.tex
diffstat 6 files changed, 20 insertions(+), 30 deletions(-) [+]
line wrap: on
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--- a/smc2013_cameraReady/all.bib	Mon Jun 10 20:55:32 2013 +0100
+++ b/smc2013_cameraReady/all.bib	Tue Jun 11 15:17:21 2013 +0100
@@ -2,7 +2,7 @@
 %% http://bibdesk.sourceforge.net/
 
 
-%% Created for Henrik Ekeus at 2013-06-10 20:41:00 +0100 
+%% Created for Henrik Ekeus at 2013-06-11 14:56:44 +0100 
 
 
 %% Saved with string encoding Unicode (UTF-8) 
@@ -3674,9 +3674,8 @@
 	Address = {The Netherlands},
 	Author = {Ponsford, D. and Wiggins, G. A. and Mellish, C. S.},
 	Date-Added = {2005-10-21 12:20:28 +0100},
-	Date-Modified = {2005-10-21 12:52:46 +0100},
+	Date-Modified = {2013-06-11 14:56:44 +0100},
 	Journal = {Journal of New Music Research},
-	Note = {Also available as Research Paper 874, from the Division of Informatics, University of Edinburgh.},
 	Number = 2,
 	Pages = {150-177},
 	Publisher = {Swets \& Zeitlinger},
--- a/smc2013_cameraReady/smc2013.aux	Mon Jun 10 20:55:32 2013 +0100
+++ b/smc2013_cameraReady/smc2013.aux	Tue Jun 11 15:17:21 2013 +0100
@@ -63,8 +63,8 @@
 \@writefile{toc}{\contentsline {subsection}{\numberline {4.1} Features}{4}{subsection.4.1}}
 \citation{ekeusmt1}
 \@writefile{toc}{\contentsline {subsection}{\numberline {4.2} Collecting Data - `Likes' and the Melody Triangle `Radio'}{5}{subsection.4.2}}
+\@writefile{toc}{\contentsline {subsection}{\numberline {4.3} Interpreting Crowdsourced Data}{5}{subsection.4.3}}
 \newlabel{f:halloffame.png}{{6}{5}{\relax }{figure.caption.6}{}}
-\@writefile{toc}{\contentsline {subsection}{\numberline {4.3} Interpreting Crowdsourced Data}{5}{subsection.4.3}}
 \bibdata{all,c4dm,all3}
 \bibcite{Xenakis:1992ul}{1}
 \bibcite{Abdallah:2009p4089}{2}
@@ -84,6 +84,6 @@
 \bibcite{Dubnov2004}{16}
 \bibcite{Berlyne71}{17}
 \bibcite{Wundt1897}{18}
+\bibcite{Teh2006}{19}
 \@writefile{toc}{\contentsline {section}{\numberline {5.} Conclusion}{6}{section.5}}
 \@writefile{toc}{\contentsline {section}{\numberline {6.} References}{6}{section.6}}
-\bibcite{Teh2006}{19}
--- a/smc2013_cameraReady/smc2013.bbl	Mon Jun 10 20:55:32 2013 +0100
+++ b/smc2013_cameraReady/smc2013.bbl	Tue Jun 11 15:17:21 2013 +0100
@@ -81,8 +81,7 @@
 \bibitem{PonsfordWigginsMellish1999}
 D.~Ponsford, G.~A. Wiggins, and C.~S. Mellish, ``Statistical learning of
   harmonic movement,'' \emph{Journal of New Music Research}, vol.~28, no.~2,
-  pp. 150--177, 1999, also available as Research Paper 874, from the Division
-  of Informatics, University of Edinburgh.
+  pp. 150--177, 1999.
 
 \bibitem{Pearce2005}
 M.~T. Pearce, ``The construction and evaluation of statistical models of
--- a/smc2013_cameraReady/smc2013.log	Mon Jun 10 20:55:32 2013 +0100
+++ b/smc2013_cameraReady/smc2013.log	Tue Jun 11 15:17:21 2013 +0100
@@ -1,4 +1,4 @@
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+This is pdfTeX, Version 3.1415926-1.40.10 (TeX Live 2009) (format=pdflatex 2010.2.14)  11 JUN 2013 15:16
 entering extended mode
  \write18 enabled.
  file:line:error style messages enabled.
@@ -481,39 +481,30 @@
 File: figs/screenshot.png Graphic file (type png)
  <use figs/screenshot.png>
 [4 <./figs/screenshot.png (PNG copy)>]
-Overfull \hbox (4.11496pt too wide) in paragraph at lines 438--439
-\OT1/ptm/m/n/10 mod-ify down-loaded states and then `like' those, hence states
- []
-
 <figs/halloffame.png, id=257, 498.86375pt x 424.58624pt>
 File: figs/halloffame.png Graphic file (type png)
 
 <use figs/halloffame.png>
-Overfull \hbox (7.40446pt too wide) in paragraph at lines 452--453
+Overfull \hbox (7.40446pt too wide) in paragraph at lines 453--454
 \OT1/ptm/m/n/10 note-to-symbol map-pings, in-stru-ment/register choices, scale,
 
  []
 
-
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-
- [5 <./figs/halloffame.png>]
-Overfull \hbox (7.58484pt too wide) in paragraph at lines 468--470
+[5 <./figs/halloffame.png>]
+Overfull \hbox (7.58484pt too wide) in paragraph at lines 469--471
 \OT1/ptm/m/n/10 EP/G007144/1 (MDP) and EP-SRC IDyOM2 EP/H013059/1.
  []
 
 
-Overfull \hbox (6.55565pt too wide) in paragraph at lines 468--470
+Overfull \hbox (6.55565pt too wide) in paragraph at lines 469--471
 \OT1/ptm/m/n/10 The Melody Tri-an-gle mo-bile app was de-vel-oped with QApps
  []
 
-(./smc2013.bbl [6]) [7
-
-] (./smc2013.aux) )
+(./smc2013.bbl) [6] (./smc2013.aux) )
 (\end occurred when \ifx on line 50 was incomplete) 
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+Output written on smc2013.pdf (6 pages, 2057569 bytes).
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Binary file smc2013_cameraReady/smc2013.synctex.gz has changed
--- a/smc2013_cameraReady/smc2013.tex	Mon Jun 10 20:55:32 2013 +0100
+++ b/smc2013_cameraReady/smc2013.tex	Tue Jun 11 15:17:21 2013 +0100
@@ -431,10 +431,11 @@
 The current transition matrices, settings of each token and the global settings constitute the `state' of the system.  A user can save their favourites states locally as presets or share them with the world by pressing the `like' button.
  
 \subsection{Collecting Data - `Likes' and the Melody Triangle `Radio'}
-Onscreen notifications encourage users of the app to press the `like' button (the heart icon on the right of the screen) whenever they enjoy what they are hearing.  When they do so, the current state of the system is stored and assigned a unique 6 character hash code, referred to as a `song id'.  The users are given the option to enter a username, or may choose to remain anonymous. This state is encoded into a small file and uploaded to our servers at Queen Mary, University of London.  Geographical information is also stored, and a history of previous states is also included in the uploaded information.  
+Onscreen notifications encourage users of the app to press the `like' button (the heart icon on the right of the screen) whenever they enjoy what they are hearing.  When they do so, the current state of the system is stored and assigned a unique 6 character hash code, referred to as a `song id'.  The users are given the option to enter a username, or may choose to remain anonymous. This state is encoded into a small file and uploaded to our servers at Queen Mary, University of London.  Geographical information is also stored.  
 
-Uploaded states become available to other users of the app.  By pressing the cloud icon on the right of the screen, the user can type in any song id.  When they do so the app downloads the state file from the server and loads the state on to the user's phone.  In this way it is possible for users of the app to share settings with each other. 
-
+%Uploaded states become available to other users of the app. 
+It is possible for users of the app to share settings with each other. 
+By pressing the cloud icon on the right of the screen, the user can type in any song id.  When they do so the app downloads the state file from the server and loads the state on to the user's phone.  
 Additionally the app can go into `radio mode', where the users can quickly and easily audition other users' uploaded states.  Upon entering radio mode, the app downloads a randomly selected uploaded state.  An additional button appears on the interface, a `skip' button, which whenever it is pressed the app downloads another randomly selected state.  Again the users are encouraged (via on screen notifications) to whenever they enjoy one of the downloaded states, to press the `like' button.  This allows us over time to build a kind of crowdsourced ranking of the uploaded states, as more popular states get more likes.   Users can modify downloaded states and then `like' those, hence states can evolve from other states, and so any uploaded state keeps a history of previous states so that we may track their evolution.   
 
  To further encourage uploads and participations, there is a `Hall of Fame' (see \Figrf{halloffame.png}) available at the project website.  It shows a list of the users who have contributed the most by uploading many states, as well as chart of most popular songs when `liked' in radio mode.