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\bibitem{Xenakis:1992ul}
I.~Xenakis, \emph{{Formalized music : thought and mathematics in
  composition}}.\hskip 1em plus 0.5em minus 0.4em\relax Stuyvesant, NY:
  Pendragon Press, 1992.

\bibitem{CIP}
S.~A. Abdallah, H.~Ekeus, P.~Foster, A.~Robertson, and M.~D. Plumbley,
  ``{Cognitive music modelling: An information dynamics approach},''
  \emph{Cognitive Information Processing (CIP), 2012 3rd International Workshop
  on}, pp. 1--8, 2012.

\bibitem{Shannon48}
C.~E. Shannon, ``A mathematical theory of communication,'' \emph{The Bell
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\bibitem{Youngblood58}
J.~E. Youngblood, ``Style as information,'' \emph{Journal of Music Theory},
  vol.~2, pp. 24--35, 1958.

\bibitem{CoonsKraehenbuehl1958}
E.~Coons and D.~Kraehenbuehl, ``Information as a measure of structure in
  music,'' \emph{Journal of Music Theory}, vol.~2, no.~2, pp. 127--161, 1958.

\bibitem{Moles66}
A.~Moles, \emph{Information Theory and Esthetic Perception}.\hskip 1em plus
  0.5em minus 0.4em\relax University of Illinois Press, 1966.

\bibitem{Meyer67}
L.~B. Meyer, \emph{Music, the arts and ideas: Patterns and Predictions in
  Twentieth-century culture}.\hskip 1em plus 0.5em minus 0.4em\relax University
  of Chicago Press, 1967.

\bibitem{Cohen1962}
J.~E. Cohen, ``Information theory and music,'' \emph{Behavioral Science},
  vol.~7, no.~2, pp. 137--163, 1962.

\bibitem{Meyer:1967}
L.~Meyer, ``{Music, the arts, and ideas: Patterns and Predictions in
  Twentieth-Century Culture},'' University of Chicago Press, Chicago, 1967.

\bibitem{Narmour:1977}
E.~Narmour, \emph{{Beyond Schenkerism}}, ser. the need for alternatives in
  music analysis.\hskip 1em plus 0.5em minus 0.4em\relax Univ of Chicago Press,
  1977.

\bibitem{SaffranJohnsonAslin1999}
J.~R. Saffran, E.~K. Johnson, R.~N. Aslin, and E.~L. Newport, ``Statistical
  learning of tone sequences by human infants and adults,'' \emph{Cognition},
  vol.~70, no.~1, pp. 27--52, 1999.

\bibitem{ConklinWitten95}
D.~Conklin and I.~H. Witten, ``Multiple viewpoint systems for music
  prediction,'' \emph{Journal of New Music Research}, vol.~24, no.~1, pp.
  51--73, 1995.

\bibitem{PonsfordWigginsMellish1999}
D.~Ponsford, G.~A. Wiggins, and C.~S. Mellish, ``Statistical learning of
  harmonic movement,'' \emph{Journal of New Music Research}, vol.~28, no.~2,
  pp. 150--177, 1999, also available as Research Paper 874, from the Division
  of Informatics, University of Edinburgh.

\bibitem{Pearce2005}
M.~T. Pearce, ``The construction and evaluation of statistical models of
  melodic structure in music perception and composition,'' Ph.D. dissertation,
  Department of Computing, City University, London, 2005.

\bibitem{Abdallah:2009p4089}
S.~Abdallah and M.~Plumbley, ``{Information dynamics: patterns of expectation
  and surprise in the perception of music},'' \emph{Connection Science},
  vol.~21, no.~2, pp. 89--117, 2009.

\bibitem{Dubnov2004}
S.~Dubnov, ``{Generalization of spectral flatness measure for non-gaussian
  linear processes},'' \emph{Signal Processing Letters, IEEE}, vol.~11, no.~8,
  pp. 698--701, 2004.

\bibitem{Wundt1897}
W.~Wundt, \emph{Outlines of Psychology}.\hskip 1em plus 0.5em minus 0.4em\relax
  Lepzig: Englemann, 1897.

\bibitem{Berlyne71}
D.~E. Berlyne, \emph{Aesthetics and Psychobiology}.\hskip 1em plus 0.5em minus
  0.4em\relax New York: Appleton Century Crofts, 1971.

\bibitem{ekeusmt1}
H.~Ekeus, S.~Abdallah, and M.~Plumbley, ``{The Melody Triangle: Exploring
  Pattern and Predictability in Music},'' \emph{Musical Metacreation (MUME),
  1st International Workshop on}, 2012.

\end{thebibliography}