p@20
|
1 % \documentclass[12pt,doubledspaced,oneside,openright]{qmwphd}
|
p@2
|
2 % Final MSc project report using qmwphd.cls
|
p@20
|
3 % \usepackage{moreverb} % This defines \verbatiminput.
|
p@20
|
4
|
p@25
|
5 \documentclass[a4paper,12pt,times]{report}
|
p@20
|
6 %PhD Thesis Template for the School of Electronic Engineering and Computer Science, Queen Mary University of London. Stripped from Dan Stowell's PhD.
|
p@20
|
7
|
p@20
|
8 %BEFORE SUBMISSION DO THESE:
|
p@20
|
9 % * deactivate all \includeonly
|
p@20
|
10 % * ensure \doneit set to nothing
|
p@20
|
11 % * ensure numbering CONTINUOUS from title page on through
|
p@20
|
12 % * activate the includes of license, ack, etc
|
p@20
|
13 % * check through for question mark errors in render
|
p@20
|
14 % * make sure the bibliog doesn't have ugly urls in
|
p@20
|
15
|
p@27
|
16 %\usepackage{ifdraft}
|
p@20
|
17 \usepackage{amsmath}
|
p@20
|
18 \usepackage{amsfonts}
|
p@20
|
19 \usepackage{amssymb}
|
p@27
|
20 %\usepackage{natbib}
|
p@27
|
21 %\usepackage{har2nat}
|
p@20
|
22 \usepackage{rotating}
|
p@20
|
23 \usepackage[breaklinks]{hyperref}
|
p@20
|
24 \usepackage{subfig} % apparently subfig is the one to use not subfigure
|
p@20
|
25 \usepackage{appendix}
|
p@20
|
26 \usepackage{tipa}
|
p@20
|
27 \usepackage{clrscode}
|
p@20
|
28 \usepackage{setspace}
|
p@20
|
29 \usepackage[absolute]{textpos}
|
p@20
|
30
|
p@27
|
31 \usepackage{csquotes}
|
p@27
|
32 \usepackage[style=authoryear-ibid, backend=bibtex]{biblatex}
|
p@27
|
33 \addbibresource{references.bib}
|
p@27
|
34
|
p@27
|
35 \usepackage{adjustbox}
|
p@20
|
36
|
p@28
|
37 \usepackage{algorithm}
|
p@28
|
38 \usepackage{algorithmic}
|
p@28
|
39
|
p@2
|
40 \begin{document}
|
p@25
|
41
|
p@27
|
42 %\setlength{\TPHorizModule}{200mm}
|
p@27
|
43 %\setlength{\TPVertModule}{100mm}
|
p@27
|
44 %\textblockorigin{61mm}{19mm}
|
p@20
|
45
|
p@20
|
46 %%%%% thanks alex mclean for super-useful onscreen reading tip:
|
p@20
|
47 %\usepackage[top=0.1in, bottom=0.1in, left=0.3in, right=0.3in, paperwidth=11in, paperheight=7in]{geometry} % activate for ONSCREEN reading shape AT HOME
|
p@20
|
48 %\usepackage[top=0.1in, bottom=0.1in, left=0.3in, right=0.3in, paperwidth=11in, paperheight=8.5in]{geometry} % activate for ONSCREEN reading shape AT WORK
|
p@2
|
49
|
p@20
|
50 \doublespacing{}
|
p@25
|
51 \pagenumbering{gobble}
|
p@25
|
52 %\frontmatter
|
p@20
|
53
|
p@20
|
54 % titlepage stuff
|
p@25
|
55 \begin{minipage}[t]{0.40\textwidth}
|
p@25
|
56 %\vspace{0.5cm}
|
p@25
|
57 {\large \textbf{School of Electronic\\Engineering and\\Computer Science}}\vspace{16.5cm}\newline
|
p@25
|
58 %{\large School of Electronic\\Engineering and\\Computer Science}\vspace{15.7cm}\newline
|
p@27
|
59 \includegraphics[scale=0.15]{Logo.png}\vspace{0.5cm}
|
p@25
|
60 \end{minipage}
|
p@25
|
61 \vline width 2pt
|
p@25
|
62 \hspace{0.8cm}
|
p@25
|
63 \begin{minipage}[t]{0.60\textwidth}
|
p@25
|
64 %\vspace{0.5cm}
|
p@25
|
65 {\normalsize MSc Sound and Music Computing}\\
|
p@25
|
66 {\normalsize Project Report 2015}\vspace{5.5cm}\\
|
p@25
|
67 %\begin{doublespace}
|
p@25
|
68 %\title{Hybrid music recommender using content-based and social information}
|
p@25
|
69 \textbf{\Large Hybrid music recommender\\using content-based and\\social information}\newline\\%\vspace{.5cm}\\
|
p@25
|
70 {\large Paulo Esteban Chiliguano Torres}\vspace{7cm}\\%\hspace{0.5cm}\vspace{1.0cm}
|
p@25
|
71 %\textbf{\HUGE Intuitive Gestural\\Interaction with\\Sampled Sounds}\vspace{4.5cm}\\
|
p@25
|
72 %\end{doublespace}
|
p@25
|
73 \flushright
|
p@25
|
74 {\normalsize \today}%\hspace{0.5cm}
|
p@26
|
75
|
p@25
|
76 \end{minipage}
|
p@2
|
77
|
p@25
|
78 %\title{Hybrid music recommender using content-based and social information}
|
p@25
|
79 %\author{Paulo Esteban Chiliguano Torres \\
|
p@25
|
80 % \\
|
p@25
|
81 % Project Report 2015\\
|
p@25
|
82 % MSc Sound and Music Computing\\
|
p@25
|
83 % \\
|
p@25
|
84 % School of Electronic Engineering and Computer Science\\
|
p@25
|
85 % Queen Mary University of London
|
p@25
|
86 %}
|
p@20
|
87
|
p@25
|
88 %\date{August 2015}
|
p@25
|
89
|
p@25
|
90
|
p@20
|
91 % \author{Paulo Esteban Chiliguano Torres}
|
p@20
|
92 % \title{Hybrid music recommender using content-based and social information}
|
p@20
|
93 % \qualification{Master of Science}
|
p@25
|
94
|
p@26
|
95 \include{acknowledgements/acknowledgements}
|
p@20
|
96
|
p@20
|
97 % \begin{summary}
|
p@20
|
98 % \end{summary}
|
p@26
|
99 \include{abstract/abstract}
|
p@20
|
100
|
p@25
|
101
|
p@2
|
102
|
p@2
|
103 \tableofcontents
|
p@26
|
104 \listoffigures
|
p@26
|
105 \listoftables
|
p@20
|
106
|
p@2
|
107
|
p@25
|
108
|
p@25
|
109 % Start the main context
|
p@25
|
110 % numbering starts from here:
|
p@20
|
111 %\mainmatter
|
p@25
|
112
|
p@20
|
113 \include{chapter1/introduction}
|
p@20
|
114 \include{chapter2/background}
|
p@20
|
115 \include{chapter3/ch3}
|
p@20
|
116 \include{chapter4/evaluation}
|
p@20
|
117 \include{chapter5/results}
|
p@20
|
118 \include{chapter6/conclusions}
|
p@20
|
119
|
p@27
|
120 %\bibliographystyle{agsm}
|
p@27
|
121 \addcontentsline{toc}{chapter}{References}
|
p@27
|
122 \printbibliography[title=References]
|
p@20
|
123
|
p@20
|
124 %\backmatter
|
p@2
|
125
|
p@2
|
126 \end{document} |