chris@531: #N canvas 1487 943 648 549 10;
chris@531: #X obj 36 162 *~ 1000;
chris@531: #X obj 36 139 adc~ 3;
chris@531: #X obj 154 162 adc~ 4;
chris@531: #X obj 293 162 adc~ 5;
robert@464: #X text 33 22 Simple FM;
robert@464: #X text 33 32 =========;
chris@531: #X obj 36 431 +~;
chris@531: #X obj 109 373 osc~;
chris@531: #X obj 109 414 *~;
chris@531: #X obj 109 333 *~;
chris@531: #X obj 174 355 *~;
chris@531: #X obj 36 457 osc~;
chris@531: #X obj 36 513 dac~ 1 2;
chris@531: #X obj 36 482 *~ 0.1;
chris@531: #X obj 36 267 receive~ frequency;
chris@531: #X obj 124 296 receive~ harmonicRatio;
chris@531: #X obj 189 326 receive~ modulationIndex;
chris@531: #X obj 36 184 send~ frequency;
chris@531: #X obj 154 184 send~ harmonicRatio;
chris@531: #X obj 293 184 send~ modulationIndex;
chris@531: #X text 33 55 Simple frequency modulation synthesis. Use the first
chris@531: three;
chris@531: #X text 33 69 analog inputs to change frequency \, harmonic ratio and
chris@531: ;
chris@531: #X text 33 83 modulation index.;
chris@531: #X text 445 15 ............................;
chris@531: #X text 445 25 . ____ ._____ _ .......___ .;
chris@531: #X text 445 35 .| __ )| ____| |....../ _ |.;
chris@531: #X text 445 55 .| |_) | |___| |___ / ___ |.;
chris@531: #X text 445 65 .|____/|_____|_____/_/..._|.io;
chris@531: #X text 445 75 ............................;
chris@531: #X text 445 45 .| __ || __|.| |...../ _| |.;
chris@531: #X connect 0 0 17 0;
chris@531: #X connect 1 0 0 0;
chris@531: #X connect 2 0 18 0;
chris@531: #X connect 3 0 19 0;
chris@531: #X connect 6 0 11 0;
chris@531: #X connect 7 0 8 0;
chris@531: #X connect 8 0 6 1;
chris@531: #X connect 9 0 10 0;
chris@531: #X connect 9 0 7 0;
chris@531: #X connect 10 0 8 1;
chris@531: #X connect 11 0 13 0;
chris@531: #X connect 13 0 12 1;
chris@531: #X connect 13 0 12 0;
chris@531: #X connect 14 0 9 0;
chris@531: #X connect 14 0 6 0;
chris@531: #X connect 15 0 9 1;
chris@531: #X connect 16 0 10 1;