|
chris@531
|
1 #N canvas 0 22 973 666 10;
|
|
chris@531
|
2 #X obj 297 35 inlet~;
|
|
chris@531
|
3 #X obj 297 235 +~;
|
|
chris@531
|
4 #X obj 339 235 +~;
|
|
chris@531
|
5 #X obj 87 296 outlet~;
|
|
chris@531
|
6 #X obj 157 296 outlet~;
|
|
chris@531
|
7 #X obj 258 354 +~;
|
|
chris@531
|
8 #X obj 367 355 +~;
|
|
chris@531
|
9 #X obj 300 354 -~;
|
|
chris@531
|
10 #X obj 407 354 -~;
|
|
chris@531
|
11 #X obj 257 410 +~;
|
|
chris@531
|
12 #X obj 301 411 +~;
|
|
chris@531
|
13 #X obj 345 412 -~;
|
|
chris@531
|
14 #X obj 384 412 -~;
|
|
chris@531
|
15 #X obj 344 494 *~ 0;
|
|
chris@531
|
16 #X obj 302 493 *~ 0;
|
|
chris@531
|
17 #X obj 257 492 *~ 0;
|
|
chris@531
|
18 #X obj 385 495 *~ 0;
|
|
chris@531
|
19 #X obj 652 385 inlet;
|
|
chris@531
|
20 #X obj 652 457 / 200;
|
|
chris@531
|
21 #X obj 652 409 min 100;
|
|
chris@531
|
22 #X obj 652 432 max 0;
|
|
chris@531
|
23 #X obj 258 603 delwrite~ loop-del1 60;
|
|
chris@531
|
24 #X obj 303 581 delwrite~ loop-del2 71.9345;
|
|
chris@531
|
25 #X obj 384 535 delwrite~ loop-del4 95.945;
|
|
chris@531
|
26 #X obj 318 174 delread~ loop-del1 60;
|
|
chris@531
|
27 #X obj 360 199 delread~ loop-del2 71.9345;
|
|
chris@531
|
28 #X obj 428 253 delread~ loop-del4 95.945;
|
|
chris@531
|
29 #X obj 406 228 delread~ loop-del3 86.7545;
|
|
chris@531
|
30 #X obj 345 558 delwrite~ loop-del3 86.7545;
|
|
chris@531
|
31 #X text 306 62 "early echo" generators \, which also increase echo
|
|
chris@531
|
32 density. Open one to see what they do.;
|
|
chris@531
|
33 #X text 320 135 Get the outputs of the recirculating delays. Add the
|
|
chris@531
|
34 inputs to two of them.;
|
|
chris@531
|
35 #X text 440 333 Do a power-conserving mix of them in pairs. First combine
|
|
chris@531
|
36 (1 \, 2) and (3 \, 4)...;
|
|
chris@531
|
37 #X text 422 405 ...then (1 \, 3) and (2 \, 4);
|
|
chris@531
|
38 #X text 466 489 The two mixing stages have a combined gain of 2 \,
|
|
chris@531
|
39 so the recirculation gain is limited to 0.5.;
|
|
chris@531
|
40 #X text 606 562 Put the signals back into the;
|
|
chris@531
|
41 #X text 604 577 recirculating delays.;
|
|
chris@531
|
42 #X text 49 316 Tap outputs from here.;
|
|
chris@531
|
43 #X text 728 401 0 to 100 to control reverb;
|
|
chris@531
|
44 #X text 739 416 time.;
|
|
chris@531
|
45 #X text 711 384 feedback gain on a scale of;
|
|
chris@531
|
46 #X connect 0 0 1 0;
|
|
chris@531
|
47 #X connect 0 0 2 0;
|
|
chris@531
|
48 #X connect 1 0 3 0;
|
|
chris@531
|
49 #X connect 1 0 5 0;
|
|
chris@531
|
50 #X connect 1 0 7 0;
|
|
chris@531
|
51 #X connect 2 0 4 0;
|
|
chris@531
|
52 #X connect 2 0 5 1;
|
|
chris@531
|
53 #X connect 2 0 7 1;
|
|
chris@531
|
54 #X connect 5 0 9 0;
|
|
chris@531
|
55 #X connect 5 0 11 0;
|
|
chris@531
|
56 #X connect 6 0 11 1;
|
|
chris@531
|
57 #X connect 6 0 9 1;
|
|
chris@531
|
58 #X connect 7 0 10 0;
|
|
chris@531
|
59 #X connect 7 0 12 0;
|
|
chris@531
|
60 #X connect 8 0 10 1;
|
|
chris@531
|
61 #X connect 8 0 12 1;
|
|
chris@531
|
62 #X connect 9 0 15 0;
|
|
chris@531
|
63 #X connect 10 0 14 0;
|
|
chris@531
|
64 #X connect 11 0 13 0;
|
|
chris@531
|
65 #X connect 12 0 16 0;
|
|
chris@531
|
66 #X connect 13 0 28 0;
|
|
chris@531
|
67 #X connect 14 0 22 0;
|
|
chris@531
|
68 #X connect 15 0 21 0;
|
|
chris@531
|
69 #X connect 16 0 23 0;
|
|
chris@531
|
70 #X connect 17 0 19 0;
|
|
chris@531
|
71 #X connect 18 0 16 1;
|
|
chris@531
|
72 #X connect 18 0 15 1;
|
|
chris@531
|
73 #X connect 18 0 14 1;
|
|
chris@531
|
74 #X connect 18 0 13 1;
|
|
chris@531
|
75 #X connect 19 0 20 0;
|
|
chris@531
|
76 #X connect 20 0 18 0;
|
|
chris@531
|
77 #X connect 24 0 1 1;
|
|
chris@531
|
78 #X connect 25 0 2 1;
|
|
chris@531
|
79 #X connect 26 0 6 1;
|
|
chris@531
|
80 #X connect 26 0 8 1;
|
|
chris@531
|
81 #X connect 27 0 6 0;
|
|
chris@531
|
82 #X connect 27 0 8 0;
|
