nothing@0: nothing@0: nothing@0: nothing@0: derived from calculated onsets with ACF, spectrum or both nothing@0: nothing@0: Rhythm nothing@0: nothing@0: nothing@0: the amount of partials that are not multiples of the fundamental frequency, takes into account the amount of energy outside the ideal harmonic series nothing@0: nothing@0: Pitch nothing@0: nothing@0: nothing@0: The proportion of energy above a given frequency nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: shows the distribution of energy along the pitches or pitch classes nothing@0: nothing@0: Tonality nothing@0: nothing@0: nothing@0: The frequency below which 85% of the energy is contained. The percentage may be user-chosen nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: Rhythmic periodicity along auditory channels nothing@0: nothing@0: Rhythm nothing@0: nothing@0: nothing@0: The degree of variation of the successive peaks of the spectrum nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: Use peaks of spectral flux to detect onsets nothing@0: nothing@0: Rhythm nothing@0: nothing@0: nothing@0: root mean square energy nothing@0: nothing@0: Dynamics nothing@0: nothing@0: nothing@0: Major vs. Minor, calculated as the strength difference between the best major and best minor key candidates nothing@0: nothing@0: Tonality nothing@0: nothing@0: nothing@0: estimates the beginning of the attack phase of a note by locating the local minimum before the maximum corresponding to the onset nothing@0: These can have start time *and end time* nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: average slope of attack phase, computed either as a simple ratio, or a Gaussian-weighted average to emphasise the middle of the attack nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: The best candidate key nothing@0: nothing@0: Tonality nothing@0: nothing@0: nothing@0: note onset times nothing@0: nothing@0: Rhythm nothing@0: nothing@0: nothing@0: The probability distribution across possible keys nothing@0: nothing@0: Tonality nothing@0: nothing@0: nothing@0: The average dissonance between all pairs of peaks in the spectrum nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: Pitch estimated via ACF, autocorrelation spectrum or cepstrum, or a combination nothing@0: nothing@0: Pitch nothing@0: nothing@0: nothing@0: percentage of frames showing less than average energy nothing@0: nothing@0: Dynamics nothing@0: nothing@0: nothing@0: a measure of acoustic self-similarity as a function of time lag, computed from the similarity matrix nothing@0: nothing@0: Rhythm nothing@0: nothing@0: nothing@0: estimates the average frequency of events, i.e., the number of note onsets per second nothing@0: nothing@0: Rhythm nothing@0: nothing@0: nothing@0: estimates the rhythmic clarity, indicating the strength of the beats estimated by the tempo function nothing@0: nothing@0: Rhythm nothing@0: nothing@0: nothing@0: estimates the amplitude difference between the beginning and the end of the attack phase nothing@0: nothing@0: Timbre nothing@0: nothing@0: nothing@0: estimates MIDI note value based on segmentation and pitch detection nothing@0: nothing@0: Pitch nothing@0: nothing@0: nothing@0: Projects the chromagram into a self-organizing map nothing@0: nothing@0: Tonality nothing@0: nothing@0: nothing@0: Calculates the 6-dimensional tonal centroid vector from the chromagram nothing@0: nothing@0: Tonality nothing@0: nothing@0: nothing@0: the flux of the tonal centroid nothing@0: nothing@0: Tonality nothing@0: nothing@0: nothing@0: nothing@0: